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play hi-fi  Born a Bit Blue
play hi-fi  Travels
play hi-fi  The Rally
play hi-fi  The Final Dawn
play hi-fi  Outcry
play hi-fi  Aftermath
play hi-fi  Departures
play hi-fi  The Fugitive
play hi-fi  Thing of Beauty
play hi-fi  The Maiden
The Noble Pauper's Grave
One Day a New Horizon
Into the Mouth of the Tiger
Passing Decades
Space And Other Singles
A Question of Expression

All albums available from the iTunes music store.

have an extraordinary story to tell. After playing live for only two years, their members pursued musical and civilian careers with no idea their recordings had started to gain an international reputation. In 2006, the release of the album Passing Decades by keyboardist Rory Ridley-Duff triggered renewed interest in their music. They worked with Japanese distributors, and established their legacy, by re-releasing One Day a New Horizon on CD. Their second offering Into the Mouth of the Tiger has also been well received, and celebrates their emerging status as “the top progressive rock group since England (Garden Shed, 1977)” (Marquee Magazine).

Steve and Rory released their third album The Noble Pauper's Grave on 18th October 2007.
Why this name?
We were fans of that band named after the first book in the bible. Rory was studying Greek at school and found the greek word for first was 'Protos', so Protos it was.
Do you play live?
We did between 1981-1983 (with one reunion gig in 1984) and there is a good chance we'll play again in 2008 now we have committed to producing a new studio album in 2007. Undoubtedly our special moments - to date - were two 'Rock at the Regis' gigs in 1982, and the Chichester Arts Festival where we played each year from 1982-84 outside the Cathedral.
How, do you think, does the internet (or mp3) change the music industry?
Power moves back to the artist and consumer. The drop in the costs of producing/marketing music puts power back into the hands of those who make it and listen to it. Terrific development.
Would you sign a record contract with a major label?
Yes. Alternatively, they could take a stake in our label so that we could employ the musicians and staff to develop it.
Band History:
The band formed in 1977 when Rory and Steve, only 15 years old at the time, started meeting at weekends to write music. By the early 1980s, they had been joined by Nigel Rippon on bass guitar and Neil Goldsmith on drums (soon to be replaced by Iain Carnegie). Protos gigged for two years while Rory, Iain and Nigel studied music at the Chichester College of Technlogy and Arts (West Sussex, England), but drifted apart after Rory and Iain went to London to continue their music studies, and Nigel begin studies at a Teacher Training College.

In 2006, Rory released 'Passing Decades' a solo album containing some previously unreleased material by Protos. To promote this, he listed a copy of Protos's album 'One Day a New Horizon' on eBay. This generated such interest that within weeks he was offered a distribution deal in Japan by Marquee Inc. This has resulted in the official release of five albums on CD, two by Protos, two by Rory Ridley-Duff and one featuring the keyboard talents of Rory across his entire career. These have been published by New Horizons Music Ltd to rave reviews around the world (see www.protosmusic.net/reviews.htm).
Your influences?
Steve was influenced primarily by Steve Hackett and Gordon Giltrap, shown in his use of both acoustic and electric guitars. Rory was influenced by Mike Oldfield, the organ playing of Jon Lord (Deep Purple) and Tony Banks (Genesis), both in terms of keyboard style and approach to composition. Iain Carnegie's influences are so many that it is difficult to list them, but in the early 1980s, Yes, Genesis, the Sex Pistols, Puccini and Stravinsky probably capture their diversity. Nigel Rippon was more into heavy metal (particularly Deep Purple), but as a student of classical music his musical influences were also broader than most. He now writes in the style of Frank Zappa/King Crimson with a band called Stone Cold.
Favorite spot?
'Rest and Be Thankful' in Argyll Scotland (although Loch Maree is special too).
Equipment used:
In the past Rory had a Logan String Synthesiser, Casiotone keyboard, Korg Sigma (for synth leads), a Korg Polysix for an array of tasks, plus Roland sound modules for studio work. His most recent addition is a Roland E-50. Steve had an array of guitars and pedals, including a much loved Shergold.
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