The name reflects both the music, which is virtually sample-free, and the words in the lyrics, which come from real life situations.

I have done shows in various spots all over the Dallas/Ft. Worth area. A couple of the most notable include a September 11th benefit concert, which was held 2 weeks after the Sept.11 terrorist attacks, and the Dallas Music Festival.

The internet has created a huge outlet for indie artists. I am starting to become more involved with the trend, and making my music available online has increased my fanbase. It's a worthwile medium to use.

My main goal is to create more of a buzz with what I have now. Still trying to get the business aspects straightened out first. After that...

12+ years veteran; 9 albums recorded; 200+ songs written; 400+ tracks recorded for more than 30 artists, including hip-hop, rhythm and blues, and spokenword; produced music score for hip-hop play, "Noxide Square" in 2002; featured on several mixtapes, including: NOMMO (1998), Scremix Vol.1 (2005), Dude Where's My Shades Vol.1 (2004), 1000 Mile Dash Vol.1 & 2 (2006)

Common, Slum Village, Talib Kweli, GangStarr, KRS-One, Outkast, Erykah Badu, Conya Doss, The Roots, and ANY LOCAL ARTIST TRYIN TO MAKE IT IN THIS GAME!

Dallas is forever home, but I would like to revisit the Twin Cities area in Minnesota.

Ensoniq EPS Performance Sampler; Mackie VLZ1202 Mixer; Boss BR-8 Digital Recording Studio; Oktava MK-219 Condenser Mic; Shure AXS1 Mic; Data Becker Sound Clips 10,000; Akai MPC drum package, ACID 6.0

If you are not serious about this business, STAY OUT OF THE STUDIOS AND QUIT WASTING THE TIME OF OTHERS! It does not make sense to use up tracks and studio time, and then you take the track home and sit on it forever. Make people listen. Make people know who you are. GROW THE HELL UP! You wanna be an entertainer? Learn how to conduct yourself in a businesslike manner...cause the music industry is a JOB...NOT A HOBBY! And with all businesses, make it the most fun job you can ever imagine, and don't let stress, fortune, and all the intangibles get to your head. Know the people you work with. Do soundchecks. Look professional. Give credit where credit is due.