Anita Ingrid Neilson
NEWS
If you like my music or are interested in performing, publishing, or recording, please let me know!
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These are all first takes, straight from the heart. That's what this particular site is dedicated to..The in-vetro experience. The recording quality is reminiscent of old blues albums.... On some of these, you can hear either Barry or Sarah Gross, my two older children, jammin' with.
For more originals, see also member profile to connect to
http://www.soundclick.com/sacredproject, recorded with Sarah and Barry at the Elm Lutheran Church. Thanks to Tammy Dahlsten and Brian Hopp for hooking that up. Sarah Jo Livia Gross wrote the lyrics for "Empty" and "Thank You" on Sacred Project. For sacred music originals or any of the rest of our soundclicks, click on member profile to connect to http://www.soundclick.com/anitaneilson
http://www.soundclick.com/lykemuthahlykedaughtah (for the original version of "Thank You") and
http://www.soundclick.com/justfortheharp, music dedicated to my youngest daugher, Brittany Columbine Gross. It is fairy tale music. A site of originals dedicated to "the things that are creepy" is http://soundclick.com/creepymusic. It's also dedicated to Brittany, since she was born in October and likes Halloween and creepy music. Don't we all! www.soundclick.com/oui was recorded at Body Electric with Brian Basilico, Larry Imbordino, Tim Gaw and Diane Linard. The music on all of the above sites, and including www.soundclick.com/dangeroreiley was written by me, with some tunes showing off Barry and Sarah's talents at jamming at a young age, like on "Ominus."
For some classical music favorites
see http://www.soundclick.com/cepure. These are dedicated to my dad, who passed away in October of 2005. Special thanks to my son, Barry William Gross, whose computer skills have been invaluable to me, to Sarah for her encouragement to write more music and do something with it, and to Brittany, for her support and artistic flair.
For more originals, see also member profile to connect to
http://www.soundclick.com/sacredproject, recorded with Sarah and Barry at the Elm Lutheran Church. Thanks to Tammy Dahlsten and Brian Hopp for hooking that up. Sarah Jo Livia Gross wrote the lyrics for "Empty" and "Thank You" on Sacred Project. For sacred music originals or any of the rest of our soundclicks, click on member profile to connect to http://www.soundclick.com/anitaneilson
http://www.soundclick.com/lykemuthahlykedaughtah (for the original version of "Thank You") and
http://www.soundclick.com/justfortheharp, music dedicated to my youngest daugher, Brittany Columbine Gross. It is fairy tale music. A site of originals dedicated to "the things that are creepy" is http://soundclick.com/creepymusic. It's also dedicated to Brittany, since she was born in October and likes Halloween and creepy music. Don't we all! www.soundclick.com/oui was recorded at Body Electric with Brian Basilico, Larry Imbordino, Tim Gaw and Diane Linard. The music on all of the above sites, and including www.soundclick.com/dangeroreiley was written by me, with some tunes showing off Barry and Sarah's talents at jamming at a young age, like on "Ominus."
For some classical music favorites
see http://www.soundclick.com/cepure. These are dedicated to my dad, who passed away in October of 2005. Special thanks to my son, Barry William Gross, whose computer skills have been invaluable to me, to Sarah for her encouragement to write more music and do something with it, and to Brittany, for her support and artistic flair.
Why this name?
My name is originally Anita Ingrida Cepure....noone could pronounce it....people used Ingrid Neilson in New York, and legally my first name is still Anita. My real name is very difficult for most people to pronounce..my stepfather, Lou Berrios, called me "love", and that's my favorite...
Do you play live?
Yes. Whereever possible. I have wonderful memories of people around the world for it, especially when I worked near the United Nations in New York, at Cafe Versailles, Le Onde's and La Magneta and got to meet so many people, let alone on tour.
How, do you think, does the internet (or mp3) change the music industry?
It's a great way to access all the music you love and get a glimpse of new stuff out there.
Band History:
I've performed in a variety of different venues, from church and school, to rock bands and orchestras, to restaurants and a dinner theatre, working with Broadway Producer Mark Schwartz. I've met alot of great people, am inspired by people I meet and places I've been, performed with some really amazing talent. From Kansas to South Dakota, Philadelphia to Chicago, New York to abroad, seeing Alaska, the West Coast, Mexico, South America, Jamaica, Puerto Rico and Sweden. Even in free time, in New York, I played with different bands who could play anything, anytime, anywhere, no rehearsal. I worked at places like Cafe Versailles, Joe Kipness Pier 52, Dionysis, Movenpick, and the Penn Lounge at the Statler, even getting to perform at the New York Plaza through Ned Koza. I was fortunate to have a number of great talent agents, including Hal Kaye and Don Tabler, doing a few modelling jobs through Charles V. Ryan. People like them make life worthwhile. My agents are invaluable and unforgetable. Tommy Lapins in Chicago, Dan Dupree, and Conductor Duckwall were tremendously influencial and supportive, as was Paul Hands in Steamboat Springs. Although they weren't professional talent agents, they freely helped me have opportunities to perform, as did Sol Dentisi, jazz violinist who asked me to accompany him for his Knights of Columbus Concerts. Some stuff in life can really be really hard to deal with, like a broken heart, or shattered dreams, but finding the things that make it worthwhile is where it's at, for me. My children and my music, and performing for such great people as have been supportive is what makes live worth living.
Some of the highlights of my career, though, were performing on the Joey Adams show in New York or working with Mark Schwartz's illustrious staff in Steamboat Springs, CO at Club Majiks. Also, getting to meet Flip Wilson in person when I was playing on the same cruise ship as the All Cool Jazz Festival, featuring Dizzy Gillespie and Joe Williams. My mother even had me play for Maestro Buschelicha at the Metropolitan Opera, who was terrifically supportive, while she studied there. I'd get longwinded if I started listing all the amazing talent I've been surrounded with all my life...starting with my own mom, Astrida Neilson Berrios and grandmother, Elivira Neilson.
Some of the highlights of my career, though, were performing on the Joey Adams show in New York or working with Mark Schwartz's illustrious staff in Steamboat Springs, CO at Club Majiks. Also, getting to meet Flip Wilson in person when I was playing on the same cruise ship as the All Cool Jazz Festival, featuring Dizzy Gillespie and Joe Williams. My mother even had me play for Maestro Buschelicha at the Metropolitan Opera, who was terrifically supportive, while she studied there. I'd get longwinded if I started listing all the amazing talent I've been surrounded with all my life...starting with my own mom, Astrida Neilson Berrios and grandmother, Elivira Neilson.
Your influences?
Depends on the style. I like rock, blues, r&b, and classical music. Rock artists like Steven Tyler from Aerosmith and Eddie Van Halen from Van Halen all had very healthy classical music training. Some accomplished rock artists that I admire, like Slash, do crossover to blues as well. My first rock albums were Black Sabbath and Three Dog Night, and I have always loved Ozzy Osbourne.
Favorite spot?
New York, Stockholm, Aruba, Cartehena, Jamaica, Chicago, Lindsborg, KS. and Marquette, KS.
Equipment used:
Yamaha PSR-320, Kohler and Campbell, (or whatever piano is available) a Baby Brute amp and occasionally a mike.
Anything else...?
Wouldn't be able to get this stuff going without the help of Barry, Sarah and Brittany. Also check out http://www.xanga.com/anitaingridneilson. Also, special thanks to the artists of the Internet....you are amazing and truly inspiring. Thank you for sharing your talents, too.