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Our #1 Hit in Portugal. This song took us places, international gigs, more than 20 TV shows, platinum award, compilation CDs... you know, the works. Not our best song, but radio loved it.
Released as an «Alexandrina» album this was 100% Infinite-e. The song was made considering a male vocal but things turned out this way because the singer completely "fell" for the song.
Instrumental remix by Vitor Silva, this is not really our style, but, hey!... it's my song! ;) We have rerecorded the vocals and used the infamous auto-tune effect! Yikes!!!
Club song from our hardest/deepest/noisiest/most distorted album so far. 1999's «Ex Analogue». I think it was our best album in a whole, and the greatest flop as well. Play in STEREO only, please. It's 80% out-of-phase. On purpose.
Following in the steps of «Som Do House», the hardest vocal-house tracks we ever performed.
The singer is a gipsy that sells shoes on the local market. He went nuts over the song. So did we.
Is this breakbeat? Voices from afar, sounds from here. One more from our "flop" album «Ex Analogue»
A iffy track to assemble. All sounds, as on most tracks in «Ex Analogue» were sampled from Short Wave radio noise bursts. Every snare, hat, kick... it's static. The voices were recorded on SW radio as well, with a Yaesu FRG7 receiver.
Voices and sounds from Short Wave radio. The internet from before the 90's. Hence «Ex Analogue». Now you got it, huh?
I really don't have a very friendly relationship with styles. Is this Dn'B? Damn... As for this track, «The Law», check the info for «Im Internet». History's the same.
From my background as an art-gallery sound designer. This track closes «Ex Analogue».
Sung by guest local gipsies. They were totally improvising to tape and that was the first time they heard the track. Remind you, all this is analog tape work. No digital sample editing here!
Track from the bootleg CD «Corpo Astral» released under Alexandrina's name (former singer with Infinite-e).
Title song from the bootleg album released under Alexandrina's name in 1997.
Esprit: french for Spirit.
This may well be our best track ever. Final solo by special guest Queco is waaaay cool! As with "Tiznit" (from the same album) all rhythms are played on a keyboard and MIDI programmed. No loops, no samples here.
Tiznit is a place in Morocco. This, together with «Esprit» includes an awesome final solo. This turn it's piano by, also, special guest Paulo Novo. All analog recording, d n'b rhythms were MIDI programmed, note by note.
An experimental excursion into the "happy-hardcore" sounds.
We have a love/hate relationship with this song. It's terrible but the song is great. Weird... oh, and we were playing this live since 1995.
