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Ben Stack
Ben Stack and Denis Martinet
uploaded on
05/14/08 @ 04:18 PM     post a comment
viewed
2,123 times
duration
04:21
category
Music
description
Recorded in a small bar in Paris
It features me on guitar,drum box and bass guitar. My friend Denis Martinet plays keys. It's not great quality but it funky. I don't know who shot it but I wish they'd get in contact so I could give them credit!
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Ben Stack has recorded and toured internationally for more than 25 years, both as a solo artist/songwriter and session guitarist varying in style from Jazz to folk - and almost everything in between. As a result of these widely differing musical experiences, he explores, and often fuses, different aspects of funk, jazz, folk, blues and rock. Switching between acoustic and electric guitars, on which he often uses a variety of stomp boxes and other effects, it is a singular experience to hear the sounds he can produce from an acoustic guitar. He uses about a dozen different tunings and incorporates an highly personal picking style which almost sounds like percussion adding a unique flavor to his sound. The first thing that strikes you when you see Ben live is the sheer energy and personality the man exudes. It's like being taken on a journey that can be anywhere from soothing, to dark, often highly emotional, to down right funky. You never really know what to expect. I've heard him several times play the same song but one night it's pure jazz and the next it's funk ...or folk .... or an improvisation of where the mood takes him. Even though the scope of his improvisations can take you in many different directions, it's almost impossible not to follow him where ever he takes you. It really amazing to watch people who normally would never listen to jazz or folk become entranced by the hypnotic energy Mr. Stack puts out. The second thing is the way he involves you in an interplay between raw emotion and controlled delivery. Following him as he communicates through his guitar and voice you feel that he's talking to you personally. The list of luminaries he has work with, played with and collaborated with range from John Martyn to Ray Brown.
Why this name?
I was born with it (?) It' my real name - not very exciting I
know but there ya have it!
Do you play live?
Yes I play a lot of live gigs which take me all over the planet- and yeah I love it, I can't get enough of it.
There something about the feedback from the crowd that is like no other experience I've ever has.
How, do you think, does the internet (or mp3) change the music industry?
It' a whole new world ........ it puts control in the hands of the artists -which is , of course a good thing.
It' not like the old days when some dump bastard from a record company decided if you has an artistic value. The absolute joke in that scenario was that most (in fact the majority) of these guys could have cared less about music - most of them wouldn't know Doo from a dogs fart! It was all about MONEY!!! Unfortunately the last person to see any money was the writer/artist.

Well to the new world guys! I don't say it's perfect but with global internet access you can sell your own music online. OK it's hard work but the work is yours and so are most of the profits.

I'm all for it!
Would you sign a record contract with a major label?
If the circumstances and profit margins were to the advantage of both parties. Enough of the majors taking money for nothing .......................... "and their chicks for free".
Your influences?
Bill Evans, T.S. Eliot, Larry Carlton, Chet Baker, Donald Fagan, John Martyn, Jackson Browne, James Taylor, Randy Newman, Little Feat, W.B.Yeats, Vladimir Nabokov, James Joyce, Jackson Pollock
Favorite spot?
Paris,New York and Costa Rico
Equipment used:
Acoustic Guitars: Martin D28, Martin 00-18G, Guild Songbird and a Takimine TNV760SC
Electric Guitars: Parker Fly Deluxe (not the conveyor belt model - this was built in England by Ken Parker), Gibson 1962 Les Paul, 1950 re-issue Strat, Ibanez SR 5 string Fretless Bass and four string fretted.
I use a lot of stomp boxes - they change on a regular basics - some of my favorites are the Line 6 Digital Delay which I find to be the purest and most versatile out there, I use some custom peadles built by a French company called NOS - these guys build fabulous boxes keep an eye open for them.

Amps: 1970's Ampeg U.S.A reverb 2 x 12, Aer 60w compo and a Peavey 112 Valvue king
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