Music
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going through a few features and tones with the MT-2. Starts off with the oscillator, then goes into the actual gain settings and I play around with them the whole time I'm playing. The audio was ripped from the video from my camera, sorry. :)
a distinct and flavorful octave up using the modified Dream Muff Mk3 very high gain and brings a nice and tasty octave with the new desing for Ian's use.
The fuzz portion of the circuit. :) I go through a few different gain levels.
Very versatile overdrive with natural overdriving properties, only rivaled by those of amps; but even then, it cuts very close! Plenty of midrange and other than a midrange boost or cut via the "Mids" knob, it is a very transparent pedal.
For Daniel of Canada, eh?
Using my strat with humbuckers to show the different flavorings.
Using the "bearded lady" fuzz/distortion on my telecaster. designed and built for donnie of Mississippi.
Run through of my newest and most awesome pedal! The Mondo Mouse. Three different modes and the different available settings of girth, tone, volume, drive, and smoothness are goen through in song format. The modes are Mondo, Turbo and Classic.
Demonstration of the Modified Blues Junior, using a custom-made Eulalia as a buffer in bypass, and as a volume pad/volume boost/overdriver in activated mode. And also as a Lasik Eye Surgery tool when you look into the Bright Blue LED.
Demonstrating the Natural breakup of the tube preamp and showing the effects of the Fat switch and when it is being boosted.
Demo of my new, blackface-voiced and extensively modified Fender Blue Junior. Using the Stargazer FX modded SD-1 Passion Drive as the overdrive.
Played at first through a Bass and then into the HDCO, then into a Solid State bass amp. then around 3:16 I switch to my strat.
very rough demo, please excuse the quality and low volumes.. I apologize for this one, but hopefully it will represent at least a little bit of what the Dream Muff mods can make available.
Demo of my first original design, the Eulalia.
A demonstration on how the slow vibrato setting affects the sound of arpeggios.
Demonstrating the sound of a lead guitar using the vibrato, heavily, and the range of speeds available.
Using a spinning chorus tone to emulate the sound of a Leslie 145 cabinet.
Example of the vibrato setting on the Small Clone.
Example of a much slower chorus setting and very subtle for a flanging sound.
