Zanoisect
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play lo-fi play hi-fi  Jovian Corners (excerpt)
play lo-fi play hi-fi  Nape Alm Ed 5.1
Zanoisect since 1985 have sought out exotic, obscure, clandestine, obtuse, austere and often intense realms. The Zanstones vs Zanoisect battle in 1986 banished the project until the next decade. By the end of the decade productivity cranked up to a score of releases.
Why this name?
It was a word smash of my name Zan plus Noise plus Sect.
Do you play live?
This is a studio project often involving contributions from collaborators worldwide.
How, do you think, does the internet (or mp3) change the music industry?
The lumbering giant has slowly stirred from it's slumber.
Would you sign a record contract with a major label?
This project is unlikely to confront that situation.
Band History:
Zanoisect releases contain collaborations with:
Ames Sanglantes, Kris Abplanalp, Simon Brown, Don Campau, Jorge Castro, CBC3, Das Frohliche Wohnzimmer, De Fabriek, Ditto, ECDM, factor X, Fever Spoor, Tom Furgas, Gelsomina, Gintas K, Guerroeterna, Barb Hall, Mark Hanley, Monobrain Headdhunter, Mystery Hearsay, Hal, Brian Noring, Kazuhiro Ohtsuka, Jeff Olson, 1348, Onq + Marlo, Outermost / Invaders From Mars, PBK, Sismoid, Surgical Mental Klinik T.Diez, Ultra Milkmaids, John Wiggins, V.V. Work, Xedh, & Peter Zinken.
Your influences?
Experimental, austere, minaimal, maximal, harsh noise, international collaborations, and the like.
Favorite spot?
the Fist Bar in Barcelona
Equipment used:
Tascam multi-track recorders, apple computers, dp4 f/x, and lots of obscure analog equipment not limited to cassette decks, microcassette recorders, shortwave radio, wet and dry wood, snow shovels, etc.
Anything else...?
More infomation including covers for every release available at zh27.org
http://www.zh27.org/noise/zano.html
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