It came by itself just before falling asleep or waking up. The name is the conclusion of the music's impact on us musicians and even more so on our audience. Non-Western listeners could very well dig Lucid Terror.

We did and maybe will again. probably thanks to Soundclick.

I just said...

Depends on the conditions. But we are / were ready for a worldwide audience.

In 1996 i was working on a dancetheatre piece about Gala & Dali, and Chris Heyens did the soundtrack. We were so enthousiastic about music that he invited me for a sessions. The two others were not very happy with the idea, till i stepped into the studio and grabbed the mike. Most of the very first 3 sessions is on 'Music will save the world'. Then we made a lot of music for dancepieces by Edge and Dansity, live or on tape.
And then the inevitable breakup after 7 intensive years. But who nows.
A band is the most intricate lovestory/relationships there can be.
And the best intimacy grows after years of musical celibacy of a certain band.
God Knows the Absence came together after 20 years and we had grown!

As Lucid Terror plays on the self-built String, an electronic bow with random element, making it human, it's hard to say. Afterwards i discovered mentality simularity with the Bauhaus singer, instrumental approach with Monolake. But in essence we make raptrance in a kind of musical safari, taking influences from modern opera, western and indian classical singing, rap, trance, spoken word etc. Listen and if you have any suggestions please leave a comment.

Volcanoes

The String

Music will save the world