freq voisss
NEWS
Freq Voisss is (sometimes) working (for free) for...your pleasure.
/////thanks for download a track and support ////
::::::::::::::::::::::::::::::::::::::::::::
All out digital ! since now...and forever.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
"Toboggan" (2008)
"Are you gay?" (2007)
"Aliens f*u*c*k*s (on commercial overdrives)" (2006)
"Volume8" (2005)
"Jackpot"(2004)
"Freakencies" (2001)
"Le musique" (2000)
/////thanks for download a track and support ////
::::::::::::::::::::::::::::::::::::::::::::
All out digital ! since now...and forever.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
"Toboggan" (2008)
"Are you gay?" (2007)
"Aliens f*u*c*k*s (on commercial overdrives)" (2006)
"Volume8" (2005)
"Jackpot"(2004)
"Freakencies" (2001)
"Le musique" (2000)
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::welcome listener::
:::::::::::::::::::::::::
::::::::::::::: ::find here some mp3.
:::::::::::::::::::::::::::::::::::::::::::::::::::genre:
::::::::::::::::::::::::::::::::::::::::::::::::::::::::Electronic(a), electro-synthetic, techno, hardhouse, ambiant-noise, minimal soundscapes, digital-abstract, lo-fi dark, symphonic trance, futuristic grooves, dark indus, etheral breaks, electric brainwaves, rocks-cuts, twistronic-happyclash, soundwalls, chiptune, harmonics, organic bleeps, subrealistic frequencies
::::::::::::::and smile.
:::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::::::::::::::download it and enjoy.
:::::::::::::::::::::::::
::::::::::::::: ::find here some mp3.
:::::::::::::::::::::::::::::::::::::::::::::::::::genre:
::::::::::::::::::::::::::::::::::::::::::::::::::::::::Electronic(a), electro-synthetic, techno, hardhouse, ambiant-noise, minimal soundscapes, digital-abstract, lo-fi dark, symphonic trance, futuristic grooves, dark indus, etheral breaks, electric brainwaves, rocks-cuts, twistronic-happyclash, soundwalls, chiptune, harmonics, organic bleeps, subrealistic frequencies
::::::::::::::and smile.
:::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::::::::::::::download it and enjoy.
Why this name?
freq like freq and voisss like voisss
Do you play live?
yes in some cool places with some cool peoples..but rarely actually because of a BIG NETWORKING, and datas optimization..
How, do you think, does the internet (or mp3) change the music industry?
mmh...world web is wide..
You can also lost your time and more, yourself..
But you can easily promote your things
You can also lost your time and more, yourself..
But you can easily promote your things
Would you sign a record contract with a major label?
if it's cool yes..


Band History:
First experience, one day in 1993. I had two walkman and two blank tapes within reach, and as for sound,my own voice and an old piece of furniture with a squeaky door.
I was able to record the tapes by sending the recording from one walkman to the other and by adding a sound.
Delighted in having invented the multitrack and despite the rotten sound due to the untimely audio transfer, i had discovered a new kind of creation that i had never attempted before, meaning the sound, not the music.I therefore decided to adopt this unique old fashioned as my favorite touch, my quest for an identity in sound could begin, FREQ VOISSS was born.
As early as 1999, the construction of my universe of sound, punctuated by few collaboration with graphic and visual artists, short films as well as contemporary art, but above all, good experimental happy dark sounds for breakfast every morning. A far reaching and methodical method of constructing sounds for a most appreciable result for eager eardrums, hungering for frequent nourishment.
"It is plain to see that all this stems from his constant tinkering with his machines and is clevery sprinkled with his global electro-wave culture (80s 90s)."
................................fr
Première bidouille un jour de 1993, j'avais sous la main 2 walkmans et 2 cassettes vierges, et comme source sonore, ma voix et un vieux meuble dont la porte couinait.. Je pouvais enregistrer les bandes en renvoyant à chaque fois l'enregistrement fait dans l'autre walkman, et en y rajoutant un son.
Content d'avoir inventé le multi-pistes, et malgré le son complètement pourri, dû aux transferts audio intempestifs, j'y trouvais là une nouvelle forme de création que je n'avais encore jamais disséquée, non pas la musique mais, le son. Et je décida donc d'adopter cette texture poussiéreuse unique comme grain de prédilection.
Ma quête d'identité sonore pouvait commencer, Freq voisss était né.
Dès 1999, fabrication de mon univers sonore ponctué par des collaborations avec des graphistes et des plasticiens. Un peu de court métrage et aussi de l’art contemporain, mais surtout du son happy-dark experimental au petit déjeuner tout les jours. Une recherche de méthode méthodique de fabrication du son donne un rendu appréciable pour les tympans avides de nourriture fréquentielle.
On dit de moi que je suis l' avatar sonore né de la trituration de mes machines et teintées en couleurs electrowave."
Et nous en sommes tous d'accord ici...
>
I was able to record the tapes by sending the recording from one walkman to the other and by adding a sound.
Delighted in having invented the multitrack and despite the rotten sound due to the untimely audio transfer, i had discovered a new kind of creation that i had never attempted before, meaning the sound, not the music.I therefore decided to adopt this unique old fashioned as my favorite touch, my quest for an identity in sound could begin, FREQ VOISSS was born.
As early as 1999, the construction of my universe of sound, punctuated by few collaboration with graphic and visual artists, short films as well as contemporary art, but above all, good experimental happy dark sounds for breakfast every morning. A far reaching and methodical method of constructing sounds for a most appreciable result for eager eardrums, hungering for frequent nourishment.
"It is plain to see that all this stems from his constant tinkering with his machines and is clevery sprinkled with his global electro-wave culture (80s 90s)."
................................fr
Première bidouille un jour de 1993, j'avais sous la main 2 walkmans et 2 cassettes vierges, et comme source sonore, ma voix et un vieux meuble dont la porte couinait.. Je pouvais enregistrer les bandes en renvoyant à chaque fois l'enregistrement fait dans l'autre walkman, et en y rajoutant un son.
Content d'avoir inventé le multi-pistes, et malgré le son complètement pourri, dû aux transferts audio intempestifs, j'y trouvais là une nouvelle forme de création que je n'avais encore jamais disséquée, non pas la musique mais, le son. Et je décida donc d'adopter cette texture poussiéreuse unique comme grain de prédilection.
Ma quête d'identité sonore pouvait commencer, Freq voisss était né.
Dès 1999, fabrication de mon univers sonore ponctué par des collaborations avec des graphistes et des plasticiens. Un peu de court métrage et aussi de l’art contemporain, mais surtout du son happy-dark experimental au petit déjeuner tout les jours. Une recherche de méthode méthodique de fabrication du son donne un rendu appréciable pour les tympans avides de nourriture fréquentielle.
On dit de moi que je suis l' avatar sonore né de la trituration de mes machines et teintées en couleurs electrowave."
Et nous en sommes tous d'accord ici...
>
Your influences?
MANY lectro nix and not also..
Favorite spot?
brain..(yours)
Equipment used:
an elastic, a spoon, a chewing gum, a pineapple, a playmobil...
and electricity.
and electricity.
Anything else...?
////////////
you like FREQ Voisss's melodies?
book/ F.rec
Buy / order:
web download (mp3) + catalogue
mailorder audio CD or .WAV format.
(Directors: see lisenses and legal authorizations for commercial use).
you like FREQ Voisss's melodies?
book/ F.rec
Buy / order:
web download (mp3) + catalogue
mailorder audio CD or .WAV format.
(Directors: see lisenses and legal authorizations for commercial use).