Music
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'Together, Around the Sun' had only a working title until just before I went into final production, though I always had a celestial interpretation as the divining guide throughout the creative process. As though comfortably seated upon the polar..
'Serengeti Serenade' features the Kudu [Antelope] horn; described as sort of a French horn, it is also heard as a signature at the end. Kalimba, various percussion and African choral samples build ever gradually during the bridge or 'middle eight.'
The horse and carriage heard in the intro not withstanding, 'The Arrival' serves as a musical transition to alert attendees to find their seats in preparation to the imminent custom of 'The Processional,' solemnly culminating at the altar...
As a rainbow appears and arrests our vision, so too does the production of this composition. Aurally as delightful as a rainbow is visual, the listener can witness its splendor for its naturally brief, yet spectacular duration.
The compositional depiction of 'Gypsies of Galatia' reflects the cultural imagery of gypsies that I had witnessed while living in Ireland. Instrumentation includes medieval bagpipe to musically illustrate the nomadic nature of Galatian history.
Subtitled The Orwellian Overture, the production was necessarily experimental in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation of our post 9/11 world. Your papers please!

