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:: artist infos
» member profile:
justjohn
» genre:
Alternative >
Experimental
» location:
just john
» label: unsigned
» for fans of: Raymond Scott, Conlon Nancarrow, Residents, Frank Zappa, Negativland, Captain Beefheart, Brian Eno
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Music
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Lots of beat and percussion with a slithery synth bass and me talking over it.
Theme from a mutant western, enlivened by the calls of the swinglebots.
Ranges from spacey to thumpy to dreamy, all at the same tempo.
The name comes from 'windhandel,' which is the Dutch word Eliza uses for how her commodities trading is conducted, in Stephenson's 17th century epic Baroque Cycle.
Music for quirky-yet-diligent private investigators!
Use this in your next major motion picture!
MY kind of pop music!
An extrapolation of old-school (early 70s) style synthwarbling. 132 bpm, but no drums.
My dancefloor epic. The words are perhaps the most sincere I've set to music.
Obsessive yet stately, with natual-ish sounds and nested polyrhythms.
When the object of your desire has cut off all other access ... Fast 7/8.
Fast minimalism.
Do leading questions attract viewers? Film at 11.
Like a convention of Swiss clocks.
Processed twanginess.
Environmental sounds for a horror soundtrack.
A brief word on a piercing trend that'll make you stand up and take notice (or collapse in a heap.)
For some bar bands on Venus, the 1970s never really ended.
Lively summer fun in the plaza.
A friendly little number, featuring bell sounds.
Slips through genres ...
Urgent cello sounds!
Jangly music with a story about something near and dear to every electronic musician: surge suppression.
The Sound Machine meets Battlebots.
A very sarcastic military piece. The huge fog of war surrounds a guy playing the teeth of his comb. Recorded in 2002.