Well many people could be forgiven for assuming that the "Wobbly" in the name refers to my stature! However, it actually comes from the name of my previous business in the premises I have now turned into a studio. The business was a bakery and shop called "World of Baking". We specialized in producing hand-made breads from around the World and throughout history. When we closed our doors in 1999 we were producing 125 different varieties of bread. What has this got to do with music? ... Nothing! But the initials of World Of Baking, led to the name WOBbly Music.

The internet has made it possible for musicians around the World to collaborate on music, songwriting and recording sessions without ever meeting face to face. It is this aspect that enables me to produce YOUR songs for very little cost, or even for free! As long as you own some multitrack recording software and have a basic knowledge of using it to record individual tracks (i.e. A guitar track separately from a vocal track), we can collaborate. I will add further tracks as neccessary and mix and master them to a master standard stereo file that can be of more use to you in furthering your music career than perhaps your own efforts could.

I am my own recording and publishing company! :o) The majors would be unable to offer me a similar percentage! However...if one wanted to employ me full time as a house producer for their new talent, that would be a different matter!

I have been involved in many facets of the music industry for over 30 years, both as a professional and semi-professional.

I have worked as a concert sound engineer, radio presenter, producer, concert and events organiser, Deejay, Lighting Engineer for Theatre and concerts, band manager, band agent, musical director, arranger, music workshop leader, drum & percussion tutor, fan club secretary, National Sound & Lighting Association Chairperson (of which I was the founder) and musician/recording artist. I have been featured in major publications and have been played numberous times in the past on National radio and TV. I also write lyrics and the occasional tune, mostly in collaboration with other artists. Some of my past work has been published by companies other than my own.

My influences as a producer are toward real instruments...acoustic, rock, pop, funk and reggae. Although I dabble in the odd dance track, I do not consider myself a dance or techno producer. There are hundreds of guys doing that stuff much better than I could!

My favourite producers are George Martin & Steve Lilliwhite. So I strive to give your music a sound that their kind of productions would acheive.

My studio is as basic as it gets! I use a Mac G5 Dual 2.3Ghz running Logic Pro 7.1. I can record 8 tracks simultaneously through a Tascam FW-1884 control surface at 24 bit 96Khz. Plus, of course, unlimited digital overdubs. Effects are all software based, although I do have some old Hardware that I no longer use, such as Drawmer gates and a Roland SRV-2000.

Mics are by Shure, Beyer & AKG. I also have an SE Electronics tube mic for vocals.

Monitoring is predominently through Genelec 8040A speakers and Sennheiser HD25SP headphones.

Mastering is through T-Racks24 and HarBal, cross-referenced through Mordaunt-Short Active Stereo Hi-Fi speakers, Teac Mono passive reference speaker and Cheap PC Desktop speakers.

Midi is input through a Cheap Casio keyboard (velocity-sensitive) but uses a huge range of samples and software synths via Logic. Midi Drums are input via a Roland SPD-20.

Acoustic instruments at my disposal include Premier Drums, Zildian & Zyn cymbals, CP Congas, Latin Percussion and an array of home-made percussion instruments.

Also, Electric guitars by Epiphone and Fender, Westfield Bass, Acoustic 6 and 12 string guitatrs, Banjele, Ovation Uke, Mandolins, Autoharp, recorders, pan pipes, tin whistles, a chromatic harmonica, and even a twin-stylus Stylophone!