With interludes that create images of inner city America struggling to get ahead on deep pile shag carpet and Fat Albert cartoons, there are certainly comparisons to The Roots and Talib Kweli to be made, but the fact remains this is clearly separate and original. Tracks like "Building" fall back on Cooley High and Friday night life on the stoop, pouring some on the curb.
Where Kanye West spends $20,000 on a jacket for the Grammys and pouts when he doesn't win, Repeat Offenders aren't in it for the glory, just the message. The RO weren't weaned in private schools and they make no bones about it. There's no glory in winning here, it comes with playing the game.
"Smooth Talker" has a bass line that's as groovy as Digable Planets' "Rebirth of Slick (Cool Like Dat)" and found its way into my iPod quicker than a Sugarhill Gang bootleg. "Be Strong" features a sample of Jerry Butler's "Only the Strong Survive" that sends this one through the stratosphere. There's no reason why this track should go unnoticed.
"Rain Trickles Down" and "I Believe" are strong in context and self-exploration that are only found in the earliest tracks of Boogie Down Productions. What highlights this album the most is what it doesn't have: sexist, tacky intermissions that permeate commercial releases. No need. Respect creates glory. Something Mystikal and Ludacris apparently don't understand.
DIY hip-hop may just be making its mark, but Repeat Offenders are well on the way to becoming innovators of a still completely unformed genre and possibly becoming forefathers of a new breed of music-making.
The majority of mic time is held down by R O front man S.L. AKA super lyrical underground giant, or S.L.U.G. Other production and vocals are provided by Thrillmatic and Hip Hop. Early on, SL shows his unique style on “I Found Her” and “Smooth Talker” by making tracks inspired by love without one mention of skeeting, phat asses, or “tossin dollas.” The lovely vocals of Miss Trulala accompany “Smooth Talker” and “The Meaning of Life.” SL is at his best though when he is speaking on inspirational topics backed by authentic situations, or just destroying the facades that are prevalent in the game. “Street Sweeper” is a direct showcase of raw talent and disgust for what’s going on in the game. The true gem of this album can be found on “I Believe,” filled with poignant passionate rhymes that will definitely captivate the soul.
Versatility is also shown throughout this disk. “Bounce To This” is a quick display of SL kicking it with a fast bounce flow. Breaking it down with the ability to tell a story relating to what he envisions everyday, SL informs you to put your “Windows Down” and listen to the sound of the street. “Jamaica Jawn” is a light hearted almost party type of good day track to break up the seriousness of other cuts.
The main slight in this project is in the production, the majority of beats are average at best, but some are mediocre. Sometimes it a piano that’s out of place (“Rain Trickles Down”), weird tracking of sounds (“Messages”), or just overall unimpressive phasing of tones (“This Life”). SL is strong mc with a charismatic approach, who doesn’t stray too far away from his strong points. Besides a few haphazard lines here and there, he is totally capable of being captain of his crew. The moments when SL isn’t doing his thing on the mic can be skipped, but that’s far and few between.
Repeat Offenders is hoping that with the release of By Example, they can show how it should be done, instead of just talking about it. Using creativity and pride to craft a track instead of glorifying gun toting, womanizing, and drug dealing is clearly absent from the majority of artist nowadays, especially those hoping to move some units. R.O. is here now, and as stated on “Building” featuring Jadox, they’re “coming thru your hood like tanks thru ice sculptures.” You should definitely pick up By Example, and give it some rotations as an alternative to the inundation of bullshit that’s prevalent out there. There’s no doubt, Repeat Offenders has done it again.
PRO: I was wrong. In the "Super Lyrical" review, I publicly wondered if Repeat Offenders' approach would be sustainable over the course of a CD. I'm happy to report that it is. To be sure, The Repeat Offenders employ many tactics to keep the listener engaged. Of note are the smooth vocal turns by guest singer Trulala on "Smooth Talker" and "The Meaning of Life" and the chorus vocals on "This Life" and "It's Our Time." Major hell yeahs for kicking off the disc with a totally def double bass riff on "Maya" and later on "Smooth Talker" that takes me back to Digable Planets and my own double bass in my music room. And the sitar sample on "Building" is genius! I'd also like to note that the R.Os eschew the violence, mysogyny, money and drug worship commonly found in the lyrics of their million-dollar contemporaries. Double hell yeah!!
CON: I still can't quite buy some of the synth-generated bass grooves. They sound too DIY and while I can certainly appreciate that, a more discriminating hip-hop listener might be turned off. "Still Here" is a deeply personal open letter but the track is plagued by odd and awkward phrasing and bonified cringe-worthy lines ("Thanks for those ball lessons, they're all I ever got, the only thing you gave me was a decent jump shot") that are an unnecessary sneak peak into a dysfunctional family. With 19 cuts on the disc, it could have easily been saved for the rarities and outtakes disc.
FINAL ASSESSMENT: I don't listen to much hip-hop (maybe this review shows) but maybe it's because I don't hear enough music like this. The Repeat Offenders make a point to rethink hip-hop's overemphasis on the bass end by offering a counterpoint of slight melancholic ambience. Lyrically, the act has grown and I hear rhymthic development in the phrasing as well. "By Example" plays to its strengths -- diverse tones, heartfelt words about hip-hop ("I Believe" will make any aging 7 Seconds fan weepy) and straight-forward, no-nonsense rhyming patterns focused on story-telling -- and by doing so, the disc survives any misfires, which are few. Nice work!
the critic speaks:**** (out of 5)
It’s so hard for me to believe that this is Thrillmatic's first ever solo effort; and after you hear this track – you will come to the same conclusion. If you have some family issues in your life this is definitely the tune for you. It will show you what a person can do when they take the problems they are facing and turn that problem around and use it for the good. Thrill will share with you the things very close to his heart – listen, hear and feel what Thrill is getting across, it obviously healed him as will anyone else out there.
BOTTOM LINE: Thrills vocal talent may be new at this stage, but it is definitely of the Highest Caliber…..Musicianship that is the ultimate…..Vocals to capture your heart and soul……a message in each lyric that can be identified by someone - somewhere at anytime….Make sure to visit Repeat Offenders Website at: http://www.soundclick.com/repeatoffenders make the best purchase you will ever make this year, purchase the ‘By Example’ CD, infact while you’re there purchase all their cd’s..
BACKGROUND: Repeat Offenders are rapper Shawn Jacks, Chris Hammond and Matthew Kolb. The group formed at Millersville University in 1993 and is based in Coatesville, PA.
STYLE: Repeat Offenders say their music will appeal to fans of [dead prez, The Roots, Black Eyed Peas, Common, Talib Kweli, Mos Def, KRS ONE]. I'm hearing a synth-based old-school approach with none of the modern stylistic techniques: sampling, scratching, pitch-shifting, etc.
PRO: It's refreshing to hear straight-up rhyming without all of the modern clatter filling up the space behind it. This has a groove base that gives the MC plenty of space to flex his rhyming muscle. Moreover the bassline isn't blasted to the point of white noise in the mix . . . this is hip-hop. Thank god for that.
CON: This is solid hip-hop. I'm no expert but I'm not sure this spartan approach could be sustained over the course of a full disc. Sounds like it would get tired pretty quick. Track 5 is brief but the rapid clip of the phrasing is hugely impressive as is the instrumentation. A sign of better things to come?
FINAL ASSESSMENT: Maybe my ears are too cluttered to enjoy the sparse instrumentation of this disc as I felt that there could easily have been more sounds to round out the tunes. I guess I'm from the 20 guitars-on-a-song school of recording. Lyrics aren't the most innovative in the world but the delivery is there. Solid.
the critic speaks:***1/2 (out of 5)
you're an artist that will definitely strike a chord in the hip-hop
community. It's a pleasure to hear hip hop music without the profanity and
senseless
acts of violence depicted throughout the lyrics. It's amazing yet tragic to
see
hip hop progress in the manner of style and versatility but has taken a step
backward when it comes to lyrical content. You, Shawn, capture the true essence
of hip hop, and that is to inform, to teach.
KEEP YOUR HEAD UP. IT'S HOT!!!!"