A Girl Named Jaen
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Sometimes, an artist comes along whose music combines undeniable honesty and sophistication,introspection and accessibility, vulnerability and strength. A Girl Named Jaen blends these qualities together seamlessly on her debut opus DUSK, an impressive recording that couples modern electronic soundscapes with acoustic instrumentation, and compelling lyrics with infectious hooks.

Although a girl named Jaen's sound can be described as juxtaposing Madonna's melodic sensibilities with Alanis Morissette's raw emotion, at times echoing Shirly Manson's sensual coolness and an underground Sneaker Pimp's feel, her signature sound definitly stands alone,remarkably fresh and interesting. Says the seasoned vocalist/songwriter, "I wanted to make an album on my own terms, to have fun musically while exploring lyrical themes that were important or interesting to me. And to embrace some issues that most people have trouble even acknowleging."

A Girl Named Jaen's songs have been featured in critically acclaimed independent films,Popular Television shows, and numurous sites on the Internet.
Why this name?
I wanted a plain name that didn’t have too much thought attached to it. jaen (pronounced Jane) by itself was too boring so a fellow artist came up with “a girl named jaen” and it stuck. And yes! it’s all lower case, even at the beginning of a sentence. Picky artist “thang”.
Do you play live?
I do play live. I’ve played lots in Hollywood at clubs like Dragonfly, The Gig, Genghis Cohen, Highland Grounds to name a few. I do like playing live, connecting with the listeners. Probably the most special moment(s) for me are. When I performed at the Long Beach Sports Arena for a dance competition. Sounds cheesy I know, but there were about 7000 people there. The energy of that many people was great and I thought I’d be nervous but it was fun. On the flip side I did a gig at Genghis Cohen (a really intimate club) for about 70 people where people knew my songs, the energy was just right and everyone was having a good time. Cool when that magic happens.
How, do you think, does the internet (or mp3) change the music industry?
I have to be honest and say I have mixed views. I do feel on the one hand that writers are losing royalties because it’s so, so easy with technology today. On the other hand, It’s opened up a whole new world for independent artists and even the majors, if they choose to embrace it. Ultimately I think it is and should be the decision of the owner of the song as to what is heard and shared. It is property for the artist/writer/owner to do with what they choose. I think it’s great to share songs but there has to be a balance. Sharing songs to promote amongst other listeners has always been done in one form or another. But blatantly “rippin and burnin’, to never be a true consumer is just thievery. I’m hopeful it will be mostly a positive outcome in time through communication and education.

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Would you sign a record contract with a major label?
If it was a good contract. Absolutely. Not all contracts are created equal. I want creative freedom. I want a fighting chance.
Band History:
More of a solo at this point with revolving players but looking to form a more solid lineup.

Your influences?
Honestly, everything! I know that sounds like a copout but I love so many kinds of music. I’m influenced by radio by retro stuff that belonged to my parents and relatives, by movies. I tend to gravitate more deeply to the dark side of music. The songs in minor. But I’m a pop whore too. I love love System Of A Down, Tool, Pink Floyd, Massive Attack and Incubus but I have the NEW Britney Spears on my i-pod right now. I also love classical and opera, Bluegrass. I’m not a huge country fan overall. I’ll never tune into it on the radio BUT I can appreciate the craft of a good song in any genre or language. I’m influenced by performer/artist who don’t hold back vocally, emotionally, physically.
Favorite spot?
have so much more to see but I’d have to say it’s a tie between a little island called Bonaire in the Southern Caribbean and all of Stanley Park in Vancouver Canada. Those places make me cry with joy when I’m there.
Equipment used:
I’m not an equipment/techie kinda girl. I co-produce with others who are. In any event, we’ve used the cheapest oldest stuff to the latest. I think it’s about the ears of the producers and engineers ultimately, not the equipment. I’ve worked with producers who work on Cubase, Logic, Digital Performer and Pro-tools software and they all for there own personal reason say it’s the best. Hardware is all over the place too. So I guess the answer for now is whatever equipment I can get my hands on.
Anything else...?
Thanks for listening, sharing and inspiring me. Pass it on!

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