I was a goth, then I started getting into industrial music. I started making more experimental less ravey (usual industrial nowadays) stuff and the name suited to that. I hadnt had a good reason to scrap it yet.

Yep. In local clubs/pubs where other local brisbane electronic artists play. Though I find I'm heading more into chinstrokin territory with my music becoming more computer music and 'rock and roll electro'. No doubt due to my current immersion in granular synthesis, and algorithmic compostion particularly stochastic and flocking algorithms. lol now I know why I dont get asked to play around anymore..

Well, for me personally no one really bought my ep when I released it I'm glad the only record store that has it still hasnt thrown it away. So mp3 are the only way anyone's gonna hear my music unless I get forced to shmooze and get gigs that way.

If they gave me heaps of money. As long as they don't lock asylum seekers up. I dont see why its an issue.

Only one guy. Not much of a history really. Only release was Meditations EP which had really good songs which electro sound art labels would like but I think its old stuff and wont care for pitching it to them. Right now re-learning high-school maths. Particularly geometry and probablility theory. And hopefully make beautiful sweet music.

Paul Lansky, Manitoba, Muslimgauze,

Brisbane or Newcastle

MaxMSP, Vaz Modular, (I have great hardware gear, they just became redundant seeing I could make them in MaxMSP and make them do a lot more things let me tell ya)

If you want to brush up on your sound art/science knowledge. Get into Iannis Xenakis, early Steve Reich, Trevor Wishart.