Leonie Smith
NEWS   The Making Of A “Digital Only” Album
Is This the Way of the Future in Music? No Cd’s! MP3’s only.
One of Australia’s first DIGITAL ONLY Releases!
THESE 2 ARTISTS HAVE TAKEN CHARGE OF THEIR OWN MUSIC!!!
In the “old” days, if you wanted to be known in music you had to secure that all elusive record contract to record a disc. Some wonderful talent was overlooked and many artists never saw a “dime” tied up in onerous contracts or if over-looked deemed not pretty enough, young enough, or popularist enough. This Album “Never The Less” bypasses all those issues, No actual Cd’s will be sold through stores or even online, but only digital mp3’s will be made available for sale, supporting the ever-popular ipods and other mp3 players. There are very few Jazz Labels as such in Australia who will finance the making of an Album anymore. This has forced Australian Musicians to finance their own Albums and find more economical ways of manufacturing distributing and recording them. “Digital only” releases cut out the middleman and save substantially on manufacturing costs. This release will be the first of many such Albums in the future. Many of George Golla’s and Leonie Smith’s contemporaries will be watching closely to see the success of it. If they can pay off the costs of the production of this Album by sales and resulting performances, they will be ahead of the pack, who sadly in this country increasingly fail to do so in the pop driven music world.
“George Golla and I met during the recording of my first album “Sweet Jazz” in 2003, and the four tunes in duo with George soon proved the most popular. George and I then toured to Burnie, Tasmania, once in 2004 and again in 2005. At the Manly Jazz Festival in 2004 we worked as a duo and as part of the “Legends in Jazz”, a line-up of George on guitar, Errol Buddle on sax, Cliff Barnes on double bass and Cyril Bevin on drums. We opened the Noosa Jazz Festival, together with Matt Thompson on piano and Paul Furniss on reeds.
George and I have decided to record together again for purely selfish reasons... because we like to play music together, and to have something permanent to keep of our time together.
Because I wanted an honest portrayal of our live performances, our new album “Never the Less” (named after the punch-line in one of George's fine anecdotes) was recorded live in John Morrison's home studio and it was made very easy for me because of George’s vast experience as an accompanist and his collaboration with Don Burrows.
This album is self-produced and self-released and only digital copies will be available for download from the usual In-ternet sites. I am manufacturing sample CDs for airplay and promotion only. This is something of an experiment and came about because the cost of producing an album on CD is very expensive for the independent artist, and the with imminent demise of the shop-front CD store Digital is certainly the way of the future and more economical. The Internet is now providing a much bigger audience for our music.
I hope you enjoy this example of our music, as much as we enjoyed recording it.” Regards Leonie Smith
George Golla by the end of the ‘50s had begun collaborating with Don Burrows, as part of the famous Don Burrows Quartet. With 1972 appearances at both the prestigious Montreux and Newport Jazz Festivals. Touring for many around Australia, Asia, and Brazil. George also performed for 14 years on Eric Jupp's Magic of Music, The Bryan Davis Show, Don Lane's Tonight show, Bandstand, and many other television programs. He has recorded some 100 al-bums as well as with Stephane Grappelli as part of the Australian ensemble in 1977. In 1985, he was awarded the Order of the Australia for his services to the country's music scene. George is still very active in Jazz, recording many Albums in collaboration with many of Australia's best Jazz artists, and working and touring still.
Leonie Smith has been singing professionally since 1992, with George Golla in duet twice to Tasmania, 2004/05, also with Bobby Gebbert, Matt Baker, John Morrison, Matt McMahon.
Leonie appeared at the Manly Jazz Festival in 2004, the Dubbo Jazz Festival in 2004, the Wagga Wagga Jazz Festival in 2004, the Moruya Fest in 2004, and the Noosa Jazz Festival in 2005. She is also in constant demand for both private and corporate events. Venues include “The Basement” Sydney, Soup Plus, The Intercontinental Hotel, Manchester Lane, Melbourne, and many others. Leonie has a regular spot at Dee Why RSL with her trio.
She released her Debut Album in 2003. "Sweet Jazz" produced by Kerrie Biddel, and John Morrison, two very well known names in the Australian Jazz Scene. The Band included Matt Baker on piano, Julian Gough on sax, George Golla on guitar, Stan Valacos on bass, and John Morrison on drums.
Leonie is also the presenter of the “Jazz at 5” Friday afternoon show on FM99.3 2NSB “North-side Rhythm and Jazz” where she promotes local contemporary Australian Jazz musicians and singers.
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Inspired by the world of Jazz, Leonie performs with an elegance and style reminiscent of the old-style torch singers.

Leonie sets a sultry mood. Sometimes soulful and emotive, sometimes light and humorous. Always a magnetic presence.

Her versatility allows for changes in ambience and tempo from swinging dance music, to quieter music for cocktails or dinner. Her songs encompass the longing ballads of Billie Holiday, popular songs of Cole Porter and George Gershwin, and the Jazz standards of Thelonius Monk, Duke Ellington, Rogers and Hart, and many other great Jazz composers.

Do you play live?
Yes I do play live, mostly at local jazz venues in and around Australia. I am presently touring my Album "Sweet Jazz" and played some wonderfull venues in Brisbane. I guess the 2 most exiting moments for me were playing the Basement some years ago, which is Sydney's version of the village Vanguard, and the Entertainment Centre in Sydney which is the largest music venue in Sydney. Something I had dreamt about all my singing life. I hope to play both venues again soon! Singing Happy Birthday at my husbands birthday party 8 months pregnant in a skin tight dress dressed as Marilyn Monroe, despite all my live appearances still goes down in my family and freinds minds as one of the most memorable! I was huge!!
How, do you think, does the internet (or mp3) change the music industry?
I personally love it, as it will get my music out there without too much trouble and having to go through a distributor, but I wonder how long cd's will be made available to people who don't know how to download mp3's from the web. Being a jazz artist my audience is primarily 30 years old upwards, and many of them arn't really that internet savy. Perhaps what will happen is that you will still be able to take your mp3 player to the local record shop and they can download the music directly into your mp3 for you. How do you then buy music as a gift?....it sets up many unanswered questions, which like all these new technologies will eventually be solved.
Would you sign a record contract with a major label?
If it meant I wasn't going to get buried in the warehouse....Jazz in Aust is still pretty small, and there are not many majors prepared to take a chance on many jazz artists.
Band History:
Leonie Smith is an Australian jazz Vocalist, with a smooth sophisticated style, who has been working as a singer for over 10 years in Jazz Clubs, Restaurants, Function Centers and for Corporate Events.

''The past ten years have been a journey, through gigs in small jazz cafes to performances in front of thousands at the Sydney Entertainment Centre. I have sung to tourists, shoppers, diners, conventioneers, drunks and jazz aficionados", says Leonie Smith, "and each performance has played its part in the evolution of Sweet Jazz".

Leonie's singing career started in drama school at Sydney's Ensemble Studio's three-year acting course, where she was taught by method actor the late Hayes Gordon, who had starred in many musicals both here and in America. In the final days of the course, Gordon saw her auditioning a song from Chess for the graduating showcase and encouraged her to take up singing as a career. That was, in fact, the first time she had sung in front of an audience.

"I'm not sure that I could have taken that first step, to seriously consider singing as a career, if Hayes hadn't been so supportive of my first terrified attempts. Singing was supposed to be just another feather in my cap to support my acting career." It turned out to be her forte - and the start of her love affair with the world of jazz.

Further training included: three years of classical singing training from Allan Hendrie, director of the Australian Young Opera Co, and Steven Yalouris from the Sydney Conservatorium of Music Opera faculty; and also jazz vocalisation with Anne Marie Wiltshire, and the renowned jazz pianist Bobby Gebbert. She also completed a Musical Theatre Course at the Actors Centre with esteemed musical director, Max Lambert.

Leonie's early experience was gained through live performances at Kate Dunbar's open mike sessions and with the Freddy Willson Jazz workshops and it was not long before she was singing regularly at the Rocks Markets on Sydney Harbour, with her band "The Cats Whiskers", and at other venues around town. These gigs developed into nights at premier jazz venues The Basement and Soup Plus in Sydney, as well as five star hotels and resorts. With the support of some of the venues, which gave her residencies (permanent bookings), she was able to perform with some of the finest musicians this country has to offer, including Bobby Gebbert, Peter Zog, John Morrison, Matt Baker, and Michael Bartolomi.


For a change of pace, In 1994 Leonie joined the very popular Andrew Sisters Sisters - a tribute group to the famous wartime entertainers. The group won a Mo award in her first year with them and were nominated again in the second year. Leonie performed the role of Patty: "She was the blonde, cheeky one who got to flirt with the audience, usually perched on some man's lap. I had a ball! The wigs and the costumes meant we could get away with things we would never normally attempt and no one recognised us afterwards. I loved it.''

Performing with the tribute group meant that Leonie also had to master very tight harmonies and dance choreography and the Andrew Sisters Sisters shows appeared at clubs, function centres for corporate events, the Sydney Opera House, the Sydney Entertainment Centre, and many other venues. "It was great to be able to really ham it up and it was wonderful to work with some other women for a change''.

Now back to her first love, why jazz? "It was the soundtrack to my childhood on Sydney’s northern beaches. I stole my parents’ entire jazz record collection when I moved out of home and I was already captivated by the old black and white movies of the jazz age on Bill Collin’s Golden Age of Hollywood. It was the torch singing, the outpouring of emotion through song and, most of all, it was the beautiful music. The smoky dens, the glamour, sultry heroines and the smooth, cool sound. Through the music of jazz, I could tell stories: moving tales, beautifully-written lyrics put to entrancing melodies. What is more, I could make them my own''

Leonie Smith now works as Jazz Singer Paisley Beebe in the Virtual World of Second Life® she plays live gigs in S.L and has her own Virtual TV show on www.slcn.tv/tonight-live-paisley-beebe see www.paisleybeebe.com for more information

Your influences?
Ella Fitzgerald, Billy Holiday, Dianna Krall,
K.D. Lang, Sade, Madeline Eastman, Kitty Margolas,
Kate Smith, Doris Day
Favorite spot?
Manly Beach Sydney
Anything else...?
I have just release my new Album "Never The Less..." a digital download only duo Live Album with Legendary Guitarist George Golla. See the Album Page for tunes and details.

My New Album Paisley Beebe Live in Second Life is about to be released there are some new preview songs added to Soundclick enjoy!
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