Promo Song of the Day
V-Sine Beatz
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Banquet disappears music
Classical : Medieval
Well, the opulent banquet disappears. Well, that would be enough to make anybody sad. The music is the _Melancholy Galliard_ by John Dowland.
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Ariel enters
Classical : Medieval
Ariel enters again to a warped variant of William Byrd's _John come kisse me now_.
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Caliban, Stephano, Trinculo enter
Classical : Medieval
Our drunken Renaissance "Three Stooges" enter to appropriate original music.
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Stephano's Song
Classical : Medieval
Stephano is a rather earthy drunkard in this play, and his music is an adaptation of William Byrd's _Sellinger's Round._
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Ariel hypno theme
Classical : Medieval
Here Ariel casts a spell and several of the noblemen go to sleep. This proves to be dangerous in the Renaissance! People were either "ripped off" or killed in that state sometimes...
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Full Fathom Five
Classical : Medieval
This song is sung by the sprite Ariel and her assistants. Everybody writes a _Full Fathom Five_ for _The Tempest_. Here is mine.
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Ariel's "leading music"
Classical : Medieval
Ariel, the sprite, leads people in with this. This one I wrote myself, since nothing historical was quite appropriate.
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Miranda awakens
Classical : Medieval
Miranda, the "love interest" and Prospero's daughter, is awakened by him to the tune of John Dowland's _Master Piper's Galliard_.
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Ariel entrance
Classical : Medieval
Ariel, the sprite, enters to the tune of William Byrd's _John Come Kiss Me Now_...
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Hypno-drone
Classical : Medieval
Well, here Prospero, magic god of the sea and air, is stirring things up with a "hypno-drone..."
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Magic chords
Classical : Medieval
Magic chords signal the ending of the play, after Prospero's epilogue. His power has been restored.
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