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bach
beethoven
chopin
fritz steinegger
mozart
pianist
piano
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» member profile:
David Blumberg Artists
» genre:
Classical >
Classical General
» location:
» label: Getty Foundation
» for fans of: Mozart, Schubert, Bach, Beethoven, Greig
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Something of a miracle in its structure, its proportions. Truly one of Chopin's greatest inspirations. NEW: My CD is available now in the "store" link to the right of my page. Featured in ITUNES and Tower Records.
A SoundClick #1 song
A Hungarian middle-section is book-ended by
Schubert's scintillating scale passages. Pure pianism.
A SoundClick Top 50 song
Originally for harpsichord, one of the most lovable of Bach's keyboard masterworks. Its 3-movement form was to become the norm.
A SoundClick Top 100 song
Often heard on "Hold, please" waits. Or perhaps in a jazzed-up version in an elevator.
A SoundClick Top 50 song
A young Beethoven, at his wittiest in the last
movement of the Sonata "Pathetique".
One of Greig's most gorgeous works. At first hearing, Grieg's shimmering Notturno (from Lyric Pieces) might easily be mistaken for Scriabin.
The piece alternately sparkles and shimmers, with the long lines of counterpoint softly illuminated.
Performed live in concert with the Aquascalientes Sym. Orchestra Enrique Barrios conductor with Fritz Steinegger Piano Soloist. The lyrical second movement was prominently featured in the 1967 Swedish film, "Elvira Madigan."
This is the lyrical second movement, which was prominently featured in the 1967 Swedish film, "Elvira Madigan." Performed live in concert with the Aquascalientes Sym. Orchestra Enrique Barrios conductor.
Performed live in concert with the Aquascalientes Sym. Orchestra Enrique Barrios conductor with Fritz Steinegger Piano Soloist.
Seascape - Gigue - Ghost Waltz - Berceuse - Night Horses
(from Getty's student days at the San Francisco
Conservatory)
Bach's six Partitas for harpsichord, composed in Leipzig between 1726 and 1731 and issued together as Part I of his Clavier?bung, are considered the pinnacles of his work in the form.
The closing gigue was meant to exploit the two-manual harpsichord to the fullest.
Live recording of performance with the Sinaloa Symphony Orchestra of Mexico Conducted by Gordon Campbell with Fritz Steinegger as Piano Soloist. This is the 1st Mvt of the work.