My first dj boss, Billy the Kid @ Fred Segal Santa Monica started calling me that. It turned out to be a totally appropriate name for me--people really respond to it.

I have two weekly residencies: Thursday @ The Room Sitges and Saturday @ El Cafe De La Plata in Aiguadolc (Port of Sitges.) I also play 2nd & 3rd Fridays of the month @ Torre Rosa in Barcelona. Playing out is an essential element of what I do--gotta connect w/the folks! I particularly enjoy playing outdoor festivals (e.g., Annual Abbot Kinney Fest, Venice Carnevale) and I love playing in Spain--music really does communicate regardless of language differences. I have to say though, that probably the most special moment I've had dj'ing was about a month after 9/11. I had a 2-step/uk garage dance club called "Pull" along with 2 other fantastic djs, Markman & Ameno and our partner Dimitry @ 360 Lounge in Hollywood. We had played a fireman/policeman's widow benefit earlier in the week along with NYC's Drive-By Crew (Djs Dinesh, Reid Speed & Greg Poole plus The Whistler on mic duties) and legend Mark Hill of Artful Dodger @ Manhattan's 95 Leonard (not far from WTC ground zero.) At the end of the night a man came to us with tears in his eyes explaining that we'd shown him the best time he'd had in a while and he'd JUST moved from NYC...

It cuts down many of the costs associated with promoting music and digital distribution makes getting your music out there viable for unsigned artists or small labels.

Maybe. I'd be more interested in production than an artist deal.

Raised on soul, jazz and gospel (which is often has characteristics of the other two genres) I was exposed to music early and encouraged to participate in performances at home, church and school. In high school, I learned music theory and became familiar with playing keyboards. I was afforded a great opportunity to put theory to practice by apprenticing with the church organist during choir rehearsals, and eventually playing piano in Sunday services. During this time I'd also seen a band that would prove to be very influential in an unanticipated way. The band was Kraftwerk, and the year was 1980.

Although I had a great love for electronic music, I focused on writing jazz until the early 90s. In 1990 (through what seemed like fluke at the time) I learned to spin on my first DJ gig--Fred Segal Santa Monica. At that time, Acid-Jazz was the buzz in the underground and my Jazz background served me well. I scored a residency at L.A. Acid-Jazz staple Internationalist, and later began my own night, Jazzid Up! with other friends in the scene.

Through the years I made the transition from playing keyboards live, to only using them in the studio--DJing has become my means of performance. As a DJ I have performed in LA, NYC, San Francisco, Miami (for Winter Music Conference), Las Vegas, San Diego, Spain and Switzerland. I have played beside DJ greats Mark Rae, Marques Wyatt, Swedish Egil, The Dope Bros. (Professor Angel Dust & De Lippo 0f Bongo Lounge), Rockers Hi-Fi and Mark Hill of Artful Dodger.

What the future holds is never certain, but my plans include lots of recording (both remixes and original material), touring, and hopefully moving into a place where I can make more noise...

I'm influenced by so many people and trends--sometimes TOWARD the people/trend sometimes AGAINST them. I'm always seeking out the soul in whatever i put my hands to, whether it's broken-beat ala bugz in the attic, jazz-hop ala dj smash, house that marques wyatt might dig, dubnotic mad professor type tracks or anything, really.

Currently my two favorite places in the whole world are Spain & NYC.

Controller keyboard & various music software, occassionally turntable for scratches--THAT'S IT.