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play lo-fi play hi-fi  Sparkle On The Water
play lo-fi play hi-fi  Jack's Song
play lo-fi play hi-fi  Deep Water
play lo-fi play hi-fi  Sunrise At Sea
play lo-fi play hi-fi  Percolator
play lo-fi play hi-fi  Red Rose
play lo-fi play hi-fi  Chameleon
play lo-fi play hi-fi  Fireflies
play lo-fi play hi-fi  Le Car
play lo-fi play hi-fi  Computer
Parsongs represents the music compositions of Tom Parsons. A foundation in the analog school of electronic music propels his instrumental works. The music reflects a 40 year amalgam of classical piano study, sound sculpture, synthesis, and improvisation.

Special attention is given to sound creation, texture, movement, and emotion, resulting in a music that can be calming yet stimulating...

Why this name?
It's simply a combination of my name: Parsons + songs = Parsongs
Do you play live?
I performed at New Music Chicago's Spring Festival in 1985 & 1986. I'm not too adept at carrying 50-100 lb. keyboards and amps around these days, but with computers and virtual instruments, a performance is not out of the question.
How, do you think, does the internet (or mp3) change the music industry?
It definitely levels the playing field between the little guy and the mu$ic busine$$.
Would you sign a record contract with a major label?
Sure, as long as I can retain the creative control and direction. I'd also like to compose a movie soundtrack.
Band History:
After visiting a studio in the early 1970's with a large ARP system and noodling with a 2600, I decided synthesizers were for me. After acquiring an ARP Axxe and a 4-track tape recorder, I decided to compose a collection of songs which reflected my spirit of experimentation. "Aesthetics" (1986) was the result. "Pink Sounds From The Purple Plain" followed in 1988, a further exploration into sound collage with the emphasis on synthesis and a nod to the minimalist ambient school. "Child Of The Moon" (1992) was my version of a "New-Age" album, and combined all of my previous styles. I've just completed "Azure" my first CD release. Send me a message to get your copy.
Your influences?
Wendy Carlos, Klaus Schulze, Vangelis, Philip Glass, Kitaro, Brian Eno, Bill Nelson, Laurie Anderson, ELP, Stevie Wonder, Herbie Hancock, Steve Roach, Kraftwerk, Devo, Can, Yello, Air, Jean-Michel Jarre, Severed Heads, Miles Davis. I also draw from classical composers I've studied and love 70's synthesizer funk, fusion, and progressive music.

Favorite spot?
The shoreline of Lake Michigan & Negril, Jamaica
Equipment used:
Main Studio: Kurzweil MIDIBoard Controller & 1000 series modules; ARP, Moog, Casio, Yamaha synthesizers, Roland Vocoder Plus, Sequential Prophet 2000 sampler, iMac computer running Cubase VST 5 sequencer, Roland Digital Delay & Reverb

Virtual Room: Roland A-30 Controller, Mac running Cubase VST 5, Dynamo, PPG Wave, Reaktor, FM7, Pro-53, Kik Axxe; various VST plug-ins and effects.
Anything else...?
I appeared in the Discoveries column of May 1988 Keyboard magazine. Received airplay of 3 songs from "Pink Sounds..." on Belgium radio station BRT2. Met Robert Moog at a John Eaton concert at the University of Chicago in 1992. I've seen the birth of the synthesizer, MIDI, and digital recording in my lifetime. Yet electronic music is still in its infancy, not yet 50 years old...Ars Longa Vita Brevis
Azure
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