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Jon was born in the year of 1985.
At the age of around 10 years, Jon began taking an interest in learning the piano and soon afterwards, received formal training in mainly classical piano. Jon soon branced out into more modern and contemporary music and even took part in a few band gigs and other performances.
However, Jon always felt that there was more that he could do with music and tried to take it a step further.
He then began to experiment with MIDI, mostly from game soundtracks, and sequenced them with different instruments through his computer and Yamaha keyboards. After gaining some basic knowledge of this procedure, he soon tried his hand in composition and begain writing a few songs.
Now, with better gear and knowledge, Jon has embarked on producing Trance tracks, his main interest and focus. He chose to produce Trance because of its musical context and mainly because it's a driving type of music that can delve into one's mind and interpret their emotion and consciousness.
At the age of around 10 years, Jon began taking an interest in learning the piano and soon afterwards, received formal training in mainly classical piano. Jon soon branced out into more modern and contemporary music and even took part in a few band gigs and other performances.
However, Jon always felt that there was more that he could do with music and tried to take it a step further.
He then began to experiment with MIDI, mostly from game soundtracks, and sequenced them with different instruments through his computer and Yamaha keyboards. After gaining some basic knowledge of this procedure, he soon tried his hand in composition and begain writing a few songs.
Now, with better gear and knowledge, Jon has embarked on producing Trance tracks, his main interest and focus. He chose to produce Trance because of its musical context and mainly because it's a driving type of music that can delve into one's mind and interpret their emotion and consciousness.
Why this name?
You can say that this name derives back to my basic roots of sequencing MIDI and how I am still doing the same thing in a way, only a little bit more complex.
How, do you think, does the internet (or mp3) change the music industry?
I think it's good for unknown artists to be exposed to the public and get their music heard. However, it's bad for commercial artists who's albums are widely available, yet there's people out there who choose to download MP3's of their songs, put them onto CD's, and give them away to their friends or sell them - all without ever buying one of the artists CD's.
Would you sign a record contract with a major label?
Who wouldn't?
Your influences?
To name a few:
[-Paul Van Dyk::-Armin Van Buuren::-Tiesto::-Lasgo's Peter Luts::-Robert Miles::-Ferry Corsten::-Above and Beyond::]
[-Paul Van Dyk::-Armin Van Buuren::-Tiesto::-Lasgo's Peter Luts::-Robert Miles::-Ferry Corsten::-Above and Beyond::]
Favorite spot?
America
Equipment used:
- Roland Fantom-S synthesizer
- Ozone MIDI controller
- Sony MDR-V600
- Reason 2.5
- Fruityloops Studio
- Cool Edit Pro
- Ozone MIDI controller
- Sony MDR-V600
- Reason 2.5
- Fruityloops Studio
- Cool Edit Pro
Anything else...?
If anyone believes they have even the smallest bit of music potential in them, I believe they should build upon it and produce music that others can enjoy.
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