I perform in and around Baltimore Maryland. Recently my favorite venues are the Gordon Center and The Unitarian Universalist Chuch of Fallston. But it once was The Cup coffeehouse in Belair, MD (since changed hands). I also like Huckleberry's in Abingdon, MD.

I usually get pretty good sound and audio recordings when I am in charge of the sound setup. I recorded a show at UU Fallston last December which yielded, after post production and some mastering, several very nice recordings of excellent local performers including Laurie Ballantine and Karen Oliver, as well as Hank49 and Loose Canon (yours truly).

The internet shows great promise in cutting out or at least minimizing the middle man role, best exemplified by the now waning record companies.

This allows a closer relationship between artist and listener and can help to assure that artists get nearly all of any money paid for their work. It's been a long time comin'.

If anyone is interested in licensing any of my work, please contact me via email.

Sure, I'd consider it. Hopefully the day will come when such labels are obsolete but even now as technology continues to change the musical landscape, such contracts still have advantages.

Everyone and everything I have ever heard is an influence one way or the other.

Between the toes.

Martin, Guild, and Taylor Acoustic guitars. Fender, Gibson and Guild electric guitars. Ovation acoustic bass; Ibanez electric bass. Fender and Rhaphsody and Michael Kelly mandolins; Honor concertina and Palatino fiddle.

Mackie and Yamaha mixing and Tascam recording eq along with Windows PC based recording and editing hardware and software.

ART, Lexicon, Behringer, Fishman, Digitech, Morley, BBE and Yamaha signal processors.

Crown power amp, Yamaha S115V speakers and Stagepass300 portable PA.

Right hand, left hand, both ears, pineal gland when available, at least one foot, both sides of the brain and my voice, such that it is.