I use to be a tagger, and my tag name was Menace. Then when I started writting rhymes in class, back in Junior High, I added the O.N.E part, which stands for One Naughty Emcee, since most of my rhymes where about doing what any 13-14 year old was doing at that age.
But Menace Music is not a band, it's a movement. I'm not best the best producer, but I'm a producer with a lot of material out there. And it will continue as long as God and the universe keeps bleesing me.

I'm usually behind the scene. I've seen people go nuts over my beats.

It has made it more easier for artist to be "out there" and up your chances of being discovered.

Of course. Who doesn't want to get signed. I make beats. Who doesn't need beats.

Gangsta Oldies (the ones Chicanos listen to). Most music made between 1970 & 1989. Tech Nine's beat choices. Zapp and Roger, Fingazz. Reggaeton Music, Cumbias, house.

Tri-cities, WA. Los Angeles, CA. Seattle, WA., Michoacan-Mexico. Las Vegas, NV.

micro KORG synthesizer/vocoder for MIDI with Reason 4 and combined with the BANSHEE amplified TALKBOX by Rocktron I get the "Roger" effect. Triton Extreme, Roland Groovebox MC-505, MC-305 & MC-303. GEMINI XL500 II Turntable with Gemini PS-626 pro2 stereo pre-amp mixer. M-box mini for Pro-tools, Audio-technica AT3035 cardiod capacitor microphone.

I specialize in making Reggaeton beats, Westcoast Rap, R&b, Dancehall, and house beats. I also performe talkbox hooks. If You need beats or talkbox hooks, leave me a message.