Brian Bassett
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"After one listen, Brian's songs already seem familiar, they're just that catchy. When I heard his CD, some of those songs grabbed me from the first note; he sounds great on the radio."
Jason Keller - WHRL/Channel 103.1 DJ
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The term “singer-songwriter” usually conjures images of acoustic strummers delivering folky or brooding narratives. But Brian Bassett’s straight-ahead rock tunes - which call to mind expansive fare like early Radiohead, Oasis, and Matthew Sweet’s 100% Fun - are made to be swathed in thick guitars and lush production. His songs take a direct, simple path to the heart, not to the intellect and not hitched to any trend. On last year’s “Rock and Roll” LP, Bassett came off like a man in search of an arena, avoiding poetic platitudes and complex rumination and glorying in big, breathless love-rock, earnestly direct anthems and throbbing melodic hooks. Bassett was back in the studio recently, so let’s hope that we soon see a new album packed with his grand rock intentions.
Erik Hage - Metroland
"Much of "Nothing to Lose" stands up to repeated listening, and on each successive play the album yields up another pleasing touch: the ribbit of a guiro, twinkly chimes, acoustic-guitar filigree atop the attitudinal snarl of its electric sibling, a joyful chorus sung a capella save for a tambourine."
Steve Barnes
Arts Editor - Times Union
Jason Keller - WHRL/Channel 103.1 DJ
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The term “singer-songwriter” usually conjures images of acoustic strummers delivering folky or brooding narratives. But Brian Bassett’s straight-ahead rock tunes - which call to mind expansive fare like early Radiohead, Oasis, and Matthew Sweet’s 100% Fun - are made to be swathed in thick guitars and lush production. His songs take a direct, simple path to the heart, not to the intellect and not hitched to any trend. On last year’s “Rock and Roll” LP, Bassett came off like a man in search of an arena, avoiding poetic platitudes and complex rumination and glorying in big, breathless love-rock, earnestly direct anthems and throbbing melodic hooks. Bassett was back in the studio recently, so let’s hope that we soon see a new album packed with his grand rock intentions.
Erik Hage - Metroland
"Much of "Nothing to Lose" stands up to repeated listening, and on each successive play the album yields up another pleasing touch: the ribbit of a guiro, twinkly chimes, acoustic-guitar filigree atop the attitudinal snarl of its electric sibling, a joyful chorus sung a capella save for a tambourine."
Steve Barnes
Arts Editor - Times Union
Why this name?
I'd have to ask my parents about that one.
Do you play live?
I play live as much as I can. It's the best part about all of this. I love meeting new people, and it's great to be able to connect with people, and have something in common with people in different areas.
How, do you think, does the internet (or mp3) change the music industry?
It's completely changing the music industry, for those who want it and see it. If you really want to make a career for yourself as a musician, it's an invaluable tool. If you want a career as a musician, but you think the only way to acheive that is through becoming a celebrity, you will set yourself up for failure. The major record labels are sort of having a knee-jerk reaction to all of this, but they will realize (too late) that they have been far too greedy for far too long. Musicians subsisted before the Beatles, and they can do so afterwards without being huge pop stars. So I think the internet is making the mainstream music industry less necessary, and creating an opportunity for real musicians to build a career based on talent and hard work as opposed to money and image.
Would you sign a record contract with a major label?
Maybe, depends on what said label would do for me.
Your influences?
I've been told Oasis, Radiohead, and Matthew Sweet. Which is interesting, becuase I couldn't really even hum any Matthew Sweet. I'll have to look into it.
Favorite spot?
I live in Albany, NY right now, but Manthattan is elecrtic. I was just there the other night. Albany had snow and freezing rain, and in Manhattan it was 45 degrees, dry, and lucid. That place just hums.
Equipment used:
I play guitar and keys and sing. I have a special place in my heart for vintage gear. I have a Fender Telecaster and a Rickenbacker 330, as well as my acoustic guitars. For keys, I play a Mark I Fender Rhodes, and a Crumar Traveler Organ (in lieu of the exceptionally heavy and expensive Hammond). I also tinker with just about anything I can get my hands on (i.e. Bells, Melodica, Kaoss Pad etc.)