Music
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rhythm/panned arpeggios: glaswerks clean in bluesmaster mode with lovepedal picklevibe and empress vm superdelay melody/lead lines: glaswerks in skyline mode, empress vm superdelay guitar used was a k-line s-style, dimarzio area 67 pickups
k-line strat(dimarzio area 67 p/us)->cae wah->mxr '76 dynacomp->shape eq->glaswerks sod100
skreddy echo in loop. little bit of v-pick slide!
k-line s loaded w/ dimarzio area 67 and virtual solo-mxr '76 script dynacomp-fromel shape eq-glaswerks sod100-glaswerks thiele front ported 1x12 w/ EV12L classic. lovepedal vibe on L side dirty chords. moollon delay in loop.
k-line s->custom audio electronics wah->mxr 76 dynacomp->fromel shape eq->lovekraft mojodrive->glaswerks super overdrive w/moollon delay in loop
historic les paul w/ lollar low winds->area51 wah->glaswerks sod100->hermida sealed/ported 1x12 EV12L empress (photo by d. villano)superdelay in loop (try headphones to hear some cool panning)
k-line s style-->analogman kot v 4-->glaswerks sod set clean-->glaswerks 1x12 EV12L (empress superdelay in loop)
lead tone (panned left) les paul neck p/u->a51 wah->lovekraft chupacabra->glaswerks sod clean channel empress superdelay in loop clean tone (panned right) as above with chupacabra off
note: wah was used as a tone filter and wah on the entire time
les paul (lollar low wind imperial pickups)->glaswerks sod100->glaswerks oval back 1x12 with celestion g1265
2 separate tracks of self oscillation, with random panning L and R. the skreddy echo has a built in limiter so that self oscillation is more controllable and musical. see "watson's last waltz" for the full song.
