Grasping At Laws
NEWS
shaved my head yesterday - it's hot and humid here.
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This is some of the best musical representation of our times that I have heard since Tim Buckley said "Goodbye and Hello". from a review of the Grasping At Laws' cd 01
"Eclectoplasmacoustic folk'n rock" (tm) since 1997, creating and performing unique songs w/ unique sound. Social conscience in action: a singer-songwriter-social entrepreneur realizing lyrics thru life, and djembe based rig of "Buster" Braxton.
Greg Allen is the songwriter, singer, and guitarist
Granville "Buster" Braxton is the percussionist and sings backing vocals.
Formed in 1997. Greg and Granville played briefly with Granite Ghost before conspiring to create a unique platform for Greg's original style / approach to lyrics and songwriting.
That style, now dubbed "eclectoplasmacoustic folk'n rock" (tm), is rooted mostly in traditional/folk, rock, and pop music - but with an important emphasis on two things:
1 - lyrics that exist (and seem to stand out) for the sake of the story and poetry at hand, and
2 - musicianship that leaves room for the lyrics!
"Eclectoplasmacoustic folk'n rock" (tm) since 1997, creating and performing unique songs w/ unique sound. Social conscience in action: a singer-songwriter-social entrepreneur realizing lyrics thru life, and djembe based rig of "Buster" Braxton.
Greg Allen is the songwriter, singer, and guitarist
Granville "Buster" Braxton is the percussionist and sings backing vocals.
Formed in 1997. Greg and Granville played briefly with Granite Ghost before conspiring to create a unique platform for Greg's original style / approach to lyrics and songwriting.
That style, now dubbed "eclectoplasmacoustic folk'n rock" (tm), is rooted mostly in traditional/folk, rock, and pop music - but with an important emphasis on two things:
1 - lyrics that exist (and seem to stand out) for the sake of the story and poetry at hand, and
2 - musicianship that leaves room for the lyrics!
Why this name?
why or how I don't recall, but it's a play on words that reflects on man's vain attempts to order the world with laws - scientific ones, religious ones, social ones...
Do you play live?
We perform at a variety of places around Charlottesville and Richmond, and are beginning to book gigs along the east coast. We'll be doing a tv shoot for Evolving Artist internet tv in August - that's in Southbridge, MA - we're trying to book a show or two up that way to coincide.
We really enjoy playing live - lots of special moments over the years - playing the Cherry Blossom Festival and stopping joggers in their tracks who stayed to listen, helping open the new Live Arts Theater in Charlottesville, and our regular crowd at Dr. Ho's Humble Pie in North Garden, our favorite small place to play!
We really enjoy playing live - lots of special moments over the years - playing the Cherry Blossom Festival and stopping joggers in their tracks who stayed to listen, helping open the new Live Arts Theater in Charlottesville, and our regular crowd at Dr. Ho's Humble Pie in North Garden, our favorite small place to play!
How, do you think, does the internet (or mp3) change the music industry?
Well it seems it is giving lesser known artists a true opportunity to build a following and make a little money for themselves and a little for the folks that help them - the CD Baby's and such. Digital downloads make sense to me too - it seems that under a dollar is a fair price for a song - at least considering the enjoyment I get out of songs. I mean back in the day we used to buy albums and cd's for $12 and $15 and more, and they would have a good song or two or three on them. Do the math.
As an artist, if I can create a presence and get the attention of a hundred thousand buyers, I should be able to do okay.
That's my theory - I'm just now beginning to get our music out there - time will tell.
As an artist, if I can create a presence and get the attention of a hundred thousand buyers, I should be able to do okay.
That's my theory - I'm just now beginning to get our music out there - time will tell.
Would you sign a record contract with a major label?
That would depend on the terms. Before I see an offer I can't rule it out... Do you know one that wants us?
Band History:
...it's a people thing.
As one listener noted, "When I listen to your songs I listen carefully. The first line or two pulls me in and I find myself paying less attention to what I am doing and more attention to what you are saying - the story you are telling." Braxton agrees, "It's about the lyrics."
While the core of Grasping At Laws has always been the duo, the sound has frequently been complemented - both live and in-studio - over the years by a variety of talented musical friends. Notables include Tom Proutt, Thomas Gunn of Neuronimo, Julie Goldman, and Jeff Romano (producing and contributing to the upcoming CD). We like to think that says something about the songs and spirit of Grasping At Laws. We have always made room for and encouraged friends to sit in, open our shows and share billing.
The substance of the sound is in understated, roomy rhythm guitar, djembé and vocals, providing an ample foundation for the lyrics at hand while leaving room for instrumentalists to sit in and lend the musical touches they are inspired to.
Greg's influences as a songwriter and performer are wide ranging - from early roles in musicals featuring traditional songs to days on the road with hometown rock bands to vinyl, 8-track, cassette and cd encounters with everything from Gary Puckett to Elvis to Townes Van Zandt. And REM.
Greg began writing songs in 1992 and performing regularly in 1996. Braxton has been drumming since he came down the chute basically, and played with a variety of bands on the Charlottesville scene growing up. Carter Beauford (of the Dave Matthews Band) once responded to an interview question by listing Braxton as one of his early drumming influences. Grasping At Laws met in 1996 when, as previously mentioned, they were invited to work with Granite Ghost. That didn't last, but an important friendship came out of it.
8 plus years later we are going strong, beginning to distribute our music around the world via radio, tv & internet, re-record our originals, invite some of the 'cream of the Charlottesville crop' to sing and play on the upcoming cd, and helping SongSharing chart previously uncharted waters. (see www.SongSharing.org for more on that)
The simple fact that we perform live dozens of hours each month lends a great deal. A paying venue, a senior home, a children's hospital or a juvenile detention center - across a diverse array of venues we're challenged to engage dynamic, attentive audiences in unique ways, week after week. There's something in that... something which has become an important intangible part of Grasping At Laws.
It's about the lyrics, and more importantly, it's about living them...
Our first studio EP was finished in May 2001 and was entitled 01. The CD received local and regional airplay and we self-produced and sold a decent amount of copies at shows. Guest appearances from BJ Clifford (guitar & vocals), Justin Thisdell (bass) and Julie Goldman (vocals). Several of these tracks can be heard at www.MySpace.com/graspingatlaws.
Our 2nd EP - Live at Rapunzel's - was released in June 2003 and recorded live in Lovingston, VA at - of course - Rapunzel's, a bomber coffee shop/bookshop/music mecca. Guest appearances from Thomas Gunn (of Neuronimo) and Tony Horning. This CD was produced as a give-away to build awareness for SongSharing, and was extremely effective to that end.
Our 3rd CD is in process at Greenwood Studios, Greenwood, VA with engineer Jeff Romano. This CD will sell to benefit SongSharing and will feature guests Julie Goldman, Tom Proutt and Jeff Romano - occassional SongSharing volunteers.
Frequently Asked Question: Are you guys attorneys or something? Where did you get that name?
Frequently Offered Response: We'll answer after you pay for that CD.
Actually we are not attorneys, although we know some, and have employed them from time to time. On good days, as well as bad, thank you.
Grasping At Laws - it's a people thing...
As one listener noted, "When I listen to your songs I listen carefully. The first line or two pulls me in and I find myself paying less attention to what I am doing and more attention to what you are saying - the story you are telling." Braxton agrees, "It's about the lyrics."
While the core of Grasping At Laws has always been the duo, the sound has frequently been complemented - both live and in-studio - over the years by a variety of talented musical friends. Notables include Tom Proutt, Thomas Gunn of Neuronimo, Julie Goldman, and Jeff Romano (producing and contributing to the upcoming CD). We like to think that says something about the songs and spirit of Grasping At Laws. We have always made room for and encouraged friends to sit in, open our shows and share billing.
The substance of the sound is in understated, roomy rhythm guitar, djembé and vocals, providing an ample foundation for the lyrics at hand while leaving room for instrumentalists to sit in and lend the musical touches they are inspired to.
Greg's influences as a songwriter and performer are wide ranging - from early roles in musicals featuring traditional songs to days on the road with hometown rock bands to vinyl, 8-track, cassette and cd encounters with everything from Gary Puckett to Elvis to Townes Van Zandt. And REM.
Greg began writing songs in 1992 and performing regularly in 1996. Braxton has been drumming since he came down the chute basically, and played with a variety of bands on the Charlottesville scene growing up. Carter Beauford (of the Dave Matthews Band) once responded to an interview question by listing Braxton as one of his early drumming influences. Grasping At Laws met in 1996 when, as previously mentioned, they were invited to work with Granite Ghost. That didn't last, but an important friendship came out of it.
8 plus years later we are going strong, beginning to distribute our music around the world via radio, tv & internet, re-record our originals, invite some of the 'cream of the Charlottesville crop' to sing and play on the upcoming cd, and helping SongSharing chart previously uncharted waters. (see www.SongSharing.org for more on that)
The simple fact that we perform live dozens of hours each month lends a great deal. A paying venue, a senior home, a children's hospital or a juvenile detention center - across a diverse array of venues we're challenged to engage dynamic, attentive audiences in unique ways, week after week. There's something in that... something which has become an important intangible part of Grasping At Laws.
It's about the lyrics, and more importantly, it's about living them...
Our first studio EP was finished in May 2001 and was entitled 01. The CD received local and regional airplay and we self-produced and sold a decent amount of copies at shows. Guest appearances from BJ Clifford (guitar & vocals), Justin Thisdell (bass) and Julie Goldman (vocals). Several of these tracks can be heard at www.MySpace.com/graspingatlaws.
Our 2nd EP - Live at Rapunzel's - was released in June 2003 and recorded live in Lovingston, VA at - of course - Rapunzel's, a bomber coffee shop/bookshop/music mecca. Guest appearances from Thomas Gunn (of Neuronimo) and Tony Horning. This CD was produced as a give-away to build awareness for SongSharing, and was extremely effective to that end.
Our 3rd CD is in process at Greenwood Studios, Greenwood, VA with engineer Jeff Romano. This CD will sell to benefit SongSharing and will feature guests Julie Goldman, Tom Proutt and Jeff Romano - occassional SongSharing volunteers.
Frequently Asked Question: Are you guys attorneys or something? Where did you get that name?
Frequently Offered Response: We'll answer after you pay for that CD.
Actually we are not attorneys, although we know some, and have employed them from time to time. On good days, as well as bad, thank you.
Grasping At Laws - it's a people thing...
Your influences?
R.E.M., Paul Simon, Jethro Tull, Michelle Shocked, Todd Snider, Kiss...
Favorite spot?
Y'know, I like going fast on motorcycles at road course type racetracks. Road Atlanta is a ball. Or chilling with my girlfriend and our 7 dogs...
Equipment used:
I play a Yamaha FG460 acoustic with a Fishman pickup of some sort - wonderful sound I think...
Braxton plays a Remo djembé. We like Bass ale.
Braxton plays a Remo djembé. We like Bass ale.
Anything else...?
check out our video at www.sonicbids.com/graspingatlaws - click the VIDEO tab...