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THE SADWING FIDDLE

 
THE SADWING FIDDLE

Antonio, born in Spain, plays violin, guitar and sings; had a classical education and the influence of celtic roots for the area he grew up , an amalgam he made

2 top 50
25 songs
14.7K plays
1
Picture for song 'Castle Lord' by artist 'THE SADWING FIDDLE'

Castle Lord

A piccolo flute drawing the sad story of Dulcinea when lost her love on the pages of Cervantes Masterwork fighting against giants and wind-moulins.
2
Picture for song 'Moon Faces.' by artist 'THE SADWING FIDDLE'

Moon Faces.

Violin story-telling how the moon displays its celtic face and how can self-metamorphose on a non end ritual dance.
3
Picture for song 'Any Seagull Any Shore' by artist 'THE SADWING FIDDLE'

Any Seagull Any Shore

Jonathan Livingstone Seagull; a book that impressed me deeply. Images extracted from that novel and the sound of my country seashores.
4
Picture for song 'Childhood Fields' by artist 'THE SADWING FIDDLE'

Childhood Fields

Some melodies children use to sing when playing on an arragement I specially love because the unpayable performance of my daughters Margarita and Elena. Cost weecks to find the right time for recording their innocent voices, it deserves it.
5
Picture for song 'Music if You Follow Me' by artist 'THE SADWING FIDDLE'

Music if You Follow Me

Simple classic structure on a song constantly downloaded on the old WWW.MP3.COM.
Considerer myself a band musician cause Ive passed through any possible musical activity on my past that way. Think about anything where MUSIC could have place and I've been there sure someday.Those were many battles and from all of them learnt and have in clear THE MUSIC is a precious gift, as someone said: "The unic feeling that build on the earth can inspire till hit heaven itself". On this project we are...
Have you performed in front of an audience?
I made my living of playing live. Mallorca, island on the mediterrenean touristic area had the right scennary for it; music was one of the many jobs this traffic is generating. Love the contact of audience... as violin has no frets the eyes are not in need of the fretboard situation can see people glances ans stablish an idyllic colloquy with my interlocutors. Sometimes you could cut with a knife the attention of people in silence, when it happens, the magic is there. In other words, a chemistry of the spirit. Other times when a tune is not working, spontaneously change into something of more circensial style to catch them. The goal is allways leave the audience with the irremissible wish of listening more. And can sign it anywhere.
Your musical influences
Music goes by circles and I've been on those circles and on the road for many years and sure have the influence of people that wrote the songs I played. Love Chet Atkins, Marcel Dadi, Merle Travis, the voice of Joan Baez, the violin of Stephan Grapelli and Hungarians players; Afterlife, Andreas Vollenweider, Kitaro and J. M. Jarre as composers; the sound of Enya; Chopin, Bach, Beatles... Anyway must say seriously everything is already invented in music and tendencies are running not precisely on the direction where creativity shines, winds are blowing clearly to make things easy, massive music of easy digestion. Confess cant resist sixty-four bars on a unique chord and with an extreme steady kick beating straight to my stomach.
What equipment do you use?
Apart of the violin already described, a JOAN STRUCH classical guitar, IBANEZ GEORGE BENSON, NYLON CLASSICAL OVATION, GIBSON ES-200, ROLAND VG8 guitar system, KORG TRINITY module, KURZWEIL 2000 module, LEXICON 500 effects, ROLAND DEP-5 reverb, STEINBERG thing and hundred sample cd's.
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