Chairs
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Tor Hougen, Eric and Donna Prust got to know each other by playing together at bluegrass jams around Livermore, California around the years 1998-99.
After listening to original old-time recordings they began playing old-time tunes together as well.
Most of their tunes typically use various combinations of the banjo, fiddle, mandolin, guitar and bass and every now and then you'll hear a dobro or autoharp being used as well.
Their earliest recordings were recorded on dynamic mics and then bounced to cassette.
There was no way to store the mixes with the gear we had at the time, and they were erased for good after they'd been bounced to the tape deck.
You'll hear some badly mixed tunes now and then since they couldn't be changed after they had been bounced to cassette.
It was decided to "archive" many of them here at SoundClick for anyone that wanted to hear them.
Tor usually sings lead vocals, but enjoys singing backing harmonies as well.
He plays guitar, mandolin, clawhammer banjo and the juice harp at the moment.
He has his eyes and ears on the fiddle and dobro, but currently lacks the time to play them.
Eric also sings lead occasionally but mostly sings backup vocals.
He also plays both bluegrass and clawhammer banjo, as well as the fiddle, guitar, dobro, mandolin and harmonica (you'll often hear him playing different instruments on one song).
Donna plays the bass and occasionally sings lead vocals as well.
Hopefully, we'll hear more from her in future Chairs projects!
The Prust's now live on a farm in Sequim, Washington with a pig named Josephine and a bunch of chickens and a rooster.
Eric Prust makes homemade fretless banjos out of his workshop.
Tor continues to work and live in the San Francisco Bay area but visits the Prusts often.
Recording projects are ongoing, and will be uploaded over time.
Why this name?
During the fall of 2000, I'd been looking for chairs to furnish my new apartment.
One day after a trip to the local Tower Records, I saw that Donna had sent me an email titled "the chairs".
She had told me months earlier that a co-worker of hers had some chairs that she was trying to get rid of.
Having just come from the store with thoughts about the incredibly weird bandnames people choose, I thought she was going to tell me about some band.
Turned out she was just letting me know that she finally had the chairs for my apartment, and that I could pick them up any time.
After telling Eric and Donna the story, we all joked (not serious at all) around with the name while we were recording our routine weekly weekend sessions in Livermore.
At local bluegrass jams, chairs are such a part of the decor since people need to sit and play.
So, every weekend when we gathered in Eric and Donna's living room full of chairs (for our weekly recording sessions), the joke name didn't seem too far from the truth!
See our picture...
When it came time (2001) to put a name on the homemade CD's we were handing out to friends, it was the only name we could think up on a moments notice.
One day after a trip to the local Tower Records, I saw that Donna had sent me an email titled "the chairs".
She had told me months earlier that a co-worker of hers had some chairs that she was trying to get rid of.
Having just come from the store with thoughts about the incredibly weird bandnames people choose, I thought she was going to tell me about some band.
Turned out she was just letting me know that she finally had the chairs for my apartment, and that I could pick them up any time.
After telling Eric and Donna the story, we all joked (not serious at all) around with the name while we were recording our routine weekly weekend sessions in Livermore.
At local bluegrass jams, chairs are such a part of the decor since people need to sit and play.
So, every weekend when we gathered in Eric and Donna's living room full of chairs (for our weekly recording sessions), the joke name didn't seem too far from the truth!
See our picture...
When it came time (2001) to put a name on the homemade CD's we were handing out to friends, it was the only name we could think up on a moments notice.
Do you play live?
I'd say we're mostly a recording band at the moment.
Besides a small circle of friends and occasional radio play, the only people to really hear our music has been the internet community.
Eric currently plays with locals in Port Angeles and Port Townsend at bars and cafes, and plays with Scott Schreier as a part of "Skidder Hill".
Favorite moment was when we played (along with Scott Schreier) in a near empty restaurant (Thanksgiving) that served the best gourmet food we've all had in many years...we could pick whatever was on the menu and we ate before we played!
We were finally the only ones left in the restaurant, and they let us go early!
Besides a small circle of friends and occasional radio play, the only people to really hear our music has been the internet community.
Eric currently plays with locals in Port Angeles and Port Townsend at bars and cafes, and plays with Scott Schreier as a part of "Skidder Hill".
Favorite moment was when we played (along with Scott Schreier) in a near empty restaurant (Thanksgiving) that served the best gourmet food we've all had in many years...we could pick whatever was on the menu and we ate before we played!
We were finally the only ones left in the restaurant, and they let us go early!
How, do you think, does the internet (or mp3) change the music industry?
I think it has taken power away from the music industry in the respect that consumers now have more choices available to them and no longer have to put up with the trends and limited options set by large record companies.
It's created a whole new environment for independent artists.
Never before has the general public had such easy access to such a variety of music!
It's created a whole new environment for independent artists.
Never before has the general public had such easy access to such a variety of music!
Would you sign a record contract with a major label?
As long as we can still share our music with others over the internet.
(We'd have to think about that...we're certainly not waiting for anything!)
(We'd have to think about that...we're certainly not waiting for anything!)
Band History:
We began by playing mostly bluegrass tunes, but at the moment enjoy playing a lot of old time or traditional tunes as well...and whatever else strikes our fancy!
Current recordings are done with ProTools LE, a digi 002 console and are ongoing.
Current recordings are done with ProTools LE, a digi 002 console and are ongoing.
Your influences?
Traditional Doc Watson, Clarence Ashley, Tommy Jarrell, J.E. Mainer, Dock Boggs, Highwoods String Band, Uncle Dave Macon, Fiddlin' John Carson, Benton Flippen, Eck Robertson, Charlie Poole, New Lost City Ramblers, G.B. Grayson, Gid Tanner, Riley Puckett, Clyde Davenport, Hobart Smith, pretty much anything recorded by Alan Lomax, Harry Smith & Cecil Sharp and all the Field Recorders' Collective CD's.
Favorite spot?
A good chair!?
(Right where I am.)
(Right where I am.)
Equipment used:
In Washington and California, we use Pro Tools LE and a Digi 002.
Anything else...?
Have fun!
Tor
Tor
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