NEWS
Guitar Mac Blues Express Where The Quality Went In Before The Name Went On".
"Guitar Mac "
The Cavalier Of The Blues.
Making The News
The Montery County Herald
Sunday, June 28, 1998
Pickin' The Blues
Guitar Mac plays the Blues on a "steel guitar" to the Garden Stage audience at the Monterey Bay Blues Festival.
Excerpts From The Article in "Real Blues" Magazine, June/July '98
- By Andy Grigg
It's very easy to complain about a situation that bothers you, but it's another thing altogether to do something constructive and productive and positive to change whatever is that's "not right." Those people, who take it upon themselves to be the catalyst or leader in a situation where both hard work (often thankless) and imagination are in demand, are to be admired, comended and hopefully copied by others. Guitar Mac has become known as the very vocal and very visible leader in the movement to promote and preserve blues music in the Sacramento area of California.
A relatively young man by blues standards, Mac has a unique understanding and appreciation of the blues that few of today's younger blues artists can lay claim to. Mac was born and raised in blues country; rural Arkansas, at a time (1950s) when blues music was at its peak as a past time and a form of entertain-ment. Having experienced first-hand the country juke-joints and the hard life that made those jukes an essential outlet for Black Americans in the South, Mac was also witness to the whole l960s; the "decade-of-change" that ushered in Civil Rights, Soul Music, Black Power and a total change in attitude towards blues music by Black America.
Now, in the l990s, things have come full circle it seems with today's African-Americans wanting to study and even embrace the music they had dis-missed and rejected ten years ago. Guitar Mac has worked diligently over the last 20 years to build his own career, but one can quickly come to the realization that Guitar Mac has been working even harder for the greater good, the 'Big Picture' - the future of the blues. His love for the blues transcends any ego related career promotion. His work in schools with the children, his concert festival organizing and especially his blues radio shows all show his desire and dedication to ensure that blues is understood, accepted and ultimately revered as the single-most important music form in American history.
Given the successes he's already had and the fact that he's become one of the most recognized and easily identifiable (thanks to some great looking hats) figures on the California blues scene, Guitar Mac's Blues Crusade is a perfect example by which to follow. If we had 100 Guitar Macs in America today or even a dozen more...there's the big moral/truth in this whole issue. Guitar Mac didn't wait for someone to lead him. He took it upon himself to get those things done or changed, and the blues world is a better place today because of his personal crusade.
AG: Where were you born?
GM: Cotton Plant, Arkansas.
AG: I take it it's in the middle of the cotton-growing area?
GM: Yeah, that's right, that's right, so actually in the town there was a flour mill and a little few other stores and stuff like that.
AG: where was it close too?
GM: I would say Brinkley, Arkansas...
AG: And what year was that?
GM: 1946.
AG: Do you have a large family?
GM: Pretty large family...well actually I got one brother and three sisters; there's live of us.
AG: Were your parents into music at all?
GM: They went to church; my mom went to church', and I had a stepfather, so you know my dad...I didn't really know him too well. He was like a railroad man, so he was always on the go, you know...it was my mom...everybody was always in the church - even my brother and my sisters right now; you can call them on Sunday, "Where you goin'?'...They're goin' to the church...
AG: Are your first memories of music then ba-sically church-related?
GM: Pretty much church; then of course there was radio in Arkansas and then pretty much what we listened to then was what was being played on the radio, like those big radio stations like WIAC out of Nashville...Randy's Record Shop, and WDIA which is out of Memphis with Nat D. Williams and Rufus Thomas...
AG: So lots of gospel, blues and R&B on the radio?
GM: Right Lots of blues, gospel and R&B. and I used to listen to people like...well actually there used to be a gentleman who came by the house all the time...we'd have stuff like fish-fry's on the week-end; our step-father used to have them, so he didn't play guitar or anything like that, but this guy...we used to call him Mr. Hosea, used to come by and he was the first guy I saw playin' a slide guitar when I was a kid..He used to sit in the back yard and play slide guitar.
AG: So his first name was Hosea?
GM: Hosea Orlando...that's what we used to call him, Mr. Hosea.
AG: How old would he have been when you were a kid?
GM: I guess I must have been probably around about ten. ..Between ten years old and fifteen...something like that
AG: And he would already have been an adult man then?
GM: Yeah, he was already an adult man then. And that was around Madison, Arkansas; around Madison and Forrest City, Arkansas, 'cause that's were we were livin' at then...' cause see I was born in Cotton Plant, Arkansas and we were raised around Madison, Arkansas...
AG: When did you first start getting inkling for getting into music yourself?
GM: Welt, I first got an inkling to get into mu-sic when I was a kid...actually, you know, we used to go chop cotton and pick cotton and chop soybeans and all that kind of stuff, and I have a friend named Johnny C. Newborn, well actually he was just a neighbor...right now he lives in Pine Bluff, Arkan-sas, and he taught me a couple licks on the guitar, a couple licks on the harmonica and also a couple licks...and he could play piano too, and he was just one of these guys that played, and he used to laugh all the time and said, "Well heck, piano is really easy to play because you sit there and look at it," and so he taught me a couple of licks on the guitar, and the harmonica and I just went from there. And he was a distant relative of Phineas Newborn,
Please See the current copy of "Real Blues" Magazine for the full article.
Guitar Mac Blues Express Where The Quality Went In Before The Name Went On".
"Guitar Mac "
The Cavalier Of The Blues.
Making The News
The Montery County Herald
Sunday, June 28, 1998
Pickin' The Blues
Guitar Mac plays the Blues on a "steel guitar" to the Garden Stage audience at the Monterey Bay Blues Festival.
Excerpts From The Article in "Real Blues" Magazine, June/July '98
- By Andy Grigg
It's very easy to complain about a situation that bothers you, but it's another thing altogether to do something constructive and productive and positive to change whatever is that's "not right." Those people, who take it upon themselves to be the catalyst or leader in a situation where both hard work (often thankless) and imagination are in demand, are to be admired, comended and hopefully copied by others. Guitar Mac has become known as the very vocal and very visible leader in the movement to promote and preserve blues music in the Sacramento area of California.
A relatively young man by blues standards, Mac has a unique understanding and appreciation of the blues that few of today's younger blues artists can lay claim to. Mac was born and raised in blues country; rural Arkansas, at a time (1950s) when blues music was at its peak as a past time and a form of entertain-ment. Having experienced first-hand the country juke-joints and the hard life that made those jukes an essential outlet for Black Americans in the South, Mac was also witness to the whole l960s; the "decade-of-change" that ushered in Civil Rights, Soul Music, Black Power and a total change in attitude towards blues music by Black America.
Now, in the l990s, things have come full circle it seems with today's African-Americans wanting to study and even embrace the music they had dis-missed and rejected ten years ago. Guitar Mac has worked diligently over the last 20 years to build his own career, but one can quickly come to the realization that Guitar Mac has been working even harder for the greater good, the 'Big Picture' - the future of the blues. His love for the blues transcends any ego related career promotion. His work in schools with the children, his concert festival organizing and especially his blues radio shows all show his desire and dedication to ensure that blues is understood, accepted and ultimately revered as the single-most important music form in American history.
Given the successes he's already had and the fact that he's become one of the most recognized and easily identifiable (thanks to some great looking hats) figures on the California blues scene, Guitar Mac's Blues Crusade is a perfect example by which to follow. If we had 100 Guitar Macs in America today or even a dozen more...there's the big moral/truth in this whole issue. Guitar Mac didn't wait for someone to lead him. He took it upon himself to get those things done or changed, and the blues world is a better place today because of his personal crusade.
AG: Where were you born?
GM: Cotton Plant, Arkansas.
AG: I take it it's in the middle of the cotton-growing area?
GM: Yeah, that's right, that's right, so actually in the town there was a flour mill and a little few other stores and stuff like that.
AG: where was it close too?
GM: I would say Brinkley, Arkansas...
AG: And what year was that?
GM: 1946.
AG: Do you have a large family?
GM: Pretty large family...well actually I got one brother and three sisters; there's live of us.
AG: Were your parents into music at all?
GM: They went to church; my mom went to church', and I had a stepfather, so you know my dad...I didn't really know him too well. He was like a railroad man, so he was always on the go, you know...it was my mom...everybody was always in the church - even my brother and my sisters right now; you can call them on Sunday, "Where you goin'?'...They're goin' to the church...
AG: Are your first memories of music then ba-sically church-related?
GM: Pretty much church; then of course there was radio in Arkansas and then pretty much what we listened to then was what was being played on the radio, like those big radio stations like WIAC out of Nashville...Randy's Record Shop, and WDIA which is out of Memphis with Nat D. Williams and Rufus Thomas...
AG: So lots of gospel, blues and R&B on the radio?
GM: Right Lots of blues, gospel and R&B. and I used to listen to people like...well actually there used to be a gentleman who came by the house all the time...we'd have stuff like fish-fry's on the week-end; our step-father used to have them, so he didn't play guitar or anything like that, but this guy...we used to call him Mr. Hosea, used to come by and he was the first guy I saw playin' a slide guitar when I was a kid..He used to sit in the back yard and play slide guitar.
AG: So his first name was Hosea?
GM: Hosea Orlando...that's what we used to call him, Mr. Hosea.
AG: How old would he have been when you were a kid?
GM: I guess I must have been probably around about ten. ..Between ten years old and fifteen...something like that
AG: And he would already have been an adult man then?
GM: Yeah, he was already an adult man then. And that was around Madison, Arkansas; around Madison and Forrest City, Arkansas, 'cause that's were we were livin' at then...' cause see I was born in Cotton Plant, Arkansas and we were raised around Madison, Arkansas...
AG: When did you first start getting inkling for getting into music yourself?
GM: Welt, I first got an inkling to get into mu-sic when I was a kid...actually, you know, we used to go chop cotton and pick cotton and chop soybeans and all that kind of stuff, and I have a friend named Johnny C. Newborn, well actually he was just a neighbor...right now he lives in Pine Bluff, Arkan-sas, and he taught me a couple licks on the guitar, a couple licks on the harmonica and also a couple licks...and he could play piano too, and he was just one of these guys that played, and he used to laugh all the time and said, "Well heck, piano is really easy to play because you sit there and look at it," and so he taught me a couple of licks on the guitar, and the harmonica and I just went from there. And he was a distant relative of Phineas Newborn,
Please See the current copy of "Real Blues" Magazine for the full article.
Guitar Mac Ch31
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Guitar Mac Slide Guitar & Vocals
Born in Cotton Plant Arkansas, I was introduced to playing blues guitar at a very young age, learning the Delta style still prevalent in that region. Moving to the South Bay Area in 1968 and settling in Sacramento, Ca.1989 I have been a big part of the blues scene. It is my wish to keep America’s Art form and my culture alive by performing and promoting the Blues tradition.
In order to achieve my goal's I keep a positive out look, always infused with a love of life that no amount of hardship could curtail.
Pursuing entertainment directors with a passion to perform and demonstrate my style of music has allowed me to perform all over the world. As a result I have had the opportunity to pass my knowledge on to young people eager to enhance our culture and keep this Art form alive. 2 years of music studies at Ohlone College 1980 and 1981 added to my ability to become a successful song writer, composer and band leader. I have 6 CDs on a world wide market today that add to the potential of stardom.
My roll as a radio personality also bring the blues to the audience that love the blues. I have also associated myself with blues organizations that have the same goal to educate the public and become aware of their heritage.
Guitar Mac .West Coast Blues Hall Of Fame. Blues Band Leader Of The Year 2006.
Born in Cotton Plant Arkansas, I was introduced to playing blues guitar at a very young age, learning the Delta style still prevalent in that region. Moving to the South Bay Area in 1968 and settling in Sacramento, Ca.1989 I have been a big part of the blues scene. It is my wish to keep America’s Art form and my culture alive by performing and promoting the Blues tradition.
In order to achieve my goal's I keep a positive out look, always infused with a love of life that no amount of hardship could curtail.
Pursuing entertainment directors with a passion to perform and demonstrate my style of music has allowed me to perform all over the world. As a result I have had the opportunity to pass my knowledge on to young people eager to enhance our culture and keep this Art form alive. 2 years of music studies at Ohlone College 1980 and 1981 added to my ability to become a successful song writer, composer and band leader. I have 6 CDs on a world wide market today that add to the potential of stardom.
My roll as a radio personality also bring the blues to the audience that love the blues. I have also associated myself with blues organizations that have the same goal to educate the public and become aware of their heritage.
Guitar Mac .West Coast Blues Hall Of Fame. Blues Band Leader Of The Year 2006.
Why this name?
I Chose my band name Blues Express Back in 1979 Because I started a radio show Blues express To make thing's easy my band name and my radio program I used the same name not to be to confusing to myself.
Do you play live?
i PLAY LIVE WITH MY BAND AND Solo Any place i can get a booking I like Festival's The most Mostly I spend most of my time in Night clubs. I love playing outdoor Market's With My band Or solo Acoustic.
How, do you think, does the internet (or mp3) change the music industry?
I think the internet can be the number one source for getting a band or artist known in this day and age.
Would you sign a record contract with a major label?
Yes I would Most defintally.
Band History:
Artists Guitar Mac has opened for or performed with are .....
Larry "Arkansas" Davis
Little Frankie Lee
Little Charlie and The Night Cats
John Lee Hooker
Elvin Bishop
Taj Mahal
Little Milton
Clarence "Gatmouth" Brown
Chambers Brothers
Performances In Europe
Paris Casino, Paris France
Downtown Concert, Saint Brieuc, France
North Sea Jazz Festival, Holland
California Performances
Sacramento Blues Festival, 1983 to 1993
California State Fair, 1993 & 2000
House Of Blues Las Vegas Nevada 1999
Reno Blues Festival Reno Nevada
Great Basin Brewing Co Sparks Nevada
Lou's Pier 47 San Francisco, Ca
John Lee Hookers Boom Boom Rom Sf Ca
Biscuit's & Blues San Francisco, Ca
Noe Valley Ministry San Francisco, Ca
Chi Chi Club San Francisco, Ca
Stone San Francisco Ca
Calif Slide Show San Francisco,Ca
Concord Pavilion, Concord
Blues In The Schools Program
Oakland Heritage Festival
Monterey Blues Festival
Veterans Hall, San Luis Obispo
Modesto Junior College
Cafe Blues LaRue, Sacramento
Larry "Arkansas" Davis
Little Frankie Lee
Little Charlie and The Night Cats
John Lee Hooker
Elvin Bishop
Taj Mahal
Little Milton
Clarence "Gatmouth" Brown
Chambers Brothers
Performances In Europe
Paris Casino, Paris France
Downtown Concert, Saint Brieuc, France
North Sea Jazz Festival, Holland
California Performances
Sacramento Blues Festival, 1983 to 1993
California State Fair, 1993 & 2000
House Of Blues Las Vegas Nevada 1999
Reno Blues Festival Reno Nevada
Great Basin Brewing Co Sparks Nevada
Lou's Pier 47 San Francisco, Ca
John Lee Hookers Boom Boom Rom Sf Ca
Biscuit's & Blues San Francisco, Ca
Noe Valley Ministry San Francisco, Ca
Chi Chi Club San Francisco, Ca
Stone San Francisco Ca
Calif Slide Show San Francisco,Ca
Concord Pavilion, Concord
Blues In The Schools Program
Oakland Heritage Festival
Monterey Blues Festival
Veterans Hall, San Luis Obispo
Modesto Junior College
Cafe Blues LaRue, Sacramento
Your influences?
My musical Influences.Are Robert Johnson Muddy Waters Elmore James Taj Mahal John Lee Hooker Bo Diddley Chuck Berry B.B.King Lonnie Johnson.Roy Brown.Big Joe Turner
Favorite spot?
Lou's Pier47 San francisco Ca.
Equipment used:
I use a fender Twin Gretsch Guitar Dobro.With me the equipment is not what get the sound it;s the tech, The best Blues sound came out of the most cheapest equipment.
Anything else...?
Blues Is played from the heart you must feel it to play it.
Photos
Carl Perkins & Guitar Mac.
Guitar Mac & Little Joe Blue
Guitar Mac & Long John Hunter
John Cephas. Guitar Mac. Phil Wiggins
Duck Dunn & Guitar Mac.
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