Marius Amado-Alves
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play lo-fi play hi-fi  Abafo CĂ©ltico op.77 (demo)
play lo-fi play hi-fi  Quartet op.86 - 1st mv.
play lo-fi play hi-fi  Freedom (soft piano for vocals)
play lo-fi play hi-fi  Freedom (backing track for vocals)
play lo-fi play hi-fi  Freedom (work in progress)
play lo-fi play hi-fi  Op.86 Quartet - part 3c (guitars+organ)
play lo-fi play hi-fi  Op.86 Quartet - part 3a (guitars+organ)
play lo-fi play hi-fi  Op.86 Quartet - 2nd mv. (guitars+organ)
play lo-fi play hi-fi  Op. 86 Quartet in D Dorian 1 mv (guitars+organ)
play lo-fi play hi-fi  Op. 86 Quartet in D Dorian 1 mv (strings)
I am primarily a composer. I also play the piano, keyboards, guitars, recorder, and sing. I compose and play since my teens in the late 1970's.

I sustain a "classical" approach to music: full written scores; clear cut distinction between composer and performer roles; timelessness; definiteness; professionalism.

All my finished works are written down in a full score i.e. a score for all instruments and all vocals. Some scores are available on my member page as pictures in the Scores album. All scores are available upon request.

I channel my "productions" in a number of different "bands," according to the "genre" or style. Here on this ortonym page I include material that does not fit into any of those. See my member page for a comprehensive view of my artist pages.
How, do you think, does the internet (or mp3) change the music industry?
It made things like SoundClick possible. However I have not found evidence of someone making a living strictly out of selling songs on the Internet.
Would you sign a record contract with a major label?
Yes.
Your influences?
I love most works by: Beethoven, Genesis, Rimsky-Korsakov, Tchaikosvsky, Yes...

I hate most works: by Mozart; of the "metal" genre.
Equipment used:
I use a very "low tech" set, which would explain the noise...
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