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petecracc

 
petecracc

perk: SLAM POETRY of petecracc is a positive vibe, reality, sorrow, anger, open mindness, complex flow, slant rhyme, force teaching, agressiveness. petecracc si

23 songs
5.1K plays
1
Picture for song 'This is life ( ft. Lil' Humble )' by artist 'petecracc'

This is life ( ft. Lil' Humble )

Ft. lil humble
3
Picture for song 'swag girl -juan, petecracc & lil' humble ft DJ 5th' by artist 'petecracc'

swag girl -juan, petecracc & lil' humble ft DJ 5th

4
Picture for song 'Pyramid ( cover story )- Jancy ft. Petecracc' by artist 'petecracc'

Pyramid ( cover story )- Jancy ft. Petecracc

not trying to be the exact artist but just appreciating those artists
5
Picture for song 'where did our love go' by artist 'petecracc'

where did our love go

twisted & petecracc feat. CiiSum
Peter John Duka "petecracc" Plaza born on march 17, 1990 birth in da music scene: january 2006 genre: slam poetry, hiphop, smooth jazz , funky age: 20 label: 5shotz production reppin: 1898, noblemcees , 720 hoodlumz, KILLuminati BIO: a Filipino / chinese / muslim / Spanish ancestral blood. petecracc a.k.a freedoom writer was born march 17, 1990. raised in imus, cavite, but lived from cambodia to manila down to couple of town propers of cavite. his influneces are : ( immortal technique, 7L & esoteric, skillz, murs and slug, Brother ALI, pete philly & perquisite, dead prez, steve marley, play n' skillz, lupe fiasco, francis magalona ),he is a broad listener of jazz, hiphop, rap, underground, soul, RNB, tri-hop, electro, house music, trance, ballad, classics, reggae, bules, word spoken, poetry slam. he discovered his skills as an emcee in baranggay tinago, dumaguete city oriental philippines. 2006 when he first tried to step up and spit on the stage, it is in a brink of acceptance and rejection. he just performed like theres no people around him then someone saw his potential as an emcee. thee JOURNALIST interviewed petecracc how, when and why and thee journalist gave him a break through locally and petecracc is recognized in the industry called " hip-hop culture " , lastly he collaborates to other artist thoughout the world who understands the essence of being a true poet and emcee. INSIGHT: a positive vibe, reality, jazzy, anxiety, open mindness, complexity, slant rhyme, broad teaching, agressiveness and progressiveness. petecracc simply rap and rep for his name to be heard and to be respected as an artist of new generation of hiphop. and he enlightens people to change their way of living. DISCOGRAPHY: ALBUM #1: It's just " FLOETRY " realeased from way back 2008 description: from his former group called likalento philippines, they compiled there latest songs. petecraccs ideas are implemented on the design of the album, petecracc tried to redesign the back part of the album and the front with the help of his former co-artist " angelow aka ayo, petecracc released the album printed and produced the hard copy of the likalento first official album. ALBUM #2: " Ang pag labas ng lakan " vol. 1 series 2010 ( by rapista blog spot ) description: with aero. from 6g , skipp of red rum , midwest recordz , nathan J , nimbus 9 , mike kosa and many more.... link: http://www.facebook.com/l.php?u=http%3A%2F%2Frapista.blogspot.com%2F2010%2F12%2Frapista-mixtape-volume-one-ang-paglabas.html&h=0e16e download pack: http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.mediafire.com%2F%3Fjei9kz85yk59kao&h=0e16e ALBUM #3: " LOVE stories " released 2010 description: RNB and hiphop compilation by " mharcko " CINCO " garcia " camp: 5 shotz production/family owned by Mharcko " CINCO " Garcia http://www.soundclick.com/5shotz youtube: www.youtube.com/indamicitrulytrust reverbnation: www.reverbnation.com/petecracc soundclick: www.soundclick.com/petecracc twitter: www.twitter.com/petecracc contact: SKYPE: IMpetecracc yahoo: mfamilia_petecracc AIM: IMpetecracc96 facebook: www.facebook.com/petecracc.muzik
Band/artist history
working solo but collaborating through out the globe..
Have you performed in front of an audience?
yes, i ve performed nation wide, davao, dumaguete, quezon city, ortigas-makati, dasmarinias-cavite, las pinas, kawit cavite, cebu, laguna, taguig, north to south and south to north^^
Your musical influences
A poetry slam is a competition at which poets read or recite original work (or, more rarely, that of others). These performances are then judged on a numeric scale by previously selected members of the audience. Typically, poetry slam is highly politicized, speaking on many issues including current social and economic issues, gendered injustices, and racial issues. Poets are judged not only on the content of their slam but the manner of delivery and passion behind their words. Poetry slams can feature a broad range of voices, styles, cultural traditions, and approaches to writing and performance. Some poets are closely associated with the vocal delivery style found in hip-hop music and draw heavily on the tradition of dub poetry, a rhythmic and politicized genre belonging to black and particularly West Indian culture. Others employ an unrhyming narrative formula. Some use traditional theatric devices including shifting voices and tones, while others may recite an entire poem in ironic monotone. Some poets use nothing but their words to deliver a poem, while others stretch the boundaries of the format, tap-dancing or beatboxing or using highly-choreographed movements. Bob Holman One of the goals of a poetry slam is to challenge the authority of anyone who claims absolute authority over literary value. No poet is beyond critique, as everyone is dependent upon the goodwill of the audience. Since only the poets with the best cumulative scores advance to the final round of the night, the structure assures that the audience gets to choose from whom they will hear more poetry. Audience members furthermore become part of each poem's presence, thus breaking down the barriers between poet/performer, critic, and audience. Bob Holman, a poetry activist and former slammaster of the Nuyorican Poets Cafe, once called the movement "the democratization of verse[5]." In 2005, Holman was also quoted as saying: “ The spoken word revolution is led a lot by women and by poets of color. It gives a depth to the nation's dialogue that you don't hear on the floor of Congress. I want a floor of Congress to look more like a National Poetry Slam. That would make me happy. [6]
What equipment do you use?
paper and pen
Anything else?
ENJOY!!!!!
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