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» member profile:
picklesandcheese
» genre:
Classical >
Contemporary
» location:
Jacob Barton
» label: unsigned
» for fans of: nothing else
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Music
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a saturatory round in 12.
17-tone version of 4-part round. Nice and slow so you can learn it.
Tempo Canon (10:11:13) in 15-equal, roughly based on Dan Stearns' 'of fire of ice of blood' motif.
a miniature reading. all sounds made with these vocal chords vs. the VoiceTweaker softsynth. scale is unfair father out of 31.
Music that changes. Two clarinets tuned a sixth-tone apart, Maiko Sasaki and Brian Viliunas playing here.
played by Elliot Cole on 12-out-of-17 piano and Jacob Barton on udderbot
3/19/06 improvisation 2x speed; tuning: 14-tone equal tuning, middle C = normal.
the first thing i wrote when trying out thirty-one tone bassoon fingerings. arpeggilicious.
a bassoonist confusedly trying to wander through a newfound landscape of intervals.
for two bassoons, a scale, then a scale-piece, then a piece in this ancient scale of the Greeks in its 31-equal manifestation.
The nonoctave miracle scale, slowly, in stacks of fifths, for four bassoons.
sketch for bassoon octet
for Slide Bottle Sextet. The first of Three Shavings off the Infinite Block of Goodness.
Slide bottle sextet. Second of Three Shavings off the Infinite Block of Goodness.
Slide bottle sextet. Third Shaving off the Infinite Block of Goodness.
quartertone harp scheme no. 1: tune the 7 diatonic strings to 7 of 8-equal. a play in glissandos.
11 people hocketing as fast as they can.
for bottle band (11 players, 21 bottles required)
for bottle band (21 bottles) tuned to an 11-tone MOS generated by the supermajor third of 31-edo.
as in, all variations, all at once
Alternate title: Xenharmonic Variations on a Theme by Mozart (for microtonal player piano)
yet another stupid improv! (overdubbed thumb piano)
Mostly-macrotonal jammin' keyboard fantasy.
Subminor improvisation. Proteus patches: DreamyShaku and RB's Wine.