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Akallabeth
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play lo-fi play hi-fi  The Shadow of a Dream
play lo-fi play hi-fi  The Three Mothers
play lo-fi play hi-fi  Ascension
play lo-fi play hi-fi  Erebus
play lo-fi play hi-fi  Crown of Darkness
play lo-fi play hi-fi  Nada
play lo-fi play hi-fi  Sacramentum
play lo-fi play hi-fi  Dispossessed
play lo-fi play hi-fi  Belief
Heavy gothic doom metal band from Baltimore.
Why this name?
A love of Tolkien and the whole concept of Middle Earth. The fantasy element is a big part of our direction and motive to make music.
Do you play live?
No, not yet.
Would you sign a record contract with a major label?
yes. maybe.
Band History:
The musical collaboration between Susan Creasey and Frederic Jablonski began during the Autumn of 2004. Each, coming from vastly different musical backgrounds, slowly began a recording project that would be known as Akallabeth. “Akallabeth” comes from The Silmarillion by J.R.R. Tolkien, and translates as “the downfallen,” referring to the downfall of Numenor in the second age of Arda. Susan is a trained classical operatic singer who was performing children’s musicals when the two met. Frederic is an ambient music composer (see Evenwhen) and rock guitarist who had previously been in the band A Dream Apart. Together, they began to create music that fell into the emerging style of gothic doom metal.
With a lack of musicians who sympathized with this direction in music, the band has struggled to assemble a complete lineup. The lack of a drummer in particular has plagued the two from the beginning. Friends, such as Ed Bercaw from the band Splintered Image and Carlton Nelson from the band Theophany, were willing to contribute to the project and help Akallabeth in achieving its artistic vision. Ed Bercaw played bass on "Sacramentum" and “Crown of Darkness,” and Carlton Nelson contributed keyboard parts on “Nada” and “Ascension”.
The first song created in 2004 was "Sacramentum," and incorporated all the elements the music was aiming for- gothic metal downtuned guitars, heavy drums (samples), piano and synth, Ed's fretless bass, and Susan's powerful vocals. This song set the pattern for all the rest of the songs afterwards- “Crown of Darkness,” “Ascension,” “Nada,” and “Dispossessed.” “Erebus” was written as an atmospheric instrumental track originally but Susan’s lyrics fit the theme perfectly and also provided an opportunity to showcase her operatic vocal style.
The subject matter of Akallabeth’s songs is based mainly on fantasy and myth. The band’s intention is not to bend towards the common matters of everyday life, but to transcend those thoughts and transport the listener beyond the mundane. The myth of Orpheus, paintings by Edward Robert Hughes, and the conceptual movies of Dario Argento are just a few sources that have inspired the songwriting of the two.
"Tristesse" is the band’s first demo cd and will be limited to 100 copies.
Your influences?
Nightwish, Within Temptation, Tori Amos, Celtic Frost, Candlemass, My Dying Bride, Katatonia, Paradise Lost, Anathema, Cradle of Filth, Dimmu Borgir, King Diamond, Theatre of Tragedy, The Cure, Epica, Lacuna Coil, Therion, The Gathering, Celestial Season, Solitude Aeturnus...
Equipment used:
Recording was done using Cakewalk Sonar3 software.
Anything else...?
Contact us for a copy of the demo.

Also check out our myspace site-
http://www.myspace.com/akallabeth
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