:: navigation
» main artist page
» music
» widgets and banners
» comments
» license music » contact this artist
» add to 'favorite artists'
» music
» widgets and banners
» comments
» license music » contact this artist
» add to 'favorite artists'
:: tags
ambient
beats
club
drum n bass
electronic
goa
goa trance
house
old school rap
porn
rave
techno
trance
:: artist infos
» member profile:
Shaun Hamilton
» genre:
Electronic >
Electronica
» location:
Shaunbeard The Terrible
» label: Initial Sequence Productions
Advertisement
L2X
NEWS
http://www.livejournal.com/users/kling_klang_bed/
Advertisement
» go to the music page for more
My Atomic Piles Need A Preperation H Bomb
While I'm working on Wolfrose and Broadcast For The Dying, I decided I wanted to do an electronic project that is more about f***ing around, talking about sex, pirates, beating up ninjas and cats, things like that. Something not so f***ing serious for a change, you know?
Almost all the tracks are more club oriented, but I stay to my word never to use one whole loop to do a song and not relying in cookie cutter methods. This is club music, but still complex enough to get you to change your dancing mode within a couple of minutes or even seconds.
Almost all the tracks are more club oriented, but I stay to my word never to use one whole loop to do a song and not relying in cookie cutter methods. This is club music, but still complex enough to get you to change your dancing mode within a couple of minutes or even seconds.
Why this name?
I saw a sticker on the stall when I was using the bathroom, and it got me to thinking what the hell it could possibly mean, like some evil little algorythm. All while I was pinching the chocolate dumplings.
Do you play live?
Sure, why not? As long as I either get laid, get paid or get free drinks I'm there!
How, do you think, does the internet (or mp3) change the music industry?
Before, you for the most part HAD to sign with a major to get anywhere, and now everyone can do it from the comfort of home and promote themselves. You have the power to get to your destined fans now, so people whining about iPods and MP3's are pissed more that the artists have the power. And the power to get laid from chatrooms. Woowee! It was better circa the AOL chatrooms' heyday though.
Would you sign a record contract with a major label?
They'll have to take numbers while I donkeypunch the entire circle of shareholders. Oh, but you wait. When I f*** Paula Abdul, win American Idol and piss on Simon Cowell's face on national TV, then the majors will have to sign me because I won.
Band History:
I was born, stuck peanut butter sandwiches in my dad's VCR, got pubes, f***ed, jerked, jerked until I got laid again, worked for the first time, dated a bi*** and here I am.
Your influences?
Not much really for this, I just let the sounds form themselves.
Favorite spot?
Chicago of course! The best women!
Equipment used:
An ever growing array of software, including Hammerhead, Reason, Algorhythm generators, Acoustica, Pro-53 Legends program, Space synth, etc. And sampling me punching cats in the grill.
I used to use synths and hardware until I found it was too damn expensive and I can do much more with software and a good comp.
I used to use synths and hardware until I found it was too damn expensive and I can do much more with software and a good comp.
Anything else...?
Got the beats to make yo booty go clap! And I sounds like BT and old school Haujobb after smoking ten pounds of crack and being hit in the head with a lead pipe resulting in severe brain damage.