High Speed Chase
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You can just about smell what's left of the music scene in New York right now. Artists are playing to empty rooms, record labels are averting their interest to the left coast, and the fans sit here helpless, wondering aloud, "Where did the rock go?" Well call off the hunt. High Speed Chase has arrived, and with them they bring the hope and the promise that rock can still do the job full-time. Abandoning pretentious wardrobes and attempts at high-concept crossbreeding, High Speed Chase turn stages into speedways with their custom brand of aggro-rock, and their debut CD, Speed Limit None, true to its title, may as well come equipped with air bags.

Considering the personalities involved, it's not surprising that such an enormous sound could come from a single compact disc. Front man Chris Gibson has been preparing all his life for this, making faces in the mirror and screaming into a tape recorder since childhood. Rad Del Prete on the other hand casually alternates between nursing a bottle of Jameson, and inducing seizures via the lost art of the guitar solo. Having brandished authority over his drum kit for years with swing metal outfit Demonspeed, Jim King insists that he and bassist Lava keep the pace, compelling a seismic quality from the ground below.

Perhaps most striking about High Speed Chase is their unrelenting live performance. Combine a vibrant and violent hellride through the duality of human nature and the tragic consequences of alienation, wrapped up in a miasma of discord and despair, and High Speed Chase prove again and again that fist-to-the-face rocking with balls-to-the-wall headbanging make for an out-of-body experience. Some feel dazed, others enlightened -- but all are changed in some profound, unexplainable way.

In a remarkably short time after forming, High Speed Chase have chalked up a number of notable performances, playing with artists from Green Day to The Fixx. In addition, High Speed Chase were also the masterminds behind the You Can't Keep Us Down 9/11 benefit concert held at CBGB in early October 2001. The band's inspiration for organizing such a highly successful fundraiser comes partially from Gibson's experience with Rock The Vote -- having worked closely with the late, great Joey Ramone, ex-Talking Heads keyboardist/guitarist Jerry Harrison, and Dictators frontman Handsome Dick Manitoba.

Having earned New York City's regard with airplay on 92.3 K-Rock's "The Buzz," High Speed Chase's exposure also includes more than 40,000 downloads from their website, and inclusion on the Ranger Edge Trax compilation CD (10,000 units worldwide) sponsored by Ford Trucks.

To coincide with the release of Speed Limit None High Speed Chase will embark on an extensive performance and promotional tour. For news, photos, and show dates, check back regularly at highspeedchase.net.
Why this name?
Because the general High Speed Chase band experience is very much like the roller coaster ride that's implied with the description of being on the run, being chased, and hopefully eluding the forces behind the chase while in turn arriving safely at our destination nonetheworse for the experience.
Do you play live?
Live shows always! It's the reason for living. Nothing beats coming off of the stage covered in sweat knowing that we've exorcised a few demons under the appreciation of a loving audience.
How, do you think, does the internet (or mp3) change the music industry?
It makes people less inclined to seek out or purchase hard copy music. Instead it makes it much easier for music fans to catalogue not only their favorite songs but also it affords them an opportunity to discover new artists. Because it so much easier for music fans to find and appreciate music they want to hear without it being overly marketed to them, this is forcing the labels to take notice and find a way to make their presence more known on the web. Hence, the industry will have to market better music at a reasonable price in order to compete with all of the free downloads that anyone with decent websavy can get.

Nonetheless, we believe the indie bands benefit through extra web exposure that the big labels will never truly be able to fully control.
Would you sign a record contract with a major label?
Yes, if the deal was right but this is very rare these days so a reasonable deal with an organized and well-financed indie would actually be more desirable.
Band History:
Started as a studio project in early 1995 experimenting with punk/post-hardcore/pop cross breeding via two guys and a drum machine.
First full band demo released October 1998.
First live performance January 1999 at the now defunct Coney Island High in NYC.
Organized and performed at the "You Can't Keep Us Down Benefit for the Spirit of New York City" concert at the world reknowned CBGB on October 5, 2001. The first highly publicized benefit concert in NYC after the 9/11 tragedy. This show also featured performances from GlassJAw, Shades Apart, and Walter Shreifels of Quicksand/Rival Schools.
Current band line-up finalized in December 2002.
Band plays it's first sold-out show at "Gibbypalooza" held at Maxwell's October 2003.
"Speed Limit None" the band's first full-length CD release by Second Chance/Rock-Out Records January 17, 2003.
Band headlines it's second sold-show at Maxwell's in a row on the same date to celebrate the release of "Speed Limit None."
Your influences?
Quicksand, Helmet, Led Zeppelin, The Clash, Metallica, Bad Brains, Ramones, AC/DC, Iron Maiden, Cheap Trick, U2, Big Country, C.O.C., Motorhead, Foo Fighters, Shiner, The Who, Jawbox
Favorite spot?
Amsterdam
Anything else...?
You want passion and intelligence merged with high intensity, common sense hard rock? Look no further -- you've found us!
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