LET ME TAKE YA'LL BACK TO 1989, WAS WHEN MY FATHER BOUGHT ME A LITTLE YAMAHA KEYBOARD. I USED TO LOVE THAT THING. MUSIC WAS ALWAYS A COMMON THING TO LISTEN TO AT MY HOUSE. MY MOTHER AND MY FATHER CONSTANTLY PLAYED MERENGUE, SALSA, BACHATA (BACK THEN WHEN IT WAS BAR DEPRESING MUSIC) AND SPANISH OLDIES. I USED TO AND STILL LOVE LISTENING TO THEM SPANISH OLDIES.. I ENTERED THE CONCERT BAND IN MY GRAMMAR SCHOOL IN SECOND GRADE WHERE I LEARNED TO READ MUSIC AND PLAY THE TRUMPET, TUBA, CONGAS, AND XYLOPHONE. OUT OF ALL THESE INSTRUMENTS I MAINLY PLAYED THE TRUMPET. I WAS FIRST CHAIR. WHEN I ENTERD SIX GRADE, I JOINED THE STEEL DRUM BAND. ALL I DID DURING GRAMMAR SCHOOL WAS PLAY IN THE BAND. DURING GRAMMAR SCHOOL, I SAW THE MOVIE "JUICE" AND THAT INSPIRED ME TO BE A DJ. AFTER SEEING THAT MOVIE, I WENT TO MY MUSIC TEACHER AND TOLD HIM I WANTED TO PLAY THE TURNTABLES IN THE BAND BUT HE JUST LOOKED AT ME AND LAUGHED. WHEN I STARTED HIGH SCHOOL, I DIDN'T JOIN THE BAND BUT I DID DEVELOP MY INTEREST IN DJ'ING. I ALSO MET DJ WREK WHO WAS ALSO INTERESTED IN TURNTABLISM. SO I GUESS YOU CAN SAY WE STARTED ON THIS JOURNEY TOGETHER. I KEPT BUGGING MY MOM TO GET ME A SET OF TURNTABLES, BUT SINCE SHE WAS RAISING ME AND MY SISTER ON HER OWN, SHE COULD'NT AFFORD TO BUY ME A SET. SOPHMORE YEAR I DECIDED TO GET A JOB AND I SAVED MY FIRST THREE PAYCHECKS TO BUY ME THE STARTER SET OF TURNTABLES. THEM sh*tS WERE CRAPPY BUT IM NOT GONNA LIE, I THOUGHT I WAS DOING IT. BY THE END OF SOPHMORE YEAR, I CAME UP ON SOME TECHNICS WITH THE CARRYING CASE, MIXER, AND SAMPLER FOR ONLY $250. THAT WAS THE HOTTEST DEAL OF MY CAREER. SO I TOOK THAT AND STARTED PRACTICING. I COMPETED IN THE 2003 GUITAR CENTER SPIN OFF AND BECAME THE IN-HOUSE DJ FOR BATEY URBANO. THEY ALREADY HAD A DJ BUT HE WAS WACK SO THE CROWD KICKED HIM OUT AND PUT ME ON. DURING JUNIOR YEAR, I STARTED MESSING WITH THIS COMPUTER PROGRAM CALLED ACID, AND FROM THERE IT ALL WENT DOWN THE RIGHT PATH. I STARTED MAKING BEATZ AND PEOPLE WERE ACTUALLY DIGGIN EM. SO I SOLD MY FIRST BEAT FOR $50. I ACTUALLY FRAMED THE PAYCHECK...HE HE! SO I KEPT GOING AT IT AND AS TIME WENT, I PRODUCED TWO FULL LENGHT COMPILATION ALBUMS FOR BATEY URBANO AND WORKED WITH DIFFERENT CHICAGO ARTIST SUCH AS CHI-ILL, PRIME, JUICE, GLC, CAPITAL D, RHYME SCHEME, LIL REAP AND MANY OTHERS. I AM CURRENTLY CHI-ILL'S DJ AND PART OF TORTURE CHAMBER RECORDS AS A PRODUCER/DJ. NOW MY NEXT AIM IS TO GET A PRODUCTION DEAL FOR A MAJOR RECORD LABEL! GOD WILLING, I WILL! I ALSO LOOK FOWARD TO WORKING WITH YOUNG JEEZY, LITTLE BROTHER, ACE MAC, AND KANYE WEST. HOPEFULLY THIS MUSIC THING POPS OFF FOR ME. I AM VERY CONFIDENT THAT IT WILL!!!!