Promo Song of the Day
Marcy White
play lo-fi play hi-fi Come To Me
BIG SLEEP
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play lo-fi play hi-fi  Possibly Tuesday ('For Young Moderns' mix)
play lo-fi play hi-fi  Possibly Tueday (Acoustic 'demo' version)
play lo-fi play hi-fi  Hunters Moon
play lo-fi play hi-fi  Mr.Finger & Mr.Thumb (Synth mix finished version)
play lo-fi play hi-fi  I've been asleep
play lo-fi play hi-fi  Welcome to reality
play lo-fi play hi-fi  Introducing Mr finger & Mr Thumb
play lo-fi play hi-fi  Nothing to do with me
play lo-fi play hi-fi  Me and You, and You and me
play lo-fi play hi-fi  The Retro-show / The weekend starts here
Big Sleep is all the music that I create with my friend and musical collaborator, Tony Webster.
Tony is an artist / illustrator, writer of lyrics and stories, song arranger and a mine of information on any subject under the sun . . .
I (David A Briggs) play all the instruments (mostly of the stringed variety), perform all the studio 'jiggery-pokery', dabble a little in the visual arts and do the odd bit of 'creative writing'.
Why this name?
From the Raymond Chandler book / film noir
Do you play live?
No, but would love to get a live band together sometime to perform our songs.
How, do you think, does the internet (or mp3) change the music industry?
It just does; how would all the talented people out there have been heard by so many other people worldwide ?
Would you sign a record contract with a major label?
Yes, but lets stay in the real world . . .
Band History:
We've been making music together for a long time now . . . back when 4 track cassettes were the cutting edge . . .
Your influences?
The Beatles, The Who, Be Bop Deluxe, Bill Nelson, R & B, Blues, Rock and every pop song I've ever heard.
Equipment used:
My main electric guitar is a Yamaha MSG Deluxe. Yamaha APX 4-A Electro-Acoustic guitar, Crafter 'Cruiser' bass guitar, Yamaha PSR 275 kekboard, Line 6 POD 2.0. Zoom RT 123 Drum machine. I record onto Adobe Audition 1.5 (formerly Cool Edit)through my PC.
Anything else...?
Let your vision be your mission . . .
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