Originally, when I started this thing ten years ago, I was using only electronic instruments. And the original name Noise-13 and the All Flesh Orchestra was a takeoff of the big band names of long ago. It was an ironic statement about the nature of my music at the time.

I then shortened it to just all flesh when I realized that most of my lyrics always seemed to read like a bastard book of the Old Teastament.

The internet and mp3's are probably the greatest tool for artists to compete based on the art itself. The internet is a great way of bringing commerce back to the individual level, forcing corporations into panic, which can lead to their downfall -- if the internet remains unregulated and free of the clutches of Big Brother Governmeny Machine.

Only if I maintained exclusive rights to produce the recordings as I want them.

April 17, 1993: Noise-13 and the All Flesh Orchestra, an electronic / industrial band led by programmer and songwriter Billy Fisk, a.k.a. Noise-13 made its stage debut at Seventh Street Entry with Wilhelm singing and his robots making up the rest. The show was raw and powerful and a minor legend in the annals of the Industrial Underground.

Nov., 1993: Billy Fisk is Ordained by the Universal Life Church, becomes Reverend Wilhelm Fisk and anointing his solo project all flesh.

1994 - 1995: all flesh built a nice following in the Minneapolis electronic underground through Reverend Fisk's blinding charisma and intense passion on the stage, along with his multi-layered and complex techno / industrial programming.

1996 - 1999: Before plans could be finalized for national attention for all flesh, Reverend Wilhelm Fisk has the first of his spiritual crises, putting the future of all flesh in doubt.

Fall 1999 - Summer 2000: Thinking his crisis was over, Rev. Wilhelm Fisk appeared in Seattle with a new all flesh lineup

July 2000: Another spiritual crisis kills the Seattle lineup.

Fall 2000 to Spring 2003: Rev. Wilhelm Fisk embarks on his Journey, cleansing then purifying his spirit by playing guitar in Hostages, along with short lived work on two progects: a capella punk rock Caucasion Penis Evil and political-industrial Indoctri-Nation.

August 2003: Billy Fisk emerges cleansed, purified and focused; and all flesh returns with an aggressive, edgier, guitar driven self titled cd-r album, with plans for taking all flesh national

all things dark, agressive, and spiritually based. Metal, punk, goth rock, industrial and techno music.

Guitar and vocals were recorded and edited with Magic's jewel series recording software and processed with Reason 2.0. Programming and midi-drum sounds were also made via Reason 2.5. A guibson S.G. and a Jay Terser pawn shop special were played through Peavy Classic Fifty. Vocals sung (screamed) through a sm-58.