Promo Song of the Day
Kuebass
play lo-fi play hi-fi Mare Deus
2 Fiddy 4 Viddy
Advertisement
» go to the music page for more
play lo-fi play hi-fi  The New York Adventure
play lo-fi play hi-fi  The Song Of The Cheese
play lo-fi play hi-fi  Fabric TANKS Softener
play lo-fi play hi-fi  Semaj & Robin
play lo-fi play hi-fi  Bun & The Gun
2 Fiddy 4 Viddy are a one-man band consisting of 10 members.
You may have heard of concept albums, well, this is a concept artist.
It revolves around the tale of a tortured rock-star who is kicked out of his band due to his split personality disorder, he then believes that he is actually a 10 man band, and records as if he is.
Why this name?
A quote from a very wise man indeed
Do you play live?
The funny thing about being a 1-man-band trying to be 10 members is that you don't get many live gigs.
Would you sign a record contract with a major label?
That would be hilarious
Band History:
The term 'concept album' has been coined for L.P releases that loosely follow a plot or tell a story, with each song progressing the concept a little further.

2 Fiddy 4 Viddy can only be described as a 'concept band'.

They started off as an experimental branch of a band called "Eklipse", these demos were percieved as good enough to qualify for ISM release.

After the release of 2 more E.P's, the split personalities of the sole creator of the work started to manifest themselves in the music.
A joke track, entitled The Semaj song, was the first to feature one of those split personalities on vocals.

The Semaj song was a reworking of a reworking, originally the track was known as Bitter Poet, then it was labelled as "2 Fiddy 4 Viddy".. which was the inspiration for the bands name.

It was a hit, and soon the other personalities emerged to pick up imaginary instruments, all channeled through one sole creator imagining he was multiple members of a band.

The concept was developed, a jokey band, with a dark concept.

A tortured schizophrenic rock star, with Multiple Personality Disorder, driven into hiding, and creating comical tracks through which his joke band performed.

The concept reaches its climax in the seething closing track of the latest album, "Ever", in which the singer strips away all personalities and lays his soul bare on track, screaming and cutting up his voice in a distorted frenzy at the end.

It is unknown as to whether the band have split.

Current Line-up

Semaj - Vocals
James - Vocals
Mc Seth - Vocals/Guitar
Kenzo Suzuki - Guitar
Number#10 - Samples/Keyboards/Vocals
J.R - Omnichord/Vocals
Snozzle - Bass/ Vocals
The Old Crooner - Vocals
Bee-bop - Kazoo
Eddie Lizard - Drums

Discography

Teh ChipMINK L.P

1.Eyeless (SIipknot cover)
2.teH Mayfly song!!one!1!
3.Hoodlum crippled (the revenge of Bruce Forsyth)
4.Adam Hoods MORALITY (Theories of)
5.I Kant (stop loving JEW)
6.Summer Dying Fast (Cradle of Filth Cover)
7.Ode to Jonnygirl
8.MALCHIKK GHEY
9.Aarons passionate circus monkeys
10.V33TWHEAT
11.iz ghey
12.2 Fiddy 4 Viddy
13.Paul Banks

23:30

Consisting of demos from Eklipse, RTM & collaborations with other musicians, the first 2 Fiddy 4 Viddy L.P was all about contrast.
Genre-trendy titles, a dark musical backdrop, and voices speeded up to chipmunk levels (hence the title of the album).
A number of these demos have been re-recorded/re-worked by the band in later releases.

Teh Semaj E.P

1.Ending to nothing
2.Onyx Racehorse
3.Concatenation
4.iz teh funk-eardrum sandpaper on a tibetan rollercoaster
5.ssab
6.the ability to destroy a planet is insignifcant compared to the power of the force
7.the felanous activities of the underworld
8.The Will song
9.The Semaj song

16:42

Within a month, the ISM community was eager to hear where this band was going to go, whether they would repeat the chipmunk effects of the previous album or indulge themselves in some sonic dabbling to gain credibility.
The Semaj E.P was released to mild surprise, there were no chipmunks on this release.
Heavy experimentation dominated this album, with guitar pro compositions also being used.
There was still an acceptance that the work was not entirely one man, with collaborative work with atease members Zyberphan and chrismca.
The last two tracks are the most notable, The Will song & The Semaj song.
The Will song spawned another group, Tiny Weiner Arouses Transvestite, who later claimed the track was theirs.
The Semaj song has already been discussed, one ISM pioneer was quoted as saying "this is too good to be ISM".
Another one of his collaborators considered quitting the ISM world forever upon hearing the track.
And thus 2 Fiddy 4 Viddy had found their direction.

Teh Semaj E.P Outtakes

1.;aegaerouh
2.28 boulders crashing down a broken hill
3.;aegaerouh part II
4.pppppenguins
5.;aegaerouh part III
6.the number 7

7:13

The outtakes to Teh Semaj E.P were good enough that the 'band' decided to release them in a short E.P.The tracks were all under the 2 minute mark, remixes of T.W.A.T material and RTM demos, the exception being the 2 1/2 minute '28 boulders crashing down a broken hill' an overdriven guitar pro composition.
They had now got most of the sonic experimentation out of their system and were ready to embark on their first full album as 2 Fiddy 4 Viddy, with the aim of creating an albums-worth of Semaj Songs.

It is Time (L.P)

1.Intro
2.The Song of the cheese
3.Sandwiches
4.Destroy The Oysters
5.Affliction
6.Ghosts
7.Yellow Submarine
8.The Epic
9.Twenty
10.Here it is again (Arran Southall Cover)

19:38

This was the defining album of 2 Fiddy 4 Viddys career.
Fast-paced drum machines, poppy aesthetic, omnichord rolling, a crazy front-man, a posing rap-star, and a keyboard pretending to be several different instruments.
There was contrast in the album, crazy songs were the flavour of the day, but one of the tracks 'Affliction' dealt with the torturous condition of the creator of it all seeping through.
Unlike other albums, there was a minimum amount of collaboration and re-use of other demos, with only three tracks not being entirely created by the band (excluding the intro).
Topics ranged from dairy products, sandwiches, poltergeists & submarines in their infamous Beatles cover.
Productions values were kept to a minimum to conform with ISM values.
The band over-stretched themselves though, and soon found that they didn't have enough material to make the 10-track album.
The band went back to their roots in dance fodder and gave it an ISM twist in 'The Epic', and lapsed back into their sonic experimentation with the Semaj E.P outtake 'Twenty'.
In the midst of this crisis, the MC for the band, Seth, was sacked by Semaj in a creative dispute over who got to sing what.
Imagine a schizophrenic MPD person trying to sack another part of himself.
All in all the album was a massive success, with many admirers outside of the ISM community, including the lead singer/songwriter of Devilhood, Pawel Osmolski.

TOO MANY COOKBOOKS SPOIL THE SLOTH L.P

1.TOO MANY COOKBOOKS SPOIL THE SLOTH

53:05 (edited version=20:23)

The band were still haunted by their excessive use of other peoples material, and as a response to this they released a 1-track release in the vein of fellow ISM collective Nihilist Trio.
This musical vomit was released for a short period of time before being edited down.
The band don't actually consider this a release, more a purging of excess sound before their masterpiece.

The Stop-Gap E.P

1.A Silver chair often wanders far on snowy nights
2.Affliction part 2
3.Bashing your skull on a broken door
4.Don't give up
5.Paul Banks
6.The Grand Old Duke Of York
7.Big Fast Car
8.White Christmas

21:01

Initially the band proposed releasing a double album of material, but ditched this in favour of a single album, and as a result this left them with a lot of decent excess material, and that is what this E.P is comprised from.
The opening track is almost drone-influenced post-rock, an outtake from their previous L.P, Affliction part 2 was an abandoned attempt at writing another Affliction, Bashing Your Skull on a broken door was the first RTM song, except with Semaj on vocals.
Don't give up was originally an Eklipse demo, which ended up on the ChipMINK L.P, it is back in its original form, with Semaj added to the choir of voices.
Paul Banks is also from the ChipMINK L.P, appearing in re-mastered form.
The Grand Old Duke of york is performed entirely live with just JR and Semaj.
Big Fast Car was a T.W.A.T recording dating back to around the time of Eklipse, with the lyrics coming from long before that.
White Christmas is a piano rendition of the seasonal classic, if you listen carefully you can hear dogs howling in the background at one point, the vocal is painfully poor!

Form Clouds In The Sky (L.P)

1.Pokolo iz ghey, HEY HEY HEY!
2.The Purpose
3.The Semaj Song
4.Ties are for wearing, not just for Christmas
5.The backwards song
6.SemajJAZZ
7.The Best Song Of All Time
8.Do they know it's Christmas time? (Bandaid cover)
9.Don't give up
10.Ever

28:59

The proper L.P follow-up to 'It Is Time' spent a long time in the making, being released on Christmas day.
The band are at their finest on this record, Semaj has speeded up his delivery, Seth has returned to the band, as has the founder, James.
The vocal duties don't lie solely on Semaj & Seths shoulders anymore, with Number#10's fetching falsetto from the Mystical Magical Brass Band being used to its full potential, and the basso rumble of JR also making an appearance.
The grunge vocals of Snozzle & angelic tones of James are not to be forgotten either.
The musical backing is more accomplished on this release than any other prior to it, the songs are more developed and thought out, less rushed and their length increased.
Nowhere is this seen better than on the opening salvo of tracks, including a re-mastered version of The Semaj Song.
In keeping with the ISM tradition, most of the vocals are one-take and off tune.
Collaborations with members of Tiny Weiner Arouses Transvesite, Deep Vein Thrombosis, and long-time fan Pawel Osmolksi are well recieved.
Nowhere are these collaborations better recieved than on the comical rendition of the original bandaid song "do they know it's christmas time?"
Don't give up makes its third appearance on a 2 Fiddy 4 Viddy release, and Ever is the perfect closer.
The Old Crooner is the newest member of the band, with a big incomprehensible bass voice that literally rumbles from the earth.

Since the writing of this biography the band have gone on to split the followup album to Form Clouds In The Sky into two E.Ps, the N.C.C 1701-D E.P and The Leaked E.P.

They then released The Very Best Of 2 Fiddy 4 Viddy Volume 1.

The band followed this up with an experimental e.p, aptly entitled The Very Poor E.P, and Or The Real Thing E.P, which saw them switch to a more guitar-based style.

A Final Farewell E.P was premature, as the group did not split, but thought they were, so to this day that remains one of the strongest E.P's.

An updated version of The Very Best Of, aptly titled Volume 2, was then released.

The band then became a 4-piece local rock group and plan a series of live gigs.

The Final Descent Into Insanity E.P was a precursor for the highly expermental Reifirméisean L.P, which was a success.

The Dancer Walks On The Sky E.P was a compilation of old tracks in a promotional manner.

The Why Are They Still Making Music? E.P was a cheeky stab at the band, by themselves, but seems to be the precursor as was the previous E.P, to their next album.

The band releaseD this album of new material titled "Peanut Butter Semaj" at the end of 2005 with writing and performance contributions from regular collaborators John Lyons, Dean Millen and Nigel Doey.
Your influences?
System Of A Down, The Pixies, Rolf Harris, The Coral, Mindless Self Indulgence, Radiohead, Weebls stuff music, Tenacious D, Martin Grech, Bloc Party