One of my uncles I use to go to the studio with gave it to me and it just stuck with me.

I grab the mic whenever I can. I try to keep my rymes simple and to the point with a lot of catchy hooks. It aint a lot of slang be spit in a college town. If you wanna get paid people have to understand and relate a little.

It's opening up the world to a host of artist, not just the ones that the larger corps want you to hear. Every day on the hour 24/7. 98% of all the radio stations in america have sold out to the larger firms so we dont really listen to the radio anymore up here.

I'd have to see what the deal is. I'm not working for .10 to .50 per CD. If I could sell 100,000 copies on my own at $7.00 to $10.00 a pop. I'd beat out any amount that they would have paid me after taxes and deductions for the videos, record play, attorney fees, etc.

It just me. I've had a lot of different producers, rap artist, shisters, and low life skeezers that I've dealt with over the years. I'm just doing it myself now.

I want B.B. Kings endurance and longivity to blend with the knowledge of russel simmons and add the ear of Quincy jones. Thats a hell of a package. See them boys got real street game. True hustlers.

Chicago and Houston. It's a tie.

MP3 2000, Alesis Keyboards, turntables, and some live instraments.

If you listen to my tracks you gone like'em. So just layback and enjoy the ride.