Forain (BUY 1 GET 3 FREE + FREE DL)
New School
VISIT: FOR FULL CATALOG Buy the Hi-Quality version without Tags now! --- Basic Lease: $24.95 // Commercial Lease: $49.95 // WAV-Trackout lease: $99.95 ..:: E-Mail: ::..
Waitin' on a Hurricane 'Mark Keller'
uploaded on
08/21/12 @ 09:03 AM     post a comment
1,423 times
Mark and I grew up in Oklahoma City playing in local bands together. Mark was one of the best young singers around and went on to be one of the best commercial ad writers, performers and producers in the USA. And narrator for National Geographic
The Love in You (final cut)
» go to the music page for more
play hi-fi  Headed Back to Eden
play hi-fi  Resolution
play hi-fi  World on Fire
play hi-fi  Waiting
play hi-fi  Rescue Me (Remastered)
play hi-fi  No one needs to Know
play hi-fi  It Dosen't Matter
play hi-fi  Dragonfly
play hi-fi  Willow
play hi-fi  Here To Stay
I've had some great times playing over the years with some really good bands.

Do you play live?
Still playing live gigs although we are booking less gigs than the previous years where we were playing over 80+ gigs per year. We only take the choice bookings these days.
How, do you think, does the internet (or mp3) change the music industry?
Music is alive and well, even if the music industry is not. A new grass-roots industry is taking shape, though how it will eventually look is anybody's guess. Once a handful of big corporations funneled heavily marketed recordings by superstar artists through a few radio chains and MTV to the public. In place of that top-heavy business model, a new, more chaotic brand of self-marketing is emerging, fueled by tweets, text messages and MP3 files.

Roles have changed. Bands can now become de facto record companies: not only creating art but then distributing and publicizing it through websites and e-mail. And fans are no longer a faceless marketing demographic to which products are sold; they have become more like co-conspirators with the artists. They're not only viral advocates for bands, they're collaborators -- participating in remixes and videos, and by extension helping shape careers. They're invested in music personally in a way that wasn't possible a decade ago.

Not that infrastructure is unnecessary or going away. The major labels still exist as big marketing machines, as anyone who's aware of the new album by Whitney Houston or the CD reissues by the Beatles can attest. But the industry, like the music itself, is fragmenting into community-based niches and subcultures. The trend is toward smaller, self-contained units. Bands and artists who are already global brands, from Radiohead to Jay-Z, find they have more flexibility and keep more of the profit if they release music without having to deal with corporate politics. And smaller acts, from Girl Talk to Dan Deacon, are using recordings as advertisements for increasingly lucrative live performances.

Indeed, the new way of doing business has hardly done away with the past. On the contrary, cutting-edge technology that allows artists to connect with their fans 24/7 is building up an appetite for the oldest form of music distribution: the troubadour with the guitar (or laptop) slung across his back traveling from town to town to play for people. That's one musical experience that can't be digitized.
Band History:
I've been playing several decades with different bands
Your influences?
All the great songwriters.
Favorite spot?
(Spot) Sanibel Island Florida (City) Amsterdam, Netherlands
Equipment used:
My collection of amps heads are Marshall JTM 45, Orange OR-50 , Soldano HR50 and a Suhr Badger 30 that I use on top of a closed back orange 2X12 cab with Scumback M-75 speakers I have 2 combos a 1965 Vox AC 30 and an old Fender Blues JR. I have a small collection of guitars; Fender ,Suhr, Taylor, Ovation, Gibson, Ibanez, Rickenbacker...etc I have a large collection of pedals and Fx that get changed around according to the music in the band I am playing with at the time.
Anything else...?
Decent driver and damn good Pizza maker
Join The Mailing List
We will not store or use this email address other than for this newsletter.