SongsAlive! April 2006
What a delight to kick back and listen to these 14 beautifully produced and compelling tracks, that ebb and flow from fast to slow, complimenting the songwriting and voice of Tracy Jane Comer. While each song has it's own breath of life, Tracy Jane's voice is as diverse on each track as the story told. Nominated for "Best Acoustic Album" for 2005 by the Madison Music Awards in Wisconsin, this album really delivers touching melodies, powerful vocals and textured arrangements as well as bare to the bones acoustic style that capitalize on the Tracy Jane's diverse ability to tell a good story with her fresh lyrics. (There are instrumental tracks, "Rondo" and "Moving in the Right Direction," so no lyrics there if you're looking for them!) The title track, "Quietly There", is "so ready for radio" with a dynamic yet emotional vocal and full production to enhance the lyrics that sent chills up my spine. From the rousing start of "My Own History", to the reflective end track of "Drive for Miles", Tracy Jane Comer packs a wallop of sound in between - including a daring cover of the Beatles "Eleanor Rigby" - with strings to highlight the intense social commentary of the words from two of the great songwriters of our time, Lennon and McCartney. But this 3rd cd release from Tracy Jane Comer is all about her talent and songwriting artistry - the ability to tell a story and sing it with conviction and love. "Quietly There" might be the title, but Tracy Jane Comer is due to make some very loud noise once these songs are heard and be "Internationally Here".
-Toni K.

"Tracy Jane Comer's sparkling acoustic folk is reminiscent of classic balladeers like Joan Baez, complete with lyrics that combines social consciousness with personal issues. But Comer's willingness to expland her sound with such elements as harp, dulcimer, and percussion gives her songs a depth that many folkies lack. MTV recently used a track from Comer's second album, 2004's Quietly There, as soundtrack material for their reality show Made, which should hopefully expland her fanbase beyond the folk-club circuit."

It’s no surprise that Tracy Jane Comer is a nominee for Best Acoustic Album by the 2005 Madison Area Music Awards. With such an intense talent, this folk singer is destined for great things! Tracy Jane Comer was touched by a beautiful gift of music. Her passion, pure emotion and mellifluous flowing voice blend this work of art for pure pop/folk music. Tracy is not keeping a muted silence in her release, “Quietly there”; instead she’s pulling all the stops in this toe-tapping delight! She’s creating her own “herstory” in this CD, so all we can do is sit back, relax and let her overcome us with her talent!
Hit Picks: "Take Me to the Mountain" and "This Losing Game"
-Reviewed by Heather Corcoran

Musicianship – 9.5 out of 10
The musicianship on Quietly There is near perfection. Tracy Jane Comer has incredible guitar skills as well as those who accompanied her on this disc. Her acoustic guitar sings as crystal clearly as her voice; if the entire disc was just Tracy on her instrument, it would be well worth listening to. (Rondo) is a prime example of that. She plays a mean cello, too!

Vocally, Tracy cannot be pegged. Her voice is distinct; however, for the sake of the review I will tell you the 3 very different artists that crossed my mind while listening. First, (Yellow Bike, Hello) she has the vocal sound comparable to a young Joni Mitchell (think ‘Both Sides Now’ and you’ll see what I mean) which gives her vocals a bit of a retro feel at times. Her voice also has the haunting quality (Take Me to the Mountain) similar to Maire Brennan (Clannad—Enya’s sister) and finally she has a more contemporary Sarah McLachlan feel to her music (Baggage, Eleanor Rigby). Now, if that doesn’t confuse you and make you want to hear for yourself, I don’t know what will.

Songwriting - 10 out of 10
Tracy’s biggest talent, however, lies in her incredible songwriting (thus is the only reason for the 9.5 in the Musicianship section!). From complex melodies and lyrics (Pathetic Fallacy) to simpler ‘catchy’ tunes (My Own History) her versatility is endless. There is a cover of Lennon & McCartney’s ‘Eleanor Rigby’ right in the middle of all of Tracy’s originals and honestly, her songwriting holds up excellently! Intelligent, interesting and moving are words that come to mind.

Sound Quality/Professionalism - 10 out of 10
There isn’t really too much I need to elaborate on in this section. It is an extremely professionally produced Indie album. Everything sounds balanced and complimentary and the songs are arranged in a very appealing order. Great job.

Packaging – 9.5++ out of 10
The packaging of Quietly There is well done. A few pictures of Tracy, acknowledgement, credits, and BEST OF ALL: LYRICS! It’s so wonderful to be able to read every word and see as well as hear the incredible songwriting skills of Tracy.

Favorite Tracks
Take Me to the Mountain
Movin’ in the Right Direction
Quietly There
Baggage
*Stand out Track - Rondo

Overall Rating – 10+ out of 10
Rather high rating, I know. I guess I feel the need to stress the depth and care that went into Quietly There by high numbers, because musical talent is so hard to put into words at times. Tracy Jane Comer’s compositions are poetic, melodic, moving, thought provoking and soothing to the spirit. To me, that means she has achieved great success in creating this wonderful art known as music. She seems to possess all qualities she needs to achieve great success in her chosen profession.

However, you don’t have to just take my word for it. In fact, Quietly There is up for "Best Acoustic Album" in the upcoming Madison (WI) Area Music Awards (to be held March 26, 2005).

Hmmm. Maybe I am not crazy after all!
—Jen Lush, Midwestbands.com, 3/22/05

See it on their site:
http://www.midwestbands.com/review_page.php?id=265

EDITOR'S PICK - Nov. 28, 2004
Well it’s not going to be "quietly there" for much longer for Tracy Jane Comer. This singer/songwriter is key to moving the whole darn genre forward. Her sound is mature and soaked with talent throughout this dynamic take of contemporary acoustic rock that’s not afraid to plug things in on occasions. Rather than a brooding self-obsessed nuance of an album that so many of her fellow musicians put out, "Quietly There" is an upbeat swingin’ album that sheds pathos for a brighter side of things. Soon I have no doubt that Wisconsin will be known for more than just cheese and Brett Favre’s Packers—they’ll be known as the lynchpin holding the doors open to soft rock in the singer/songwriter format. Superb.

Tracy is a singer, songwriter and instrumentalist proficient on cello, fiddle, guitar and piano. Comer has been compared to Joni Mitchell, Dar Williams and other well-known talents. The comparisons are well deserved as Tracy is a versatile vocalist who writes compelling, visual songs. Although her music is acoustic based the arrangements go much deeper, culling from classical, folk, jazz, pop and rock. Quietly There features thirteen originals and a poignant cover of The Beatles 'Eleanor Rigby'. Randy Green is responsible for the crisp, clean production allowing each instrument to come through as Tracy's rich vocals flow to the top. Randy also co-wrote some of the songs and plays guitars and keyboards. Other stellar guest players contribute drums, percussion, harp, dulcimer and sax. Unlike some acoustic records that rely on a few simple chords, Comer's work is diverse and dynamic. Upon each listen more subtle sounds and styles unfold. Comer's music ranges from spirited instrumentals such as 'Movin' in the Right Direction' to beautiful ballads such as 'My Own History' and 'Yellow Bike' — a glimmering song about growing up poor but still enjoying life. Tracy Jane Comer is a musical force and Quietly There ranges from intimate storytelling to animated arrangements.

Featured Artist
Tracy Jane Comer’s song "This Losing Game" is a thoughtful, well-produced and haunting anti-war song, worthy of the great Joan Baez or Joni Mitchell. Come to think of it, Tracy Jane’s voice is just as powerful and clear as those ladies as well. This is a wonderful work and worthy of a good listen. Visit her website at www.tracyjanecomer.com to see her schedule and to pick up a few great tunes.

This woman never does anything halfway. No one will ever accuse Tracy Jane Comer of holding back. A song may start quietly, and you may think you know where it's going, but then it rises and fills the air with added notes from a cello or sax and wraps itself around you. Even the sad songs lift the spirit because of the magic in the sound. And the voice isn't half bad, either. Comer can sound pure and angelic on classical compositions like "Take Me to the Mountain" and "Silent Care" -- on the latter, her voice rises at times like a cry to the heavens and dips smoothly down at others like a whisper to the ocean. In tracks like "Just One Person," she is steamy and seductive, a vibe enhanced by the vintage instruments (stand-up bass, tenor sax) weaving old-school jazz around her voice. About halfway through the CD, she suddenly takes a very 60s protest approach and wraps it in those magic chord progressions and the mournful sound of the cello, creating a pointed, emphatic anti-war song called "This Losing Game."

At times, she turns off the vocal mic and lets the music capture the listener completely. My personal favorite of the instrumentals is "Movin' in the Right Direction," an ambling, acoustic stroll down a country road. As for the others, "Yellow Bike" is a standout. It's a lovely folk ballad about a childhood of imagination and happiness despite the poverty. There's magic in the reminiscing and the warm acoustic chords. I like how she works in a few lines about looking back at it from an adult's perspective:

I wonder why I just can't understand
why I'm sad that I was happy then ...
But I don't think that it occurred to me
Life wasn't all that it should be ... we just lived ...

Comer can belt out anthems of independence and quietly croon songs of reflection and philosophy. And she puts every musical possibility into those songs, adding more voices to give more depth to the harmony, switching to a minor key to take the song in a new direction, dropping to a near-whisper for dramatic effect. Each song has its own subtle majesty. She's probably an obsessive perfectionist in the studio, but everyone involved can probably forgive her when the result is this unforgettable.
http://www.indie-music.com/modules.php?name=News&file=article&sid=3707

...Good lyric writing has become something of a lost art in the mainstream and it's encouraging to see that there are artists who take their craft seriously. Tracy Jane Comer, if her second album Quietly There is any indication, is such an artist.

In the tradition of people like Joni Mitchell, Suzanne Vega, Rickie Lee Jones and the Indigo Girls, Tracy Jane Comer writes songs of different shades and colors: a hybrid I've dubbed "chamber folk" as in her fine cover of the Beatles' "Eleanor Rigby" and orginials "Take Me To The Mountain" and "Quietly There"; and a kind of folky jazz that shines through in "My Own History" and "Just One Person". Tracy has a clear, highly emotional voice that brings out the best in her words and gives one a feeling of emotional uplift that epitomises only the greatest music (the aforementioned women for one set of examples, and unsung singers like Carlene Carter and Christy McWilson for a couple more examples).

The lyrical and emotional jackpot on Quietly There is achieved by "This Losing Game", as potent an anti-war song as I've heard this year and right up there in the 2004 protest pantheon with Tom Waits and R.E.M. Give Tracy's album a spin, if for nothing other than "This Losing Game".
http://www.eomentertainment.com/reviews/Tracy_Jane_Comer/Quietly_There.shtml

Tracy Jane Comer's Quietly There is a stunning showcase of both her lovely voice and her impressive skill on a variety of instruments. Comparisons to other adult contemporary artists such as Mary Chapin Carpenter, Shawn Colvin, and Dar Williams are inevitable, though she displays more range of style than any of them. Which means that anyone who picks up this CD expecting standard adult contemporary fare will likely be thrown by the jazz of "My Own History," the classical-leaning piano and full orchestral swell of "Pathetic Fallacy," or the two gorgeous finger-picked instrumentals "Movin' in the Right Direction" and "Rondo." Given her background in everything from classical to rock, including theater, choral, sacred and folk, the spectrum of genres covered shouldn't be a surprise.

Much of this album seems to have been guided by her producer/manager/co-writer/fellow musician...Randy Green. His production is full and smooth, ensuring every instrument is heard regardless of how many are in the mix. Credited as co-writer on six tracks, he also contributes guitars and keyboards. The guest musicians, Rock Williams (vintage drums and percussion), Steve Kasprzak (upright bass), Bryan Husk (tenor saxophone), Candace Kreitlow (orchestral harp), Katie Waldren (hammered dulcimer), are all well used. Williams in particular makes an impression on the childhood snapshot "Yellow Bike," a vivid recounting that recalls [Dar] Williams's "The Ocean." His hand-drum work propels without overpowering.

...Originally from North Carolina, [Tracy] has made herself at home in the Wisconsin music scene. She is also a favorite and frequent guest of the local media such as radio's WORT and Wisconsin Public Radio, and TV's Urban Theater (UPN14) and Worth Watching and Perpetual Commotion on WYOU...This record is a strong statement that seems determined to reach beyond a local audience.

Tracy Comer's new CD Second Wind is an impressive achievement...[She] uses her clear, pure vocals and fine guitar work to good effect on these thirteen tracks of contemporary folk. Most of the songs touch on very personal experience, exploring the sometimes painful nature of family relationships, how one sustains love, and how we relate to the modern world. And though the subject matter may sound rather serious, the attitude of the narrator seems to be one of understanding and general acceptance, as if she has come to terms with most parts of both the personal and communal aspects of her life. She might not always like the way things have turned out, but she sounds as if she has gained some valuable insights through her experiences....

Throughout the disc, Tracy shows off a deft touch on the guitar and good use of cello, hammered dulcimer and various percussion instruments. Her voice may be the best instrument though, always well-toned and showing a nice melisma that isn't overused. Tracy also has a way of extended a melody through a lyric so that there are no awkward breaks to the rhythm or clumsy wordings, something that must have been all the more challenging to overcome in the collaborative songs. The sound quality is quite good[*]…the vocals and instruments are crisp and clear throughout.

Overall Second Wind is an excellent accomplishment, especially for a solo debut. Tracy is a definite asset to MSG and the Madison scene. We should all look forward to her next disc and hope it won't be long in coming.

"…[Second Wind is] soothing and expertly produced, without a wrong note in the thing..."