Music
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Featuring Rex and Tae Money (sorry, I don't even know their real names). Tight beat. Excellent 1st verse. Decent Chorus.
Ambiguously evocative, yet warm and dramatic. I like how this turned out. I had to fight myself every step of the way to resist the temptation to program drums over the top.
Oh, by the way, if you make millions of dollars using any of my tracks when I couldn't, my wife won't ever speak to me again. So...be careful not to make any money with my stuff.
Simple bass and drums layered with brass and string themes
I REALLY like this beat.I recorded a talented friend of mine, Rante Malone playing piano, and then had him track bongos over the mix. Later, I dropped a sick drum beat. It has a raw, lo-fi feel to it.
Expand your mind whilst rhythmic rimshots resonate your cortex.
This instrumental has a mystical quality to it that I like alot.
This is the first recording I made with Shaun Brazell. Despite the fact that the mix is amateurish, the song is well written, the vocal performace is stron, and its generally easy to listen to.
I created this instrumental from some chords that Shaun gave me. Its a little ... hmm ... *fruity* sounding. Not real edgy, if you know what I mean, but it is unique--and, in my opinion, worth a listen.
This has an malicious and violent energy that's hard to describe. Volatile and psychotic with moments of lucidity. Distorted bassline, huge drums, strings sliding all over the place.
A tangled symphonic tribute to the arcane and the impenetrable.
A phantasmogorical journey of epic proportions toward a saturnine dystopia.
How romantic...My old friend Shaun Brazell wrote this for some Jane Doe. I helped out with the packaging. By far the most listened to track on this page.
This was the written by Shaun and myself, and performed by his group, "Broken Silence." It even got a few weeks of play on the local radio station.
Live performance of the preceding track.
This is probably my favorite track on this page. Shaun wrote it and played piano. I added bass and drums, and recorded the whole thing. It tells a story and has more pathos than Shaun's other work.
This recording is terribly sloppy and unprofessional. However, having said that, it is a really great song.
The first, and most successful Broken Silence radio track. People seemed to like this one, although I always felt it was somewhat melancholy.
This is a hyped up club track. Sorry if its overmastered. As always, if you ask nicely, I'll give you the natural track for the asking. By the way, don't miss the sick breakdown at 1:36
This track has a really cool beat, with some wierd chinese instruments over the top. All the rappers I played this for were falling over themselves to "flow" on it, but nothing ever really materialized.
This is the recording two rappers made on the Chinatown instrumental. Second verse is alright.
This cut has a sick bassline played by yours truly. The remainder is chopped up samples.
Don't miss this one. One of my college room-mates in Idaho was a real Afro-Idealogue. This song has cool music with a message--and its hysterical.
Collaboration between Kaleb Parker, and miscellaneous Boise rappers:Angel, Tae, Chew.
This cut features three rappers: Tae Money, Chew Gums, and Eric. While the lyrics are positively juvenile, this was my first foray into recording/producing rap, so I had to put it up here--for historical reasons.
