It's a maddcap named Schizo...I've returned to ya board to show praise and contructive critcism in an attempt to describe ya work. I'm usually not the one-sentence type of guy so let's get started shall we??? I had stopped by your main page and it gets to the point...as I would always say, "...basic pages don't tell me that you're a rookie it just let's me know that you are about the music...". Kingimi is it? Hmm I might have to ask you why did you choose this nickname because of it's creativity. Influenced by the "Big Three" of producers. Excellent. It's not common that we ALL in someway are influenced by them. Hmm...let's see what givin' you a good listen can do.
I put the needle on the record (gave all your songs a go). My first track on the vinyl was 'Hotter'. WHOA!!! Lemme ease it on my subs!!! This track has some WHOMP!!! to it!!! Complete with some loooow synth that accents the instrumental, let's hope that someone that is rockin this beat knows what he/she is doin' because the bass might drown them out. I'm beckoned to the next groove ('Impossible'). It starts with the same type of WHOMP!!! as the previous yet this one has a mellow-creep vibe on it. The snare is my type because it's one that smacks ya. I see not much of a presence of any of your influences here. Looks like the beats are in a class by themselves so far. "Free" is a BANGA!!! The wall-shakin' kick with a slowed-out tempo could help whomever decides (or decided) to blaze this one. It maybe kinda drony but it's gotta groove that you won't complain about. 'Got it twisted' is kinda like one of them low-effort beats that you just simply said "fuk it, they know my steez, let's give 'em the ol' woofer mover again). The snare is the star on this one ironically. 'Gangsta'? Well I don't dig the title but I like it's slight swing vibe to it with scarface-inspired orchestra brushes and good piano presence. This one is a heater for certain. Oh man naw you didn't go the sequel route!!!! It's quite alright ALL artists have a second accent to a prominent theme. Yup, it's gangsta for a southern-cum-midwestern vibe and it's a track that may augment a trendy cat (if he hasn't rocked it already). Everybody seems to get bit by the 'crunkbug' nowadays, let's see if the 'Crunked-up" track puts its money where its mouth is. I'm impressed!!! Although, I don't much like the 'crunk' subgenre, it depends on whomever decides to do their thang to the track and make sure it's somethin' spectacular before the beat quickly outshines them. Now I know that tha track is A DOUBLE HOT BUTTON!!! 'Down South' was pretty mediocre but it still shows that you are deeply rooted in the southern region. It posses a creepin' drone in the back with a "Mission Impossible" type guerrilla vibe and it can be a surefire hit if someone blesses it in a military-minded way. The marching-band snare cues the lyricist to march his troops off!!! Shall we show them your 'Darkside'? Well I had to admit that I had paused it in the opening measure because I had to pee honestly though I'm like, "Wait a minute, this ish is fire!!! My bladder will have to wait!!!". It's a gothy, stoned temple vibe shows of your eclectism with grace and it stomps hard with a darkened bass and rhythm section that reigns the most supreme of your tracks so far. It deserves a TRIPLE HOT BUTTON!!! Hopefully you didn't run out of steam by taking a break with your 'Gunnin' track. The snare and beepy synth tells me that this is a Dre track and it's kinda vapid. However, we should not fret. The record turns over and it's back on the phonograph for some more woofer movers. Time to take a trip to a 'Newer York'. It starts off with a neptunish intro and it has some synth work that closely resembles the horns from the old Atari video game Pole Position complete with thunder fx. It's a mover and a groover man...though I'm lookin' for the one that matches the 'Darkside'. Hmm...we have a hidden goodie in the form of a display of your emcees. "You Can't Fuk With Us" is a diss (obviously) and the first verse (Infamus Raps) is a bit low-key and it's presence is a bit smothered in the production although if the guy tunes up and tightens up in the vocal booth, it would be a force fa certain. Now a display in how you handle crunk songs. The aptly-titled 'Crunk In Da club' is not a cover song (again I'm stating the obvious) it's a revising of one of ya beats. However there is a weird mix balance that was meant for a slower beat (Dameon Lavay's verse). Then Future shows up and it's your average ho-checkin' verse. Not to knock the guy because his verse is complete with presence but the basics and the aesthetics are a bit off with his freestyle. I kinda dig the way the synth claps and low-pro vibes are on 'Da Mobb', 'A Don's Cry', 'Most Wanted', 'A Real World War 2005', 'The Game of Death', et. al. And so the needle stops into the runoff groove and it's time to tell you what I've thought about this site overall.

It seems that you are constantly on tha grind and findin' ya way around your instrument. Grand bass arrangements and this is the production site that one MUST go to for a club banga. Not a question about it...you get a 93.6 out of 100%!!!!!! My definite 'hot' button tracks are:
* Impossible
* Free
* Gangsta
* Crunked Up
* My Darkside

keep your light shinin'on ya beat machine and your focus will improve beyond where you would want to be. Like the HIGHLY CLICHED SOUNDCLICK PHRASE SAYS, 'Do ya thang mayne'.