Een instrumentaal gitaaralbum, absoluut geen zang, geen keyboards: dan denk je al vlug ‘boring’. Maar wees gerust, de jongens van ‘Too old to rock’ slagen erin om in elk nummer een aantal elementen in te bouwen, waardoor je blijft luisteren tot het einde. Uiteraard hoor je heel wat invloeden: Satriani, Ted Nugent, AC/DC, Rush, zelfs Led Zeppelin komt soms om de hoek kijken. Maar het grote voorbeeld is duidelijk Jimi Hendrix!
En verdorie, wat zijn dit fantastische muzikanten: Jim Reindel op gitaar en Chris Hattingh op gitaar, bas en drums. Toegegeven dat de ritmesectie nu niet overdonderend is, maar dit zet des te meer het gitaarwerk in de verf. De gitaarsolo’s worden netjes verdeeld over de 2 heren en soms gaat dit zo vloeiend dat je bijna niet hoort dat er twee lead-gitaristen aan het werk zijn. Eén van die topmomenten op het album is Arthritic Shredfest (die titel !!): in het begin een vlijmscherpe gitaarsolo à la Van Halen of Rory Gallager in zijn beste dagen met Taste, met daarna een hels ritme dat me bij momenten aan ‘Thunder’ van AC/DC doet denken. Snelheid en technische vaardigheid worden hier op een fabuleuze manier gedemonstreerd, zonder dat je het gevoel krijgt dat het ‘overdone’ is. En alle ingrediënten zijn hier aanwezig als ode aan wijlen Jimi Hendrix, eventjes dacht ik terug aan Woodstock.
Heel wat nummers zijn duidelijk geïnspireerd door Joe Satriani, vooral daar waar de gitaarsolo’s melodischer klinken. Maar vaak gaat het er ook heel wat harder aan toe en klinkt het meer als Van Halen en occasioneel hoor je ook een flard Rush.
De heren schuwen ook het zachtere werk niet, zoals bijvoorbeeld op het mooie akoestische Viagra Falls :-) of het dromerige en speelse Senior Citizen Boogie. Eigenlijk mis je op geen enkel moment de zang, de beide heren laten hun gitaren zingen. En wat te zeggen van Goodbye Spandex, een up-tempo rocker met duellerende gitaren.
Kortom, dit album is een absolute must voor iedereen, die kickt op spetterend gitaarwerk. Maar zelfs al hou je niet onmiddellijk van Satriani, Vai en anderen, dan raad ik toch aan om eens naar dit album te luisteren. En ik ben zeer benieuwd naar wat deze heren ons nog in de toekomst te bieden hebben. Hoeft het nog gezegd, dit is een aanrader!
"Too Dumb To Quit" is all instrumental guitar rock songs, ranging from classic rock and hard rock to more progressive stuff and acoustic ballads. My favourite tracks are the 80's hard rock-styled "Goodbye Spandex" (figures!), the beatiful ballad "Viagra Falls" , "Pass The Geritol" which has a Satriani-vibe to it and especially the brilliant "Bingo Night At Emily's", a pure instrumental AOR track in the vein of Journey.
All in all, a good indie instrumental release, with extra points for humour. This might have even more to offer to the guitar freaks out there, but it does have its' fair share of good tunes for the average music fan like me too.
Of course, since Chris Hattingh is involved, the record sounds great, but these 12 instrumental dittys were written and executed to perfection as well. To me, the stand out track is "Arthritic Shredfest", which is very reminiscent of Eddie Van Halen's "Eruption" from "Van Halen I". Anyway, this record has enough “guitarnuts" to satisfy not only your garden variety rock fan, but even the pickiest guitar freaks, too.
It’s refreshing to know that there are still master musicians out there making this kind of quality rock. God bless 'em!
Solos are split 50/50 between the two guitarists and an amazing example of this can be found on Arthritic Shredfest (love the song titles!!). It's an eight minute song that for the first half, is nothing more than a pure Eddie Van Halen Eruption style ripping solo lead guitar. Speed picking, dive-bombs etc., it's all here and I love the way that the finger tapping section fades out only to have the other guitarist fade in doing the same thing before ripping into his full on assault. The lead playing by both these guys is simply out of this world. Their speed and technical skills shine on every single track. The actual shredding and speed picking is not overdone thankfully, instead, these 2 individuals prefer to write very thematic and hook laden material. Expressive and touching melodic solos on some of the tracks really bring Joe Satriani to mind whereas influences from Michael Schenker and Eddie Van Halen are evident on some of the more rockier up-tempo material. The leads are very smooth, very, very precise and become the voices for the songs. This is one of the few instrumental guitar albums that you really don't miss the vocals.
If you're looking for variety, this album has plenty. Songs range from mid-tempo rockers to laid back acoustically driven songs with a few blistering and almost metal-like tracks. Each track has a unique feel and quality to it that is a result of the leads and melodic hooks that are so prominent throughout. Every song has elements that grab you right from the start and manages to keep your interest, something that can be quite rare with these sorts of albums. Some of the riffing has Rush like qualities to it with these two gentlemen obviously being influenced by the playing of Alex Lifeson. A few tracks employ more chunkier guitar riffs giving a harder-edged sound and some wonderful Led Zeppelin style acoustic melodies and lead passages grace a couple of the tracks. Fans of Joe Satriani will almost certainly like this album as there is a familiarity in the style and structure of the songs.
Guitars have a voice, some hear it, some don't. When great guitarists play a solo, it's like their guitar is singing, with the song coming straight from the heart of the person playing it. Nothing is more melodic or beautiful sounding. There are many examples of this heart-felt, spine-tingling lead playing on every single track on this album. One could go over every inch of this album, phrase by phrase, solo by solo, but there's not enough space for that! Suffice to say that if you like instrumental albums (especially guitar based) or just like to hear enough great lead guitar playing for 10 albums, pick this one up for sure (Lots of ear candy!!). This is quite simply one of the best instrumental guitar albums I've ever heard. Well done guys......I can't wait for the second album and some more craziness.
But, as I often find out, it's not a good idea to judge a CD by its cover (or its song titles).
The music contained on Too Old Too Rock's "Too Dumb Too Quit" is pure guitar-based instrumentals - right up my alley. "Too Dumb Too Quit" covers a wide swath of styles and moods. What shines through the most is the ability of the guitarist duo of Jim Reindel and Chris Hattingh to vary the tempos, styles, and moods throughout the entire disc. Occasionally, some obvious influences creep in, but I think that is the nature of instrumentals - it's damn near impossible to escape one's influences especially when there aren't any vocals to add to the overall experience. Not that I'm complaining or anything.
"Shuffleboard Champs" is a perfect intro to Too Old Too Rock - this up-tempo number is filled with burning energy. "Arthritic Shredfest" is like a Vai-Van Halen crossbred, caffeinated, supercharged monster that never lets up. "Dance Of The Coffin Dodgers" and "Second Mortgage Blues" have the sort of mellow "surfing" sounds made so popular by Joe Satriani. The Michael Schenker-isms in "Pass The Geritol" pay homage to the guitar great that has influenced countless hundreds of guitar shredders. Even the sweet sounds of the bluesy Eric Johnson can be heard on the high flying "Senior Citizen Boogie."
The arrangements are just left-of-center enough to keep guitar fanatics interested at all times, but no so wacky as to lose the interest of the casual fan. The geriatric theme is a neat little curveball that kept me guessing until I'd actually plopped the CD in for a studious listen.
At the end of these twelve tracks of guitar instrumentals you'll be impressed, not overwhelmed - and that's a good way to feel at the end of an instrumental CD.
"Too Dumb Too Quit" was produced by Too Old Too Rock. For an independent release the quality of the recording is phenomenal.
Too Old Too Rock is Jim Reindel on acoustic and electric guitars and Chris Hattingh on acoustic and electric guitars, bass, and drums.
Viel interessanter hingegen ist die Tatsache das "TOO OLD..." kräftig losrocken und so ziemlich jedes unanständige Rock´n Roll-Riff aus ihrer sechssaitigen Freundin würgen. Das Debut kommt als komplettes Instrumental-Album, was an der Flut von schlechten Sänger nicht von Nachteil ist. So bietet "Too dumb to quit" ein echtes Hörvergnügen für alle Progrocker und Gitarrenfreunde.
Ich prahle nicht, wenn ich hier Vergleiche zum guten alten Steve Vai ziehe oder mich ein wenig an Michael Schenker lehne. Wer sich fernab von Trends und "Lieblingsbands" mal den Abend kulturell effektiv versüßen will, sollte nicht "TOO OLD TO ROCK" sein!
Denn dieses Album besitzt, trotz des extravagenten Genres, höchsten Unterhaltungswert und wird auch bei mir der ein oder anderen Hightech-Metalscheibe den Rang ablaufen. Unterm Strich ist "Too dumb.." ein stimmungsloses, nettes, gute Laune machendes Rock-Hörvergnügen der Extraklasse was allerdings nur für Leute geeignet sein dürfte, welche mindestens eine Queensryche-, zwei Rush- und eine Joe Satriani-CD in ihrem CD-Ständer rumhängen haben. Zeitlos schöne Prog-Rock-Gitarren-Unterhaltung deren Beschaffung aufgrund des Eigenproduktionsstatusses schwer zu beschaffen sein dürfte, die Mühe aber definitiv wert ist.
By looking at the cover of Too Old Too Rock's "Too Dumb Too Quit" CD I thought "WOW, these guys have been rockin for a long time!" Anyone would come to that conclusion being that the cover of the CD is a picture of two old guys, one with a banjo and one with a guitar, resting on a wooden bench with their feet on a milk crate in a parklike setting. But, I reminded myself that it's not good to judge a CD by its cover (or its song titles).
The "Too Dumb Too Quit" CD is 100% guitar-based instrumentals - just my kind of thing. "Too Dumb Too Quit" will fit in to what ever your style of music-likes are and definitely what ever your mood is. The talent of Jim Reindel and Chris Hattingh as guitarists shines like a bright star when it comes to tempos, styles, and moods on this entire CD.
I recommend that you check out this CD for yourself. For an independent release, the quality of the recording is absolutely phenomenal. Here are some of my outtakes:
"Shuffleboard Champs" - this tune is filled with uncontrolled energy.
"Arthritic Shredfest" - has those Vai-Van Halen sounds, only in turbo style.
"Dance Of The Coffin Dodgers" and "Second Mortgage Blues" - have mell)ow sounds reminiscent of Joe Satriani (Surprise!
"Pass The Geritol" - pays homage to the guitar great (Michael Schenker)who has influenced hundreds and hundreds of guitar slingers.
"Senior Citizen Boogie" - the bluesy Eric Johnson can be heard on this hot lil' tune.
At the end of these twelve tracks of guitar instrumentals you'll be impressed, and believe me that's a good way to feel at the end of an instrumental CD.
Melding influences from Ted Nugent and Steve Vai, Rush and Van Halen, even Motley Crue and Poison, Too Old To Rock also have some fun with song titles. All 12 titles here indulge the aging theme - "Bingo Night at Emily's," "Dance of the Coffin Dodgers," "Shuffleboard Champs" and "Viagra Falls." "Arthritic Shredfest" and the title track are in your face with wild yet tight guitars and relentless drums. "Hair Today Gone Tomorrow" is an introspective respite that actually makes you feel warm and fuzzy all over.
If Reindel and Hattingh really are the two white-haired men on the cover of Too Dumb to Quit, dressed like tourists sitting on a park bench, where the hell have they been all this time? If they aren't, then kudos to the pair for creating an alter ego that's as fascinating as their music.