Someone once described my style as a "beautifully sad" approach and I think that is the core of all my songwriting. Nothing innovative, but I don't mind. I write what I know, and that's that - honesty is the key. I used to have fears about people not responding to such sad music, so I'd fight it and try to be more upbeat or poppy, but I've learned that if you be yourself (musically/personally), true fans will tune in and in turn bring more listeners. And I'm happy to see that it worked; over the months I've had more and more listeners come out of the woodwork. I'm definitely open to experimenting with more genres. I'd like to get more instruments involved and different rhythms and such. I've been very attracted to the bossa nova sound lately, so you may see that crop up in my newer music.
I can play guitar, bass and a little drums and piano, but hestitate to say I play multiple instruments because it implies I do it well, which I really don't haha. I'd say my two main instruments would be vocals and bass guitar. I love singing and harmonies and do them almost excessively. I love the way a bass guitar can hold down the rhythm and accent it like drums can but still be melodic. I play acoustic guitar out of necessity to back up my songs, but if I had to choose, I'd let someone else play guitar, so I could play bass.
I also hire myself out for vocals or bass, so you may catch me occasionally filling in with someone else's band.
On the same token, if you are an independent artist that wants to make a living doing music, you can only give away so much for free before the effects of piracy start to show. In either case, I find it hard to feel sorry for those whiny big label artists that make 37 million a year regardless of piracy. So I guess its a matter of where you draw the line of how much you're willing to give away.
Basically, I think the internet/mp3s are a great tool to get your name out there to the masses. I'm glad the industry has finally recognized that instead of litigating against the internet/downloading, they need to treat it like they would a brick and mortar distributor. As a consumer, I'd rather pay .99 for a few songs I like instead of dropping $18 on a full length retail cd that I might only listen to parts of.
After that collapsed, I stayed in Seattle and started writing songs in my spare time. I had a short stint playing bass for a local community musical. That spun off into a latin/jazz/funk band, where I played bass w/ one other girl my age on keys and the rest 40+ year old men, including classical guitar virtuouso Angelo Pizarro. However, another member of the band (the self-imposed "leader") was crazy and also using us girls as trophies/novelty items, so I once again called it quits. I continued to write and record, finally playing a gig in a tiny coffeehouse on Capitol Hill and recording vox my friend Brian's band, Every Other Second's upcoming album.
Eventually, the homesickness caught up, which coincided with me getting engaged to someone from back home. So in May 2003, I moved back home. Since then, I got married, had a baby, and quit working for the Man, so I could focus on things that I was passionate about: music/arts/business dev and of course, my daughter. I haven't made real money in months, but I love it. I'm blessed to have a well-behaved daughter plus a husband that supports me 100% financially, emotionally, spiritually. Being with my daughter all day plus doing what I love on a daily basis - the greatest thing in the world.
Currently, I'm the Business Manager of DelaCruz PhotoGraphics, a photograhy and design business I co-own w/ my hubby and bro-in-law. I'm also developing an Arts Syndicate, but that won't take flight for a while. Once I have a little more time, I eventually want to start an all-girl band too, but right now I'm just whoring myself out to anyone who may need a vocalist and/or bassist and trying to write new songs in the meantime. I like working with a lot of people 'cause I think more creativity flows from a collaborative effort between talented individuals. I admire the talent of those one-man DIY artists, but I know where my strengths and weaknesses are. I think, for me, success in both business and music comes from knowing when I'm the best for something and when someone else is.