Exit 2 Nowhere
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Hello all, we are (pause for effect)… EXIT 2 NOWHERE!!!!!!!
We are the future of acoustic music, or maybe not. Perhaps a link in the chain. Gid Tanner begot Bill Monroe, Bill Monroe begot, John Hartford… well come to think of it, Bill didn’t directly beget John Perhaps the met in a bar and had an epic arm wrestling encounter. After several days of wrist twisting neither man prevailed. So they agreed to call it a draw, busted open a jug of shine and talked about the way wet dogs smell. But perhaps I digress.
Back to that chain thing I was talking about.
In 1971 John Hartford released “Steam powered airplane” and forever changes the world. Of course it was a very small part of the world, but a part of the world I was interested in. I was well acquainted with the works of Bill Monroe, and was a huge bluegrass fan. But there was a disconnect. I never plowed the back 40, or slopped a hog, or had an Uncle that played fiddle at the local barn rising. I was a chunky suburban brat that had my share of problems, but never really reached the depts of low lonesome misery. But John had altered the paradigm of Bluegrass by addressing things he was acquainted with.
Of course one of the thing John was acquainted with was them “Jazz cigarettes”. Because there were a scant few references to Marijuana, the traditionalist labeled it “Hippy grass”.
As the Planets aligned, Jerry Garcia decided to do a Bluegrass project with David Grisman. This led to the formation of an all star band named “Old and in the way”. Jerry’s involvement led a few thousand “Dead heads” to check this project out. While John Hartford created “Hippy grass”, Jerry Garcia got the hippies listening to it. Oddly enough, “Old and in the way” featured Pete Rowan, a former member of “Bill Monroe’s Bluegrass boys”. Of course by this time, Pete had grown his hair long and gone, according to the traditionalist “Crazy as a sh*** house rat”.
Moving forward we get, Hartford, Old and in the way, Yonder Mountain string band, String cheese incident, Blueground Undergrass, and on and on. Append to the list, one Exit 2 Nowhere (not to be confused with the Canadian band exit to nowhere. USA USA USA!!!).
Our relationship with Traditional music is kind of like an abusive marriage. We warmly embrace Traditional music… until it doesn’t know when to shut its freaking mouth. No wait. That isn’t really politically correct. Perhaps I should say we are continuing the great tradition of taking the music we revere and making it our own. That is all Gid, Bill, John and Jerry did. We are just another link in the chain.
We are the future of acoustic music, or maybe not. Perhaps a link in the chain. Gid Tanner begot Bill Monroe, Bill Monroe begot, John Hartford… well come to think of it, Bill didn’t directly beget John Perhaps the met in a bar and had an epic arm wrestling encounter. After several days of wrist twisting neither man prevailed. So they agreed to call it a draw, busted open a jug of shine and talked about the way wet dogs smell. But perhaps I digress.
Back to that chain thing I was talking about.
In 1971 John Hartford released “Steam powered airplane” and forever changes the world. Of course it was a very small part of the world, but a part of the world I was interested in. I was well acquainted with the works of Bill Monroe, and was a huge bluegrass fan. But there was a disconnect. I never plowed the back 40, or slopped a hog, or had an Uncle that played fiddle at the local barn rising. I was a chunky suburban brat that had my share of problems, but never really reached the depts of low lonesome misery. But John had altered the paradigm of Bluegrass by addressing things he was acquainted with.
Of course one of the thing John was acquainted with was them “Jazz cigarettes”. Because there were a scant few references to Marijuana, the traditionalist labeled it “Hippy grass”.
As the Planets aligned, Jerry Garcia decided to do a Bluegrass project with David Grisman. This led to the formation of an all star band named “Old and in the way”. Jerry’s involvement led a few thousand “Dead heads” to check this project out. While John Hartford created “Hippy grass”, Jerry Garcia got the hippies listening to it. Oddly enough, “Old and in the way” featured Pete Rowan, a former member of “Bill Monroe’s Bluegrass boys”. Of course by this time, Pete had grown his hair long and gone, according to the traditionalist “Crazy as a sh*** house rat”.
Moving forward we get, Hartford, Old and in the way, Yonder Mountain string band, String cheese incident, Blueground Undergrass, and on and on. Append to the list, one Exit 2 Nowhere (not to be confused with the Canadian band exit to nowhere. USA USA USA!!!).
Our relationship with Traditional music is kind of like an abusive marriage. We warmly embrace Traditional music… until it doesn’t know when to shut its freaking mouth. No wait. That isn’t really politically correct. Perhaps I should say we are continuing the great tradition of taking the music we revere and making it our own. That is all Gid, Bill, John and Jerry did. We are just another link in the chain.
Why this name?
My wife Dee came up with it. And for the record it’s always been “Exit 2 Nowhere” with the Number 2 in the middle. When we did a domain check we didn’t even look up “Exit to Nowhere”. I mean… that name doesn’t even make sense. Everybody knows it’s Exit 1 somewhere, and exit 2 nowhere.
Do you play live?
Well the paint is still fresh on this band. We’ve been playing in earnest since February of 2006. We are currently involved in the Budweiser Acoustic Challenge hosted at Hemmingway’s in Irmo South Carolina. The people at Hemmingway’s are really cool. We would love to get an actual gig there sometime. If you are ever in Irmo, check out Hemmingway’s. 1.50$ Amber brocks… what a bargain. When I’m not playing there I still drink there.
How, do you think, does the internet (or mp3) change the music industry?
I honestly hope it destroys the music industry. The music industry is really the last vestige of slavery in America. CD’s cost the listener about 16$ and the artist might see two of those dollars. The rest is distributed to all the fat cats that treat music like product. There are too many barriers between the listener and the artist. The Internet lowers these barriers. I don’t know if a viable commercial model will ever evolve from all this. At least not for the real independent artist. But the Internet does give the listener the ability to delve deep into whatever niche music they like.
Would you sign a record contract with a major label?
No
Your influences?
John Hartford, Old and in the way, Yonder mountain string band, The Blackfoot brothers, Tony Rice, Bela Fleck, Newgrass revival, The Seldom scene, The Grateful dead. And of course anything I’ve ever heard.
Favorite spot?
Charleston SC