In 1971 Alisha joined with ex Chelsea School of Art fellow student Jim Moyes plus two friends to form the Magic Carpet band, "one of the finest Indian-influenced psychedelic folk albums of the 1970's" quote. The line-up consisted of Alisha, vocals, guitar, Clem Alford, sitar, esraj, tamboura, Jim Moyes, guitar, and Keshav Sathe, tabla, Indian percussion. The band made one eponymous album, Magic Carpet. After a launch at the 100 Club, London, UK, a performance at Cleo Laine and Johnny Dankworth's Wavendon, some airplay on Pete Drummond's Sounds of the Seventies, plus several club and festival appearances, the group disbanded in 1972.
During the 70s and 80s Alisha performed as supporting artist alongside numerous musicians including The Enid, Fairport Convention, Terry Reid, the legendary Davey Graham (also known as Davy Graham), Incredible String Band etc. She was invited to appear at the Incredible String Band’s I.S.B. Convention concert in Leeds in 1994, along with others such as Dr. Strangely Strange.
In the 1980s Alisha started singing jazz standards plus her own jazz-oriented compositions accompanied by such luminaries as Peter Ind (bass / Bass Clef), Pete Saberton (piano), Chucho Merchan (bass), Nick Weldon (piano), and Dave McCrae (piano). There is still an unreleased (very alternative!) recording of 3 original Sufit songs arranged by Pete Saberton, performed by Alisha, Saberton, Chucho Merchan and Brian Abrahams (District Six) on drums. The Magic Carpet album began to receive acclaim some 15 years after its release, the original LP now a sought-after collectable on the international vinyl market, currently reissued on CD by the Magic Carpet Records label. It was also reissued on EMI heavy weight vinyl, a signed limited edition which sold out almost immediately.
Moving on from jazz sequins and the perm (!), Alisha revived a lot of her back catalogue and continued to write new material, with a total of 200+ songs to date. In 1994 Alisha released Love And The Maiden, limited edition signed CD, a collection of her early recordings with sleeve notes by legendary guitarist Davey Graham (also known as Davy Graham).
In 1993 she released the album Alisha Through The Looking Glass, on both CD and heavy-weight EMI audiophile vinyl formats - see suppliers below. The album consists of 12 songs richly arranged with contributions by Ray Warleigh on saxophone, Bernard O’Neill on bass, Magic Carpet percussionist Keshav Sathe on tabla, Mamadi Kamara on congas / percussion, Chris Haigh on fiddle and Alan Dunn on accordion.
In 1996 sitarist Clem Alford and Alisha got together again to record the album Once Moor, subtitled Magic Carpet II (the rush follow-up!) featured in Sound On Sound magazine. The album was issued on CD and superb EMI heavy-weight vinyl. It consists of original material with a bonus raga by Clem Alford on the CD version only. To quote one review: Gorgeous melody, bittersweet lyrics, writes Phil McMullen of Ptolemaic Terrascope.
In 1999 Alisha contributed 2 tracks to the compilation album Women Of Heart and Mind, a collaboration of women singer song-writers, and in 2005 she was included in an esoteric compilation album called Many Bright Things, contributing the song Silver Witch, accompanied on mandolin and bass by Frank Defina. Alisha continues to write songs, with a forthcoming album to be released entitled Alisha’s Cellar.