I am a musician and songwriter (primarily guitar and mandolin, but with amateur forays into banjo, fiddle, concertina, percussion and keyboard), jammer and jam host, recording engineer, producer, studio mole and occasional performer.

When I perform solo, I'm hank49. When friends accompany me, we're hank49 and Loose Canon. Loose Canon is an ever shifting assembly of fellow musicians including Tom Edwards, Mitch Prevatte, Brian Chaney, Kevin Chaney, Lena and Jason Redding, Bronson Shanahan, Robert Darlington and more.
NEWS   Live versions of 6 originals recorded June28th, 2009 at The Unitarian Universalists of Fallston are posted and available. They are the last six tunes on my playlist. Thanks to Mark Nolder for help on percussion, sax, bowed psaltery and hammered dulcimer. And thanks to Tom Edwards for harp on "That's All". Thanks to John Seay for photography.
Now It's Comin' Back To Me
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11/28/09 @ 05:01 AM     post a comment
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Do you play live?
I perform in and around Baltimore Maryland. Recently my favorite venues are the Gordon Center and The Unitarian Universalist Chuch of Fallston. But it once was The Cup coffeehouse in Belair, MD (since changed hands). I also like Huckleberry's in Abingdon, MD.

I usually get pretty good sound and audio recordings when I am in charge of the sound setup. I recorded a show at UU Fallston last December which yielded, after post production and some mastering, several very nice recordings of excellent local performers including Laurie Ballantine and Karen Oliver, as well as Hank49 and Loose Canon (yours truly).
How, do you think, does the internet (or mp3) change the music industry?
The internet shows great promise in cutting out or at least minimizing the middle man role, best exemplified by the now waning influence of the record companies.

This allows a closer relationship between artist and listener and can help to assure that artists get nearly all of any money paid for their work. It's been a long time comin'.

If anyone is interested in licensing any of my work, please contact me via email.
Would you sign a record contract with a major label?
Sure, I'd consider it. Perhaps the day will come when such labels are obsolete but even now as technology continues to change the musical landscape, such contracts still have advantages.
Your influences?
Everyone and everything I have ever heard is an influence one way or the other.
Favorite spot?
Between the toes.
Equipment used:
Martin D15 Mahogony, Guild D50, and Taylor 410CE acoustic guitars. Fender Strat and Telecaster, Gibson ES345 and Guild Starfire II electric guitars. Ovation acoustic bass; Ibanez electric bass. Fender and Rhaphsody and Michael Kelly mandolins; Honor concertina and Palatino fiddle.

Mackie and Yamaha mixing and Tascam recording eq along with Windows PC based recording and editing hardware and software.

ART, Lexicon, Behringer, Fishman, Digitech, Morley, BBE and Yamaha signal processors.

Crown power amp, Yamaha S115V speakers and Stagepass300 portable PA.
Anything else...?
Right hand, left hand, both ears, pineal gland when available, at least one foot, instinct, inspiration, luck, both sides of the brain and my voice, such that it is.
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From the "Week's Worth Of Gravy" jam session of November 21, 2009 - WILD ABOUT MY LOVIN' - I can't find a definitive author for this, but John Sebastion did it after Jim Kweskin and the Jug Band (1963) and after Jim Jackson (1928).
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Brand new recording. Alas, still a couple of flubbed guitar figures closer to the end. I'll get it right, I swear. but this is an improvement over the first. This one was recorded on September 21, 2009.
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Recorded and produced by hank49 at Witcraft Manor, September 2008. Guitars, vocals and bass by hank49 - harps by Robert Darlington.
A SoundClick #1 song
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The old traditional redone at a recent jam. Mike redding - acoustic guitar and vocals; John Seay - Bass; Robert Darlington - harp.
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Original song for Michael Phelps. This is an ensemble version from a jam on November 21, 2009. Mike Redding - acoustuc guitar and vocals; John Seay - bass; Robert Darlington - electric guitar.
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Another live recording, warts and all. Straight ahead country type folk ballad about a guy and his 'significant other', with just a couple extra chord changes thrown in for 'good measure'. A love song about substance abuse.
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Dulcimer, fiddle, madolin....anyone? This one will stay an instrumental.
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Drop D e-string and nobody gets hurt.
A SoundClick Top 10 song
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All tracks MJ Redding. Right now it's four acoustic guitars, one bass and vocal.
A SoundClick #1 song
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Another version of the great song by Robert Darlington of Translator, posted with Bob's permission. Bob on vocals and guitar.
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Brand new take recorded on March 7th, 2009. A Folk Blues with a 13th feel in the lower register utilizing the key's flatted fifth throughout. The bridge's chord movements are especially interesting.
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Rough multitrack concept mix for a Nashville style tearjerker Sunday-go-to-cheatin' song. Updated take from March 8th, 2009.
A SoundClick Top 100 song
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Man in good mood. Woman in bad mood. Resulting conversation. Glass half-full.
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This mix has a nice new harp part contributed by Robert Darlington of Translator - soundclick.com/robertdarlington
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A rocker about leaving - leaving a normal life, leaving a lover for another, running away from home like a bored border collie, or bailing out on a belief system finally seen for what it is.
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Recorded live August 29th, 2009 at Witcraft Manor. This is a jam session take with Mike Redding, Robert Darlington, Dave Eske, John Seay, Tom Edwards and Bob Bauer as engineer.
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For Sashah Alexander Shulgin, Albert Hofmann, and for their spirits. Hats off in the temple, kids!
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A casual, yet neo-classical (albeit on steel strings) approach to a new song about my life in Baltimore.
A SoundClick #1 song
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Bluesy, folky, a little jokey. For hometown boy and World Champion Michael Phelps. This take is an updated one, recorded March 6, 2009.
A SoundClick Top 100 song
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My Seasonal Affective Disorder intersects with radical economic theory. I'm working all the time.
A SoundClick #1 song
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'Great song written and performed by Robert Darlington of Translator(soundclick.com/robertdarlington) recorded/produced by hank49 at Witcraft Manor.
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TURN THIS ONE UP! Ah, yes...a theme we can all relate to.The fundamental attraction between the sexes. A recent jam cut, this is a good prototype for how this one should be done. Just a little audio soft-soap opera neo-porn - on the soft side.
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Another song from Robert Darlington of Translator. This is the first version we've recorded together.
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This is a cover of a song by Missisippi John Hurt. I'm satisfied. I'm tickled too. I'm old enough to.... Acoustic guitars by Mike Redding and Robert Darlington. Vocals by Robert Darlington. recorded September, 2008 at Witcraft Manor Studios.
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Me, a young Finnish Lapphund border collie, a cloud of dust with a hearty 'Hiyo Silver', and another brilliant Autumn to be alive. Also in memory of Blizzard - Dog of the North, our great matriarch Finnie from yesteryear.
A SoundClick Top 100 song
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Another quick home studio 'everything you hear is me' take of my newest song. What's it about?
A SoundClick #1 song
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This was recorded in a Nashville studio largely dedicated to producing quality demos. They did a great job arranging the song for the country genre. Later, I'll post the first rough mockup I did in my humble home studio.
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A Love song, pure and simple, from a very true story. One of my better lyrics, I think.
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A love song about the girl next door. All tracks - Mike Redding.
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Another Witcraft Manor jam cut, this time from May of 2006 with John Seay, John O'Hara, Bob Darlington and Mike and Lena Redding.
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An acoustic fingerstyle instrumental piece inspired by the incomparable landscape of Harper's Ferry, West Virginia.
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You tell me? This uses some of the same finger positions as 'Now It's Comin' Back To Me' but in a much more transitory way. Here, especially the bridge, uses lots of open string positions in standard tuning, with some resulting dissonance
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A tune I've had for a while. Song and all tracks - Michael J. Redding. Two acoustic tracks, the vocal, a bass, an electric ('71 telecaster), a clumsy conga and a modest concertina solo.
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Nothing fancy, just direct - Played on guitar but suitable for piano, upright and a few strings too.
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A steel string fingerstyle piece with a classical edge; another instrumental. Believe me, it's best that way.
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An interesting progression with a whole lot of movement and, hopefully, meaningful lyrics.
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An introspective and nostalgic look back to yesteryear; kinda country. John Hill - vocals; John Grant - MIDI guitar pedal steel sound. Production - John Seay; Recording Engineer - Mike Kruba.
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Imagine Keith Richards and Tom Waits stumbled into one, then somehow sober, and in love with you.
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This is a great song by Robert Darlington of Translator. I'm uploading it as a cover since it's Bob's tune, but it's not exactly a cover in the traditional sense. This take is from Bob and I jamming at Witcraft Manor on September 27, 2009
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Another great tune recently penned by Robert Darlington of Translator. I'm uploading this as a cover since it's Bob's tune, but this track is taken from a recent jam. See below for more info.
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Another Witcraft Manor jam with Mike Redding backing Robert Darlington on an acoustic version of his "There Next To Your Heart". Great lyrics, as usual.
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A Townes Van Zandt song - another cover from practice. Great songwriter and song.
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Another cover from the August 29th attic jam at Witcraft Manor - "Six Days On The Road", with Dave Eske leading the charge.
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play hi-fi  commenting Neighbor Paul
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Hi again, Hank, sorry for the delay.

Fine pickinīhere once more. Anybody who wants to learn how it works, well, they should definitely call you....
Love it

Very good lyrics, a good solid story and hey. Your singing keeps getting better.
Very nice, very American. I like this a lot!

Thank you for sharing
play hi-fi  commenting Wink Of An Eye
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Hank this is a great piece and I kind of donīt know why you call it a DEMO because to me this sounds rather finished.
First of all you have a wonderful and down to earth poem. Yes indeed, itīs just a wink of the eye in the end!

Great rhtyhmic and tonal changes here, you really know how to play this guitar, and also how to record it. Sounds great.
Your voice seems to treat the lyrics just as it should be.
There might be some minor pitch issues here, but hey: Think of Bob Dylan, did he ever care for appropriate intonation? And does he have an audience.
What Iīm talking about is originality, and you got tons of it here.
So, honestly, just quit calling it a DEMO and in my view weīre all set....

big grin :D

Congrats, great song!

Andreas
I'd like to thank everyone for their comments here. I like knowing that someone is listening sometime!

All the best to everyone.
Hi Michael/Hank49! You've got some great listening at your page and "Big Ideas" has got my ear right now, good song!

Also thanks for stopping by my place!

Farrell
i like the music.. uplifting.. it seems important that it is. the lyrics are smart, like years of experience on me.
play hi-fi  commenting Show And Tell
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Good song hank!
play hi-fi  commenting Songworker
Everyone must surely connect especially with this piece:

I pretend to labor; He pretends to pay
Then I come home and start my real working day

Great Job! Not that I am partial. Yeah right! They just keep coming it seems. :-)
play hi-fi  commenting This Machine
Wonderful!
Absolutely BEAUTIFUL and so wonderfully POWERFUL!
play hi-fi  commenting This Machine
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Howdy hank. Very good song!

BC
Hey Dude- Love the "Big Idea" tune and sound!! You've got this "dylan" vibe thing going on--Nice!

Barb
play hi-fi  commenting Big Ideas
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Neat guitar lick. Who's big idea was that?
Good work.
Hank49, I heard your tune on Static chain. Sounds great. My friends ''King Lewman'' have a song also on the same playlist. Happy Holidays to you.

D Junk.
Hank,
Nice batch of original tunes. Enjoyed them today. You can really play that guitar.
Keep on pickin & grinnin
Jamey
Hey Hank--Verse 4 Holly's song-- so cool Bumblebee Baby-- nice imagery

thanks for sharing

Barbara
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