Music
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Lots of beat and percussion with a slithery synth bass and me talking over it.
Theme from a mutant western, enlivened by the calls of the swinglebots.
Ranges from spacey to thumpy to dreamy, all at the same tempo.
Lively summer fun in the plaza.
Clockwork sounds out for a stroll, but soon my synth and looping roots betray themselves.
Use this in your next major motion picture!
MY kind of cartoon pop music! It's an answer to Raymond Scott's "Powerhouse."
The name comes from 'windhandel,' which is the Dutch word Eliza uses for how her commodities trading is conducted, in Stephenson's 17th century epic Baroque Cycle.
My dancefloor epic. The words are perhaps the most sincere I've set to music.
In an enchanted marsh, from which Rock'n'Roll might develop in few hundred years.
An extrapolation of old-school (early 70s) style synthwarbling. 132 bpm, but no drums.
Obsessive yet stately, with natual-ish sounds and nested polyrhythms.
Music for quirky-yet-diligent private investigators!
When the object of your desire has cut off all other access ... Fast 7/8.
Fast minimalism.
A lo-fi electronic canon.
Do leading questions attract viewers? Film at 11.
Like a convention of Swiss clocks.
Processed twanginess.
Environmental sounds for a horror soundtrack.
A brief word on a piercing trend that'll make you stand up and take notice (or collapse in a heap.)
For some bar bands on Venus, the 1970s never really ended.
A friendly little number, featuring bell sounds.
Slips through genres ...
Urgent cello sounds!
