It's my name......

We play pretty much anywhere, and anytime we can. Not having any sort of manager, other than one self, makes playing lots o' places pretty hard.

It only changes things for the idiots who use it wrong and the big wigs who think they're being hurt by it.

All depending on the contract of course. I have been offered a couple in the past, but turned them down due to restrictions and benefits.

Began working on electronic\industrial after breaking free of a goth band (thank who ever is out there) and finished my first cd in about 3 months, Heaven's Project. After that I started work on the second album,Indentured Angels, which the original song to that album were destroyed with a computer crash...... not too bad though. the tracks did not seem to sound as good as the later ones did. Now I have begun working with Raven F., an extremely talented musician for many years on my third album, Tree of Passion.

Most of my vocal influences came from alternative\grunge type of music and my musical interests came from such like: X Marks the Pedwalk, VNV Nation, Project Pitchfork, Stabbing Westward, NIN, and some others.

Favorite spot would be this little lake in Alaska I visited once. Everything had this grey tint to it and just seemed perfect and lovely. Plus it was cold and i love the cold.

Outboard gear wise, i use a Korg Monopoly, Sequential Circuits Pro One, Yamaha CS1x and CS2x, Roland XP10, a soon to aquire Nord Lead2, tons and tons of effects and filters, and of course, my computer, the God Complex. As for the stuff inside of it, I use Fruityloops, NI Pro52, Waldorf PPG, NI FM7, NI Reaktor, Junglist, Steinberg A1, and other various softsynths. For recording, i use Steinberg's Nuendo with a couple of Sea Sound Solo Ex's as my sound cards, which will soon be accompanied by a few Creamware cards.